Deposits – Humanities Commons

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On the Unruly Power of Pain in Middle English Drama
Author(s):
Susan M. Nakley (see profile)
Date:
2015
Group(s):
CLCS Medieval, GS Drama and Performance, LLC Middle English, TC Philosophy and Literature, TC Postcolonial Studies
Subject(s):
Middle English, Drama, Postcolonial theatre, Medieval drama, Literature and medicine, Pain, Performance
Item Type:
Article
Tag(s):
empire, patriarchy
Local and Global Myths in Shakespearean Performance
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Intercultural performance, Film, Postcolonial culture, Globalization, Film studies, Translation studies
Item Type:
Book
Tag(s):
Theatre Studies
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
Dirt and Trash in Romeo and Juliet (Social Stratification)
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism
Subject(s):
Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory
Item Type:
Blog Post
Tag(s):
exclusion
"Shakespeare Theatre Company' s Macbeth and the Limits of Multiculturalism." Early Modern Culture 13 (2018): 240-246
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Race critical theory, Performance and politics, Global Shakespeare, Adaptation, Multiculturalism, Critical race studies
Item Type:
Article
Tag(s):
Africanism, political theatre
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
Julius Caesar: Tyrannicide Made Unpopular
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare
Item Type:
Article
Tag(s):
julius caesar, tyranny, Earl of Essex
Humanist Reading and Interpretation in Early Elizabethan Morality Drama
Author(s):
Kent Cartwright (see profile)
Date:
2012
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance
Subject(s):
Elizabethan drama, Humanism, Reading
Item Type:
Article
Tag(s):
morality drama, sixteenth century
"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory
Item Type:
Book chapter
Tag(s):
Shakespeare in performance, intercultural theatre
FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE
Author(s):
George Prokhorov (see profile)
Date:
2017
Group(s):
CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature
Subject(s):
Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation
Item Type:
Article
Tag(s):
Early modern drama, adaptation, Travel Writing, Russia, lope de vega
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng (see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama, Stoicism
Item Type:
Article
Masculinity and National Identity on the Early American Stage
Author(s):
Sarah E. Chinn (see profile)
Date:
2012
Group(s):
GS Drama and Performance, LLC Early American, Performance Studies, TC Sexuality Studies, TC Women’s and Gender Studies
Subject(s):
American drama, Early American literature, Masculinity
Item Type:
Article
Tag(s):
early american drama, gender, masculinity
"Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre
Item Type:
Review
Tag(s):
Taming of the Shrew, Shakespeare in performance
Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2007
Group(s):
GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990
Subject(s):
Ritual studies, Mythology, Postcolonial literature, Sociology of social change, African theatre
Item Type:
Article
Tag(s):
ritual, sacrifice, burial rites, Kingship, colonialism
Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2012
Group(s):
GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990
Subject(s):
Literary criticism, African literature, Marxist sociology, Mythology, Aesthetics
Item Type:
Book chapter
Tag(s):
marxian aesthetics, myth, ritual, social change, the mimetic
“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”
Author(s):
Elena Garcia-Martin (see profile)
Date:
2017
Group(s):
GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian
Subject(s):
17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre
Item Type:
Conference paper
Tag(s):
2018 MLA 217
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare
Item Type:
Article
Tag(s):
adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare
Early Modern English Historiography: Providentialism versus New History.
Author(s):
Murat Öğütcü (see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Early Modern, Early modern theatre, Historiography, History and literature, Shakespeare
Item Type:
Book chapter
Tag(s):
Renaissance drama
The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.
Author(s):
Murat Öğütcü (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Drama, Reception studies, Renaissance theater, Shakespeare, Theatre and history
Item Type:
Article
Tag(s):
Gothic, Hamlet
"Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19
Author(s):
Alexa Alice Joubin (see profile)
Date:
2008
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies
Subject(s):
Adaptation, Chinese theatre, Globalization, Performance studies, Shakespeare
Item Type:
Article
Tag(s):
adaptation, China, Global Shakespeare, historiography, intercultural theatre
Shakespeare and the Ethics of Appropriation (New York: Palgrave, 2014), ed. Alexa Huang and Elizabeth Rivlin.
Author(s):
Alexa Alice Joubin (see profile) , Elizabeth Rivlin
Date:
2014
Group(s):
GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies
Subject(s):
Adaptation, Film studies, Globalization, Performance, Shakespeare
Item Type:
Book
Tag(s):
20th century film, adaptation, Global Shakespeare, intercultural performance, Shakespeare
REED London: Humanistic Roots, Humanistic Futures
Author(s):
Diane Jakacki (see profile)
Date:
2017
Group(s):
GS Drama and Performance, LLC 16th-Century English, TC Digital Humanities
Subject(s):
Digital humanities, Drama, Early modern studies, English literature
Item Type:
Conference paper
Tag(s):
digital humanities, drama, english, mla17, performance
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi (see profile)
Date:
2012
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies
Subject(s):
African studies, Cultural studies, Ethnomusicology, Music performance, Performance studies
Item Type:
Article
Tag(s):
ethnomusicology, performance, orality
“Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, East Asian literatures, Film criticism, Globalization, Shakespeare
Item Type:
Book chapter
Tag(s):
Global Shakespeare, Film, East Asian cultures

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