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Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976
Author(s):
Thomas Dreher (see profile)
Date:
1992
Group(s):
History of Art
Item Type:
Book
Tag(s):
Art and Language, Art of the Seventies, Art of the Sixties, Concept Art, Photo-Texts
Performance Art nach 1945. Intermedia und Aktionstheater.
Author(s):
Thomas Dreher (see profile)
Date:
2001
Group(s):
History of Art
Subject(s):
Intermedia, Performance art
Item Type:
Book
Tag(s):
Action Theatre, Happenings, Participation, Participation Art
History of Computer Art
Author(s):
Thomas Dreher (see profile)
Date:
2018
Group(s):
History of Art
Subject(s):
Games, Installation art
Item Type:
Book
Tag(s):
Computer Art, computer graphics, net art, pervasive games
Experts and Auctioneers in Paris Art Auctions 1852-1862
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2017
Group(s):
Digital Art History, History of Art, Linked Open Data, Victorian Studies
Subject(s):
Art history, Digital art history, Art market, 19th-century French studies, Network analysis
Item Type:
Online publication
Tag(s):
auction, Hôtel Drouot, Commissaire-Priseur, Expert, expertise
Sandrart.net - Eine Online-Edition eines Textes des 17. Jahrhunderts
Author(s):
Carsten Bluem, Anna Schreurs, Thorsten Wuebbena (see profile)
Date:
2010
Group(s):
Digital Art History, History of Art
Subject(s):
Art history
Item Type:
Article
Virtualität und Ökonomie Ästhetische Potentiale der vernetzten Hypergraphik
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2016
Group(s):
History of Art
Subject(s):
Digital arts, Art history, Virtual reality, Value theory
Item Type:
Article
Tag(s):
second life, francogrid, facebook, netart
Neue, neuere, neueste Kunstgeschichte? Wie die Wissenschaft versucht, den Kunsthandel zu „erobern“
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2015
Group(s):
History of Art
Subject(s):
Art market, Art marketing, Art history, Economic history, Art theory
Item Type:
Article
Tag(s):
Kunstgeschichte, Neue Kunstgeschichte, Social History of Art, Economics of Culture
Along an African Border: Angolan Refugees and Their Divination Baskets
Author(s):
Sonia Silva (see profile)
Date:
2014
Group(s):
Anthropology, History of Art, Indigenous Studies, Performance Studies, Religious Studies
Subject(s):
African studies, Cultural studies, History of religions, Phenomenology, Ritual studies
Item Type:
Book
Tag(s):
Divination, knowledge, objectification, Personification, Refugees
Art and Fetish in the Anthropolgy Museum
Author(s):
Sonia Silva (see profile)
Date:
2017
Group(s):
Anthropology, History of Art, Museums, Postcolonial Studies, Religious Studies
Subject(s):
African art, Anthropology, Art, Cultural anthropology, Modernism, Museums
Item Type:
Article
Tag(s):
museum exhibitions
The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2017
Group(s):
History of Art, Victorian Studies
Subject(s):
19th-century discourse, 19th-century French literature, Art history, Art market, Art theory
Item Type:
Article
Tag(s):
auction, Auctions, financialisation, Hôtel Drouot
¿Lucidez o fantasía neurótica? Gustave Doré como ilustrador de la Divina Comedia: el caso del bosque de los suicidas
Author(s):
David Villalta (see profile)
Date:
2018
Group(s):
Art's Impact on Society, History of Art
Subject(s):
19th-century studies, Dante, Dante studies
Item Type:
Article
Tag(s):
Divine Comedy, Gustave Doré
Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency
Author(s):
Sarah M. Dreller (see profile)
Date:
2015
Group(s):
Architectural History and Theory, History of Art
Subject(s):
Architectural history, History of photography, Modernism, Interior design history
Item Type:
Article
Tag(s):
Architectural Photography, Ludwig Mies van der Rohe, Farnsworth House, Hedrich Blessing, Transparency
Architectural Forum, 1932-64: A Time Inc. Experiment in American Architecture and Journalism
Author(s):
Sarah M. Dreller (see profile)
Date:
2015
Group(s):
Architectural History and Theory, History of Art
Subject(s):
Architectural history, American history, Modernism, Culture and capitalism, Periodical studies
Item Type:
Dissertation
Tag(s):
Time Inc., Architectural journalism, Modern Architecture, data-based art history, The American Century
A Note on the Problem of Defining "Art"
Author(s):
Arnold Berleant (see profile)
Date:
1964
Group(s):
Art's Impact on Society, History of Art
Subject(s):
Aesthetics, Art criticism, Philosophy
Item Type:
Article
Tag(s):
aesethetics, art, experience, experiencing art, philosophy of art
Continuity and Disruption in European Networks of Print Production, 1550-1750
Author(s):
Matthew Lincoln (see profile)
Date:
2017
Group(s):
Digital Art History, Digital Humanists, History of Art
Subject(s):
Early Modern, Network analysis, Printmaking
Item Type:
Article
Tag(s):
network analysis, printmaking, simulation, Dutch
Visual Tradition and production in early Japanese Photography
Author(s):
Josue Baruj Gordon Guerrero (see profile)
Date:
2017
Group(s):
History of Art
Subject(s):
Japanese art, Japanese culture, Japanese studies, Photography, Visual studies
Item Type:
Article
Catalogue Entries--"Early Modern Faces" Exhibition at Newcomb Gallery, 2014
Author(s):
Sonya Wohletz (see profile)
Date:
2017
Group(s):
History of Art
Subject(s):
Art history, Early Modern, Painting
Item Type:
Essay
Death is all things we see awake; all we see asleep is sleep
Author(s):
Juuso Tervo (see profile)
Date:
2017
Group(s):
Art's Impact on Society, Contemporary Art, History of Art
Subject(s):
Contemporary art, Continental philosophy, Death
Item Type:
Presentation
Tag(s):
immortality, Political Philosophy, thanatology
‘God is in the details’: visual culture of closeness in the circle of Cardinal Reginald Pole
Author(s):
Lorraine de la Verpillière (see profile)
Date:
2015
Group(s):
History of Art
Subject(s):
16th century, Art history
Item Type:
Article
Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?
Author(s):
Jaleen Grove (see profile)
Date:
2009
Group(s):
Art's Impact on Society, History of Art
Subject(s):
20th century, Art criticism, Commercial art, Illustration, United States of America
Item Type:
Article
Tag(s):
1960s, artists, art theory, illustration, New York City
Public Art Syllabus
Author(s):
Andrew Findley (see profile)
Date:
2017
Group(s):
History of Art
Subject(s):
Public art, Public philosophy
Item Type:
Syllabus
Tag(s):
Art history, public humanities, Public Phillosophy
Daniel Sherer on Peter Eisenman’s Palladio Virtuel
Author(s):
ds12345 (see profile)
Date:
2017
Group(s):
Architectural History and Theory, Cultural Studies, History of Art
Subject(s):
Architectural criticism, Architectural history, Architecture
Item Type:
Review
Rewind – play – fast forward. The past, present and future of the music video: introduction
Author(s):
Henry Keazor, Thorsten Wuebbena (see profile)
Date:
2010
Group(s):
History of Art
Subject(s):
Art history, Media studies
Item Type:
Book chapter
Tag(s):
Art history, music video
"Datenvisualisierung in den Geisteswissenschaften" : ein Laborbericht als Tagungsprolog
Author(s):
Sven Peter, Thorsten Wuebbena (see profile)
Date:
2016
Group(s):
History of Art
Subject(s):
Art history, Data visualization
Item Type:
Article
Predicting the Past: Digital Art History, Modeling, and Machine Learning
Author(s):
Matthew Lincoln (see profile)
Date:
2017
Group(s):
Digital Art History, Digital Humanists, History of Art
Subject(s):
Art history, Collecting/patronage studies, Digital history, Digital humanities
Item Type:
Blog Post

