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Groups
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Why is the Platypus Our Mascot?
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From Religious Rituals to Popular Theatre: Evolution of the Mulian Legend
Author(s):
Shiao-ling S. Yu
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
Subject(s):
Chinese culture
Item Type:
Article
Tradition and Modernity: Two Modern Adaptations of the Chinese Opera Hezhu's Match
Author(s):
Shiao-ling S. Yu
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
Subject(s):
Chinese drama
Item Type:
Article
The Orphan of Zhao: Chinese Revenge Drama and European Adaptations
Author(s):
Shiao-ling S. Yu
(see profile)
Date:
2018
Group(s):
GS Drama and Performance
Subject(s):
Chinese-Western comparative literature
Item Type:
Article
“Giving a Face to the Silenced Victims: Recent Documentaries on Gaza”
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Arabic
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Palestine studies
,
Film
,
Documentary
,
Arabic culture
,
Cinema
Item Type:
Article
Tag(s):
Gaza
,
war
,
humiliation
,
survival
,
resilience
Shamanistic Shakespeare: Korea's Colonization of Hamlet
Author(s):
Kevin A. Quarmby
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
Shakespeare
Subject(s):
Shakespeare
,
Shakespeare in adaptation
,
Shakespeare performance
,
Global Shakespeare
Item Type:
Book chapter
Tag(s):
South Korea
,
Shakespeare in performance
,
Shamanism
,
Hamlet
"Screening Social Justice: Performing Reparative Shakespeare against Vocal Disability." Adaptation, October 2020: 1-19
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Adaptation
,
Neoliberalism
,
Shakespeare
,
Critical race and ethnic studies
,
Global Shakespeare
,
Humanism
Item Type:
Article
Tag(s):
film adaptation
,
vocal disorder
,
parody
"Global Studies." The Arden Research Handbook of Contemporary Shakespeare Criticism, ed. Evelyn Gajowski (London: Bloomsbury, 2021), pp. 247-261
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Shakespeare
,
Globalization
,
Race
,
Queer and gender studies
,
Adaptation
,
Global Shakespeare
,
Censorship
,
Translation
,
Feminism
,
Reception studies
Item Type:
Book chapter
Waiting for the arrivant: Godot in two poems by Nizār Qabbānī
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2020
Group(s):
CLCS 20th- and 21st-Century
,
CLCS Global Arab and Arab American
,
Critical Studies in World Literature
,
GS Drama and Performance
,
LLC Arabic
Subject(s):
Samuel Beckett
,
Arabic literature
,
Drama
,
Poetry in translation
,
Jacques Derrida
Item Type:
Book chapter
Tag(s):
Waiting for Godot
,
Nizār Qabbānī
,
Arrivant
,
Messianism
Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Adaptation
,
Sinophone literature
,
Globalization
,
Film
,
Global Shakespeare
,
Translation
Item Type:
Book chapter
Tag(s):
Hong Kong
,
Richard III
,
Hamlet
Chapter 1, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
The Renaissance Society of America
Subject(s):
Globalization
,
Shakespeare
,
Sinophone literature
,
Intercultural performance
,
Adaptation
,
Translation
,
Global Shakespeare
,
Theatre history
Item Type:
Book chapter
Tag(s):
Cultural appropriation
Prologue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2011
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Global Shakespeare
,
Adaptation
,
Intercultural performance
,
Translation
,
Sinophone literature
,
Chinese studies
,
Shakespeare
,
Film
,
Appropriation
Item Type:
Book chapter
Tag(s):
theatre
Preface, The Shakespearean International Yearbook Volume 18
Author(s):
Tom Bishop
,
Alexa Alice Joubin
(see profile)
Date:
2021
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
,
The Renaissance Society of America
Subject(s):
Global Shakespeare
,
Soviet film
,
Translation
,
Adaptation
,
Censorship
,
Globalization
,
Shakespeare
,
Film studies
Item Type:
Book chapter
Tag(s):
intercultural theatre
