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Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Russian musical history, Opera, Metaphor, Poetics
Item Type:
Article
Tag(s):
Opera semiotics, synecdoche, Gogolian mask
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Opera, Russian musical history, Comparative literature
Item Type:
Article
Tag(s):
Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics
Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, W. A. Mozart, E. T. A. Hoffmann
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
Subject(s):
Comparative cultural studies, History of opera, Opera staging
Item Type:
Book chapter
Tag(s):
Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera

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