Deposits – Humanities Commons

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Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
Dirt and Trash in Romeo and Juliet (Social Stratification)
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism
Subject(s):
Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory
Item Type:
Blog Post
Tag(s):
exclusion
"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies
Item Type:
Article
Tag(s):
Africanism, political theatre
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
Julius Caesar: Tyrannicide Made Unpopular
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare
Item Type:
Article
Tag(s):
julius caesar, tyranny, Earl of Essex
Humanist Reading and Interpretation in Early Elizabethan Morality Drama
Author(s):
Kent Cartwright (see profile)
Date:
2012
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance
Subject(s):
Elizabethan drama, Humanism, Reading
Item Type:
Article
Tag(s):
morality drama, sixteenth century
"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory
Item Type:
Book chapter
Tag(s):
Shakespeare in performance, intercultural theatre
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE
Author(s):
George Prokhorov (see profile)
Date:
2017
Group(s):
CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature
Subject(s):
Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation
Item Type:
Article
Tag(s):
Early modern drama, adaptation, Travel Writing, Russia, lope de vega
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng (see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama, Stoicism
Item Type:
Article
Masculinity and National Identity on the Early American Stage
Author(s):
Sarah E. Chinn (see profile)
Date:
2012
Group(s):
GS Drama and Performance, LLC Early American, Performance Studies, TC Sexuality Studies, TC Women’s and Gender Studies
Subject(s):
American drama, Early American literature, Masculinity
Item Type:
Article
Tag(s):
early american drama, gender, masculinity
"Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre
Item Type:
Review
Tag(s):
Taming of the Shrew, Shakespeare in performance
Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2007
Group(s):
GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990
Subject(s):
Ritual studies, Mythology, Postcolonial literature, Sociology of social change, African theatre
Item Type:
Article
Tag(s):
ritual, sacrifice, burial rites, Kingship, colonialism
Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2012
Group(s):
GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990
Subject(s):
Literary criticism, African literature, Marxist sociology, Mythology, Aesthetics
Item Type:
Book chapter
Tag(s):
marxian aesthetics, myth, ritual, social change, the mimetic
“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”
Author(s):
Elena Garcia-Martin (see profile)
Date:
2017
Group(s):
GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian
Subject(s):
17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre
Item Type:
Conference paper
Tag(s):
2018 MLA 217
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare
Item Type:
Article
Tag(s):
adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare
Early Modern English Historiography: Providentialism versus New History.
Author(s):
Murat Öğütcü (see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Early Modern, Early modern theatre, Historiography, History and literature, Shakespeare
Item Type:
Book chapter
Tag(s):
Renaissance drama
The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Drama, Reception studies, Renaissance theater, Shakespeare, Theatre and history
Item Type:
Article
Tag(s):
Gothic, Hamlet
"Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19
Author(s):
Alexa Alice Joubin (see profile)
Date:
2008
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies
Subject(s):
Adaptation, Chinese theatre, Globalization, Performance studies, Shakespeare
Item Type:
Article
Tag(s):
adaptation, China, Global Shakespeare, historiography, intercultural theatre
Shakespeare and the Ethics of Appropriation (New York: Palgrave, 2014), ed. Alexa Huang and Elizabeth Rivlin.
Author(s):
Alexa Alice Joubin (see profile) , Elizabeth Rivlin
Date:
2014
Group(s):
GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Adaptation, Film studies, Globalization, Performance, Shakespeare
Item Type:
Book
Tag(s):
20th century film, adaptation, Global Shakespeare, intercultural performance, Shakespeare
REED London: Humanistic Roots, Humanistic Futures
Author(s):
Diane Jakacki (see profile)
Date:
2017
Group(s):
GS Drama and Performance, LLC 16th-Century English, TC Digital Humanities
Subject(s):
Digital humanities, Drama, Early modern studies, English literature
Item Type:
Conference paper
Tag(s):
digital humanities, drama, english, mla17, performance
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2012
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies
Subject(s):
African studies, Cultural studies, Ethnomusicology, Music performance, Performance studies
Item Type:
Article
Tag(s):
ethnomusicology, performance, orality
“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, East Asian literatures, Film criticism, Globalization, Shakespeare
Item Type:
Book chapter
Tag(s):
Global Shakespeare, Film, East Asian cultures
The Paradox of Female Agency: Ophelia and East Asian Sensibilities
Author(s):
Alexa Alice Joubin (see profile)
Date:
2012
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies
Subject(s):
Adaptation, East Asian literatures, Film history, Gender studies, Shakespeare
Item Type:
Book chapter
"As Above, So Below: Staging the Digby Mary Magdalene"
Author(s):
Matthew Davis (see profile)
Date:
2016
Group(s):
CLCS Medieval, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Middle English
Subject(s):
British literature, Drama, English language, Medieval literature, Religion
Item Type:
Article
Tag(s):
digby Mary Magdalene, Hagiography, place-and-scaffold, staging practice

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CORE Search Results Start Search Over

Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

Dirt and Trash in Romeo and Juliet (Social Stratification)

"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246

Hubert’s Encounters with the Succession in Shakespeare’s King John

Julius Caesar: Tyrannicide Made Unpopular

Humanist Reading and Interpretation in Early Elizabethan Morality Drama

"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440

FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

Masculinity and National Identity on the Early American Stage

"Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703

Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman

Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan

“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”

Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

Early Modern English Historiography: Providentialism versus New History.

The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.

"Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19

Shakespeare and the Ethics of Appropriation (New York: Palgrave, 2014), ed. Alexa Huang and Elizabeth Rivlin.

REED London: Humanistic Roots, Humanistic Futures

Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice

“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240

The Paradox of Female Agency: Ophelia and East Asian Sensibilities

"As Above, So Below: Staging the Digby Mary Magdalene"

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