Old Wives' Humour: George Peele's The Old Wives Tale
Author(s):
Murat Öğütcü
(see profile)
Date:
2016
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
Subject(s):
Early modern drama
,
Comedy (genre)
,
Drama
,
Theatre history
Item Type:
Book chapter
Tag(s):
george peele
,
old wives' tale
,
humour
Some Tweeting Cleopatra: Crossing Borders on and off the Shakespearean Stage
Author(s):
Louise Geddes
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
TC Digital Humanities
Subject(s):
Shakespeare
,
Theatre theory
,
Performance
Item Type:
Book chapter
Tag(s):
Ivo Van hove
,
Roman Tragedies
,
Twitter
Lavery’s Frozen: The Psychosexual History of a Sexual Predator and the Poetics of Anti-Paedophilia
Author(s):
Murat Öğütcü
(see profile)
Date:
2018
Group(s):
GS Drama and Performance
Subject(s):
British drama
Item Type:
Article
Tag(s):
Bryony Lavery
,
Frozen
,
psychosexual history
,
anti-paedophilia
A TALE OF TWO NATIONS: CHAUCER, HENRYSON, SHAKESPEARE, TROILUS AND CRISEYDE
Author(s):
Murat Öğütcü
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
Subject(s):
Shakespeare
,
Chaucer
,
English literature
,
Scottish literature
Item Type:
Article
Tag(s):
Troilus and Cressida
,
Troilus and Criseyde
,
Henryson
The Politics of Sports in Louise Page's Golden Girls
Author(s):
Murat Öğütcü
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
Subject(s):
British drama
,
Sports history
,
Media studies
Item Type:
Article
Tag(s):
Louise Page
,
Sports
,
Golden Girls
,
media
“Von Freunden und Fraktionen: Die Historiendramen von Shakespeare.” [Of Friends and Factions: Shakespeare‟s History Plays.]
Author(s):
Murat Öğütcü
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
Subject(s):
Shakespeare
,
Early modern English culture
Item Type:
Article
Matisse in the Playhouse
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
Early Modern Theater
,
GS Drama and Performance
,
LLC 16th-Century English
,
Renaissance / Early Modern Studies
Subject(s):
Shakespeare and early modern drama
,
Shakespeare and rival dramatists
,
Theatre history
Item Type:
Article
"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Disability studies
,
Biopolitics
,
Adaptation
,
Film studies
,
Shakespeare
,
Gender studies
Item Type:
Book chapter
Tag(s):
affect theory
,
Cultural appropriation
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2020
Group(s):
GS Drama and Performance
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Appropriation
,
Film studies
,
Intercultural performance
,
Shakespeare
,
Globalization
,
Global Shakespeare
,
Film
Item Type:
Book chapter
Tag(s):
theatre
"'Nothing is Left to Tell' Beckettian Despair and Hope in the Arab World"
Author(s):
Hania A.M. Nashef
(see profile)
Date:
2019
Group(s):
Critical Studies in World Literature
,
GS Drama and Performance
,
LLC Arabic
,
TM Literary Criticism
Subject(s):
Samuel Beckett
,
Arab world
Item Type:
Article
Tag(s):
Waiting for Godot
,
theater of the absurd
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Shakespeare
,
Chinese studies
,
Adaptation
,
Memory
,
Globalization
Item Type:
Article
Tag(s):
Tang Xianzu
,
commemoration
,
Sino-british relations
"King Lear on the small screen and its pedagogical implications," in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019).
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2019
Group(s):
GS Drama and Performance
,
LLC East Asian
,
LLC Modern and Contemporary Chinese
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Digital humanities
,
Global Shakespeare
,
Intercultural performance
,
Adaptation
,
Pedagogy
,
Ecocriticism
Item Type:
Book chapter
Tag(s):
King Lear
,
digital archive
,
Beijing opera
,
Peter Brook
Romeo and Juliet by the Oregon Shakespeare Festival
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
Early Modern Theater
,
GS Drama and Performance
Subject(s):
Shakespeare
,
Shakespeare performance
Item Type:
Review
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