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"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, LLC Shakespeare, MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Drama, Greek and Roman drama, Theater, Adaptation
Item Type:
Review
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby (see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare performance, Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance, Royal Shakespeare Company
“Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare
Author(s):
Michael Ullyot (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, EMDC: The Early Modern Digital Collaboratory, Global Shakespeares, LLC Shakespeare
Subject(s):
Cognitive theory, Shakespeare in adaptation, Shakespeare performance, Virtual reality
Item Type:
Conference paper
Tag(s):
interfaces, orson welles
Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in _Hamlet_
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare in adaptation, Feminist art history, Textual editing, Art history
Item Type:
Book chapter
Race
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare
Item Type:
Book
Tag(s):
race and gender, East Asian cultures, whiteness
"Race and the Epistemologies of Otherness." chapter 5 of Race by Alexa Alice Joubin and Martin Orkin. New Critical Idiom series (London: Routledge, 2019), pp. 193-227
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, LLC 16th-Century English, LLC East Asian, LLC Shakespeare
Subject(s):
Critical race theory, Social justice, Feminist criticism, History of science, Diaspora studies, Critical race studies, Postcolonialism, Shakespeare
Item Type:
Book chapter
Tag(s):
race and gender, East Asian cultures
Unlearning Shakespeare Studies: Speculative Criticism and the Place of Fan Activism
Author(s):
Louise Geddes (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, TC Popular Culture
Subject(s):
Shakespeare, Fandom
Item Type:
Article
"Bruised with Adversity": Reading Race in The Comedy of Errors
Author(s):
pakhimie (see profile)
Date:
2016
Group(s):
LLC 16th-Century English, LLC 17th-Century English, LLC Shakespeare, TC Race and Ethnicity Studies
Subject(s):
Shakespeare, Race, Renaissance drama, Early Modern, Violence, Critical race studies
Item Type:
Book chapter
Tag(s):
Comedy of Errors, Bruise, Slave, servant
“The Wild West meets the wives of Windsor: Shakespeare and Music in the Mythological American West”
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Global Shakespeares, LLC Shakespeare
Subject(s):
Shakespeare, Music
Item Type:
Book chapter
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies
Item Type:
Article
Tag(s):
Africanism, political theatre
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de’ Medici. Catherine Fletcher. Oxford: Oxford University Press, 2016. xxvii + 308 pp. $29.95.
Author(s):
Mary Gallucci (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Medieval and Renaissance Italian, LLC Shakespeare, TC Race and Ethnicity Studies
Subject(s):
Race/ethnicity, Renaissance culture, Biography Studies, Hybridity, Cultural studies, Black studies, Early modern Italy, Historiography
Item Type:
Book review
Tag(s):
race history, moor
Between Anthropocentrism and Anthropomorphism: A corpus-based analysis of animal comparisons in Shakespeare’s plays
Author(s):
Lorelei Caraman (see profile) , Sorina Postolea
Date:
2017
Group(s):
LLC Shakespeare, TM Literary Criticism
Subject(s):
Human-animal relationships, Animal studies, Shakespeare, Corpus linguistics, Linguistics and literature, Linguistics, Posthumanism
Item Type:
Article
Tag(s):
animals in literature, Shakespearean corpus
Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method
Author(s):
Bradley Irish (see profile)
Date:
2013
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Shakespeare, Renaissance drama
Item Type:
Article
Tag(s):
Richard II, Source Study, Thomas of Woodstock
Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama
Author(s):
Bradley Irish (see profile)
Date:
2009
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Renaissance drama, Revenge tragedies, Shakespeare and early modern drama, Shakespeare
Item Type:
Article
Tag(s):
revenge, kyd
Julius Caesar: Tyrannicide Made Unpopular
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare
Item Type:
Article
Tag(s):
julius caesar, tyranny, Earl of Essex
"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory
Item Type:
Book chapter
Tag(s):
Shakespeare in performance, intercultural theatre
"The Fiend Gives Friendly Counsel": Laucelot Gobbo and Polyglot Economics in The Merchant of Venice
Author(s):
Steve Mentz (see profile)
Date:
2003
Group(s):
Global Shakespeares, LLC 16th-Century English, LLC Shakespeare
Subject(s):
Shakespeare, Economic criticism
Item Type:
Book chapter
On Judges and the Art of Judicature: Shakespeare’s Henry IV, Part 2
Author(s):
Penelope Geng (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, TC Law and the Humanities
Subject(s):
Shakespeare, Early modern cultural history, Law and literature, Literature and religion
Item Type:
Article
"Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre
Item Type:
Review
Tag(s):
Taming of the Shrew, Shakespeare in performance
Strange Weather in King Lear
Author(s):
Steve Mentz (see profile)
Date:
2010
Group(s):
LLC 17th-Century English, LLC Shakespeare, TC Ecocriticism and Environmental Humanities
Subject(s):
Shakespeare, Ecocriticism, Pastoral studies
Item Type:
Article
Tag(s):
ecocriticism, weather, Shakespeare

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