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O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
processions, Soundscapes, Plainchant
Os Miserere no fundo musical da Sé de Évora – questões estruturais iniciais
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Sacred music, 19th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral
Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908
Author(s):
Joao Silva (see profile)
Date:
2017
Group(s):
Historical Soundscape Studies, Music and Sound
Subject(s):
Cultural musicology, Critical geography, Modernity, Urbanism
Item Type:
Book chapter
Tag(s):
Lisbon, Soundscapes
Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Sound studies, Anthropology of music, Lived religion, Material religion, Media studies, Voice, Linguistic anthropology
Item Type:
Monograph
Tag(s):
Atmospheres, Islam in South Asia, Mauritius
Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Voice, Sound studies, Affect, Islam, South Asia, Phenomenology
Item Type:
Article
Tag(s):
Mauritius, Atmospheres, Sonic religion, South Asian Islam
A perspectiva histórica de uma paisagem sonora urbana como exemplo para melhor entender o passado: O caso da actividade musical sacra em Évora no século XVII
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Musicology
Item Type:
Abstract
Tag(s):
17th Century, polyphony, sacred music, Soundscapes, Évora

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