Deposits – Humanities Commons

Search for:

Register Log In

Open access, open source, open to all

News Feed
Members
Groups
Sites
CORE Repository
Help & Support
HC Organizations
About
Roadmap
Team Blog

Log in

News Feed
Members
Groups
Sites
CORE Repository
Help & Support
HC Organizations
About
Roadmap
Team Blog

CORE Search Results Start Search Over

Order By:

Search Field:

All Deposits 0

The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.
Author(s):
Jeremy Coleman (see profile)
Date:
2017
Group(s):
International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub
Subject(s):
Musicology, Editing, Opera, German theatre
Item Type:
Review
Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.
Author(s):
Jeremy Coleman (see profile)
Date:
2013
Group(s):
International Musicological Society (IMS)
Subject(s):
Musicology, Feminism, Sexuality, Gender, Opera
Item Type:
Review
‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman (see profile)
Date:
2019
Group(s):
Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
Subject(s):
Historical musicology, Musicology, National identity, Opera, Translation
Item Type:
Article
Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Russian musical history, Opera, Metaphor, Poetics
Item Type:
Article
Tag(s):
Opera semiotics, synecdoche, Gogolian mask
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Opera, Russian musical history, Comparative literature
Item Type:
Article
Tag(s):
Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics
Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, W. A. Mozart, E. T. A. Hoffmann
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
Subject(s):
Comparative cultural studies, History of opera, Opera staging
Item Type:
Book chapter
Tag(s):
Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera

Viewing item 1 to 8 (of 8 items)

Filter results (select all that apply)

Author
- Jeremy Coleman 3X
- Miklos Mezosi 5X
Group
Subject
Item Type
Date
- 2019 4X
- 2017 1X
- 2013 1X
- 2009 2X
File Type
- Text 8X

HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active