Deposits – Humanities Commons

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"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
Item Type:
Book chapter
Tag(s):
affect theory, Cultural appropriation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
"'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World"
Author(s):
Hania A.M. Nashef (see profile)
Date:
2019
Group(s):
Critical Studies in World Literature, GS Drama and Performance, LLC Arabic, TM Literary Criticism
Subject(s):
Samuel Beckett, Arab world
Item Type:
Article
Tag(s):
Waiting for Godot, theater of the absurd
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Chinese studies, Adaptation, Memory, Globalization
Item Type:
Article
Tag(s):
Tang Xianzu, commemoration, Sino-british relations
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Digital humanities, Global Shakespeare, Intercultural performance, Adaptation, Pedagogy, Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear, digital archive, Beijing opera, Peter Brook
Romeo and Juliet by the Oregon Shakespeare Festival
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance
Subject(s):
Shakespeare, Shakespeare performance
Item Type:
Review
On the Verge of Fame: The Free People of Color and the French Theatre of Antebellum New Orleans
Author(s):
Juliane Braun (see profile)
Date:
2012
Group(s):
GS Drama and Performance, LLC 19th-Century American, LLC 19th-Century French, LLC Early American, LLC Literatures of the United States in Languages Other Than English
Subject(s):
Louisiana, French Creole, African American culture
Item Type:
Book chapter
The Drama of History in Francophone New Orleans
Author(s):
Juliane Braun (see profile)
Date:
2015
Group(s):
GS Drama and Performance, LLC 19th-Century American, LLC Early American
Subject(s):
Louisiana, Multiethnic literature, French Creole, Theatre and history
Item Type:
Article
Introduction to Creole Drama: Theatre and Society in Antebellum New Orleans
Author(s):
Juliane Braun (see profile)
Date:
2019
Group(s):
Global & Transnational Studies, GS Drama and Performance, LLC 19th-Century American, LLC Early American
Subject(s):
Transnational Americas, Theater and society, Multiethnic literature, French Creole, Louisiana
Item Type:
Book chapter
Lupe's Story: Lupe Gallardo Marshall @ the Memorial Day Massacre (Republic Steel) 1937
Author(s):
Gloria Lee McMillan (see profile)
Date:
2019
Group(s):
GS Drama and Performance, RCWS Creative Writing, Rust Belt Literature, TC History and Literature, Urban Cultural Studies
Subject(s):
Industrial sociology, Sociology of immigration, Sociology of work, History of labor rhetoric, Rhetorics of political protest, Rhetoric
Item Type:
Report
Tag(s):
Historial Materialism, urban, conflicting identities, Labor Studies
Syllabus for Melodrama, with assignments, Spring 2019
Author(s):
Renata Kobetts Miller (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC Victorian and Early-20th-Century English
Subject(s):
Victorian literature, Victorian studies, British drama, Teaching of literature, Undergraduate research
Item Type:
Syllabus
Tag(s):
Melodrama, Victorian Theater, Victorian Theatre, Scaffolded Research, Capstone Seminar
Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling
Author(s):
Jesse A. Goldberg (see profile)
Date:
2015
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies
Subject(s):
Policing, Violence, Critical race and ethnic studies, Performance studies, American studies
Item Type:
Article
Two-Act In-Progress Play: Nobody goes to Gary
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Ecocriticism, Economics & Literature, GS Drama and Performance, RCWS Creative Writing, Urban Cultural Studies
Subject(s):
Playwriting, Urban creativity, Industrial sociology, Satire, Drama
Item Type:
Other
Tag(s):
tragi-comedy, Economics of Culture
On the Unruly Power of Pain in Middle English Drama
Author(s):
Susan M. Nakley (see profile)
Date:
2015
Group(s):
CLCS Medieval, GS Drama and Performance, LLC Middle English, TC Philosophy and Literature, TC Postcolonial Studies
Subject(s):
Middle English, Drama, Postcolonial theatre, Medieval drama, Literature and medicine, Pain, Performance
Item Type:
Article
Tag(s):
empire, patriarchy
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
Dirt and Trash in Romeo and Juliet (Social Stratification)
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism
Subject(s):
Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory
Item Type:
Blog Post
Tag(s):
exclusion
"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies
Item Type:
Article
Tag(s):
Africanism, political theatre
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
Julius Caesar: Tyrannicide Made Unpopular
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare
Item Type:
Article
Tag(s):
julius caesar, tyranny, Earl of Essex
Humanist Reading and Interpretation in Early Elizabethan Morality Drama
Author(s):
Kent Cartwright (see profile)
Date:
2012
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance
Subject(s):
Elizabethan drama, Humanism, Reading
Item Type:
Article
Tag(s):
morality drama, sixteenth century
"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory
Item Type:
Book chapter
Tag(s):
Shakespeare in performance, intercultural theatre
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE
Author(s):
George Prokhorov (see profile)
Date:
2017
Group(s):
CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature
Subject(s):
Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation
Item Type:
Article
Tag(s):
Early modern drama, adaptation, Travel Writing, Russia, lope de vega
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng (see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama, Stoicism
Item Type:
Article

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