Viewing item 1 to 25 (of 51 items)

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CORE Search Results Start Search Over

Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976

Performance Art nach 1945. Intermedia und Aktionstheater.

History of Computer Art

Experts and Auctioneers in Paris Art Auctions 1852-1862

Sandrart.net - Eine Online-Edition eines Textes des 17. Jahrhunderts

Virtualität und Ökonomie Ästhetische Potentiale der vernetzten Hypergraphik

Neue, neuere, neueste Kunstgeschichte? Wie die Wissenschaft versucht, den Kunsthandel zu „erobern“

Along an African Border: Angolan Refugees and Their Divination Baskets

Art and Fetish in the Anthropolgy Museum

The Hôtel Drouot as the stock exchange for art. Financialization of art auctions in the nineteenth century

¿Lucidez o fantasía neurótica? Gustave Doré como ilustrador de la Divina Comedia: el caso del bosque de los suicidas

Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency

Architectural Forum, 1932-64: A Time Inc. Experiment in American Architecture and Journalism

A Note on the Problem of Defining "Art"

Continuity and Disruption in European Networks of Print Production, 1550-1750

Visual Tradition and production in early Japanese Photography

Catalogue Entries--"Early Modern Faces" Exhibition at Newcomb Gallery, 2014

Death is all things we see awake; all we see asleep is sleep

‘God is in the details’: visual culture of closeness in the circle of Cardinal Reginald Pole

Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?

Public Art Syllabus

Daniel Sherer on Peter Eisenman’s Palladio Virtuel

Rewind – play – fast forward. The past, present and future of the music video: introduction

"Datenvisualisierung in den Geisteswissenschaften" : ein Laborbericht als Tagungsprolog

Predicting the Past: Digital Art History, Modeling, and Machine Learning

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