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The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.
Author(s):
Jeremy Coleman
(see profile)
Date:
2017
Group(s):
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
Subject(s):
Musicology
,
Editing
,
Opera
,
German theatre
Item Type:
Review
Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.
Author(s):
Jeremy Coleman
(see profile)
Date:
2013
Group(s):
International Musicological Society (IMS)
Subject(s):
Musicology
,
Feminism
,
Sexuality
,
Gender
,
Opera
Item Type:
Review
‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Global & Transnational Studies
,
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
,
Society for Music Theory (SMT)
Subject(s):
Historical musicology
,
Musicology
,
National identity
,
Opera
,
Translation
Item Type:
Article
Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music
,
E. T. A. Hoffmann
,
W. A. Mozart
,
Don Giovanni/Don Juan
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
19th-century Russian literature
,
Russian musical history
,
Opera
,
Metaphor
,
Poetics
Item Type:
Article
Tag(s):
Opera semiotics
,
synecdoche
,
Gogolian mask
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi
(see profile)
Date:
2009
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
,
Literary theory
Subject(s):
19th-century Russian literature
,
Opera
,
Russian musical history
,
Comparative literature
Item Type:
Article
Tag(s):
Gogol
,
Musorgsky
,
Mandelstam
,
Dante Alighieri
,
Opera semiotics
Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music
,
W. A. Mozart
,
E. T. A. Hoffmann
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Ethnomusicology
,
International Musicological Society (IMS)
Subject(s):
Comparative cultural studies
,
History of opera
,
Opera staging
Item Type:
Book chapter
Tag(s):
Opera semiotics
,
E. Th. A. Hoffmann
,
S. Kierkegaard
,
W. A. M. Mozart
,
Literature and opera
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