Deposits – Humanities Commons

CORE Search Results Start Search Over

"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
Item Type:
Book chapter
Tag(s):
affect theory, Cultural appropriation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Chinese studies, Adaptation, Memory, Globalization
Item Type:
Article
Tag(s):
Tang Xianzu, commemoration, Sino-british relations
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear, digital archive, Beijing opera, Peter Brook
‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet
Author(s):
Kevin A. Quarmby (see profile)
Date:
2015
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, History of Shakespearean criticism, Shakespeare
Item Type:
Article
Tag(s):
Shakespeare's biography, William Shakespeare
Moon-Crossed: a play in play with All's Well That Ends Well
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Adaptation, Shakespeare in adaptation, Drama, Theater
Item Type:
Fictional work
Tag(s):
parody
Shakespeare's Anti-Balcony Scene
Author(s):
Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Literature and film, Theatre history, Folklore, Troubadours
Item Type:
Article
Tag(s):
Romeo and Juliet, Balcony scenes, Blondel, Rapunzel, Stage directions
Intermediated Bodies and Bodies of Media: Screen Othellos
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Michael Neill, David Schalkwyk
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality
Item Type:
Book chapter
Tag(s):
Othello, Shakestream, Vlog, Shakespeare on film
Focus on "Henry V": Navigating Digital Text, Performance, and Historical Resources
Author(s):
Hayden Benson, Charlène Current, Nora Galland, Philip Gilreath, Julia Koslowsky, Mikaela LaFave, Florence March, Janice Valls-Russell, Daniel Yabut
Editor(s):
Sujata Iyengar (see profile) , Nathalie Vienne-Guerrin
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, RCWS Writing Pedagogies, TC Digital Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Shakespeare, Open educational resources, Open-access publishing, Language arts teacher education, Digital publishing
Item Type:
Online publication
Tag(s):
Henry V, scalar, OER, Digital Textbook, Open-access scholarship
Shakespeare and the post-millennial cancer novel
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Andrew James Hartley
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, TM Book History, Print Cultures, Lexicography
Subject(s):
Shakespeare, Contemporary fiction, Medical humanities, Postmodernism, 21st-century American genre fiction, Print culture, YA fiction
Item Type:
Book chapter
Tag(s):
The Novel, chick lit, thriller
The Humanities Quadrant: How Humanists, Scientists, and Industrialists Are All Doing The Same Thing (and why we need better assessment tools for all of it)
Author(s):
Sujata Iyengar (see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Assessment, Service learning, Sustainability, Shakespeare, Arts-based research
Item Type:
Conference paper
Tag(s):
upcycling, ophelia, the senses, Pasteur's quadrant, humanities assessment
Upcycling Shakespeare: Crafting Cultural Capital
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Daniel Fischlin
Date:
2014
Group(s):
LLC Shakespeare, TM Book History, Print Cultures, Lexicography
Subject(s):
Sustainability, Craft, Precarity, Creativity, Artist's books, Intermediality
Item Type:
Book chapter
Tag(s):
Ophelia, Upcycling, Jewelry, Book Arts
Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics
Author(s):
Sujata Iyengar (see profile)
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Feminism, Intermediality, Appropriation, Citizenship
Item Type:
Book chapter
Tag(s):
Maya Angelou, Claudia Rankine, Phyllis Wheatley, Othello, Womanism
Hamlet (RSC, 2016) and representations of diasporic blackness
Author(s):
Lesley Feracho, Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism
Item Type:
Article
Tag(s):
Hamlet, RSC, Basquiat, postcoloniality, transnationalism
If Ophelia were Macro, not Micro
Author(s):
Sujata Iyengar (see profile)
Date:
2011
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Popular culture, Art history
Item Type:
Article
Tag(s):
Ophelia, Hamlet, Shakespeare in Art, Shakespeare and fiction, Shakespeare in popular culture
Introduction: Shakespeare's Discourse of Disability
Author(s):
Sujata Iyengar (see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Disability studies, Medieval and early modern medicine, History of Emotions, Gender and medicine
Item Type:
Book chapter
Tag(s):
Health Studies, Happiness Studies, Sonnet 66
Shakespeare's Embodied Ontology of Gender, Air and Health
Author(s):
Sujata Iyengar (see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Critical disability studies, Early modern British literature, Shakespeare, Ecocriticism, Medieval and early modern medicine
Item Type:
Book chapter
Tag(s):
Midsummer Night's Dream, Macbeth, Antony and Cleopatra, Cymbeline, humoral theory
Appropriation and Design of an Online Shakespeare Journal
Author(s):
Christy Desmet, Sujata Iyengar (see profile)
Date:
2006
Group(s):
LLC Shakespeare, TC Digital Humanities
Subject(s):
Shakespeare in adaptation, Digital scholarly editing, Digital publishing, Digital humanities, XML
Item Type:
Book chapter
Renaissance Landscapes
Author(s):
Hugh M. Richmond (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare
Subject(s):
Landscape, English Renaissance literature, Shakespeare, Milton, 16th-century French literature, Comparative literature, Renaissance
Item Type:
Bibliography
Tag(s):
literary ecology, Historical Psychology
"Ophelia Unbound in Asian Performances." Actes des congrès de la Société française Shakespeare 37 (2019): 1-12
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, Feminism, Adaptation, Film studies, Gender and queer studies, Bollywood, Appropriation
Item Type:
Article
Tag(s):
Ophelia, Shakespeare in performance, queer cinema
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Drama, Greek and Roman drama, Theater, Adaptation
Item Type:
Review
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby (see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare performance, Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance, Royal Shakespeare Company
“Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare
Author(s):
Michael Ullyot (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, EMDC: The Early Modern Digital Collaboratory, Global Shakespeares, LLC Shakespeare
Subject(s):
Cognitive theory, Shakespeare in adaptation, Shakespeare performance, Virtual reality
Item Type:
Conference paper
Tag(s):
interfaces, orson welles
Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in _Hamlet_
Author(s):
Sujata Iyengar (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare in adaptation, Feminist art history, Textual editing, Art history
Item Type:
Book chapter
Race
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
East Asian Languages and Literatures after 1900, Interdisciplinary Approaches to Culture and Society, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Critical race studies, Gender theory, Film studies, Postcolonialism, Shakespeare, Social justice, Global Shakespeare
Item Type:
Book
Tag(s):
race and gender, East Asian cultures, whiteness

Viewing item 1 to 25 (of 96 items)

1 2 … 4 →

@

Not recently active