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  • The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2017
    Group(s):
    International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub
    Subject(s):
    Musicology, Editing, Opera, German theatre
    Item Type:
    Review

  • Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2013
    Group(s):
    International Musicological Society (IMS)
    Subject(s):
    Musicology, Feminism, Sexuality, Gender, Opera
    Item Type:
    Review

  • ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide

    Author(s):
    Jeremy Coleman (see profile)
    Date:
    2019
    Group(s):
    Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
    Subject(s):
    Historical musicology, Musicology, National identity, Opera, Translation
    Item Type:
    Article

  • Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, International Musicological Society (IMS)
    Subject(s):
    Comparative 18th-century and 19th-century literature
    Item Type:
    Conference proceeding
    Tag(s):
    Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan

  • Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2009
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Literary theory
    Subject(s):
    19th-century Russian literature, Russian musical history, Opera, Metaphor, Poetics
    Item Type:
    Article
    Tag(s):
    Opera semiotics, synecdoche, Gogolian mask

  • How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2009
    Group(s):
    American Musicological Society, International Musicological Society (IMS), Literary theory
    Subject(s):
    19th-century Russian literature, Opera, Russian musical history, Comparative literature
    Item Type:
    Article
    Tag(s):
    Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics

  • Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, International Musicological Society (IMS)
    Subject(s):
    Comparative 18th-century and 19th-century literature
    Item Type:
    Conference proceeding
    Tag(s):
    Literature and music, W. A. Mozart, E. T. A. Hoffmann

  • Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
    Subject(s):
    Comparative cultural studies, History of opera, Opera staging
    Item Type:
    Book chapter
    Tag(s):
    Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera

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  • Author
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    • Miklos Mezosi 5X
  • Group
    • American Musicological Society 5X
    • Ethnomusicology 1X
    • Global & Transnational Studies 1X
    • International Musicological Society (IMS) 8X
    • Literary theory 2X
    • Music History/Musicology Pedagogy Resource Hub 2X
    • Society for Music Theory (SMT) 1X
    • more>>
  • Subject
    • 19th-century Russian literature 2X
    • Comparative 18th-century and 19th-century literature 2X
    • Comparative cultural studies 1X
    • Comparative literature 1X
    • Editing 1X
    • Feminism 1X
    • Gender 1X
    • German theatre 1X
    • Historical musicology 1X
    • History of opera 1X
    • Metaphor 1X
    • Musicology 3X
    • National identity 1X
    • Opera 5X
    • Opera staging 1X
    • Poetics 1X
    • Russian musical history 2X
    • Sexuality 1X
    • Translation 1X
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    • Book chapter 1X
    • Conference proceeding 2X
    • Review 2X
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    • 2017 1X
    • 2013 1X
    • 2009 2X
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