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• Hubert’s Encounters with the Succession in Shakespeare’s King John

  Author(s):

  Marcia T. Eppich-Harris (see profile)

  Date:

  2018

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature

  Subject(s):

  Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama

  Item Type:

  Article

  Tag(s):

  King John, Shakespeare in performance

  
  

• Julius Caesar: Tyrannicide Made Unpopular

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare

  Subject(s):

  Shakespeare and early modern drama, Early modern English culture, Early modern political thought, Shakespeare

  Item Type:

  Article

  Tag(s):

  julius caesar, tyranny, Earl of Essex

  
  

• Humanist Reading and Interpretation in Early Elizabethan Morality Drama

  Author(s):

  Kent Cartwright (see profile)

  Date:

  2012

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance

  Subject(s):

  Elizabethan drama, Humanism, Reading

  Item Type:

  Article

  Tag(s):

  morality drama, sixteenth century

  
  

• "Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Shakespeare, Global Shakespeare, Postcolonialism, Comparative drama, Film, Critical theory

  Item Type:

  Book chapter

  Tag(s):

  Shakespeare in performance, intercultural theatre

  
  

• FROM EYEWITNESS NARRATIVES TO RETELLINGS AND LITERARY ADAPTATIONS: THE RUSSIAN TIME OF TROUBLES IN EARLY MODERN EUROPE

  Author(s):

  George Prokhorov (see profile)

  Date:

  2017

  Group(s):

  CLCS European Regions, CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Russian and Eurasian, TC History and Literature

  Subject(s):

  Theatre and politics, Renaissance in Spain, Russian history, Travel narratives, Adaptation

  Item Type:

  Article

  Tag(s):

  Early modern drama, adaptation, Travel Writing, Russia, lope de vega

  
  

• “He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

  Author(s):

  Penelope Geng (see profile)

  Date:

  2011

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography

  Subject(s):

  Renaissance drama, Stoicism

  Item Type:

  Article

  
  

• Masculinity and National Identity on the Early American Stage

  Author(s):

  Sarah E. Chinn (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, LLC Early American, Performance Studies, TC Sexuality Studies, TC Women’s and Gender Studies

  Subject(s):

  American drama, Early American literature, Masculinity

  Item Type:

  Article

  Tag(s):

  early american drama, gender, masculinity

  
  

• "Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare

  Subject(s):

  Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre

  Item Type:

  Review

  Tag(s):

  Taming of the Shrew, Shakespeare in performance

  
  

• Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2007

  Group(s):

  GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990

  Subject(s):

  Ritual studies, Mythology, Postcolonial literature, Sociology of social change, African theatre

  Item Type:

  Article

  Tag(s):

  ritual, sacrifice, burial rites, Kingship, colonialism

  
  

• Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, GS Folklore, Myth, and Fairy Tale, Interdisciplinary Approaches to Culture and Society, LLC African American, LLC African to 1990

  Subject(s):

  Literary criticism, African literature, Marxist sociology, Mythology, Aesthetics

  Item Type:

  Book chapter

  Tag(s):

  marxian aesthetics, myth, ritual, social change, the mimetic

  
  

• “Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”

  Author(s):

  Elena Garcia-Martin (see profile)

  Date:

  2017

  Group(s):

  GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian

  Subject(s):

  17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre

  Item Type:

  Conference paper

  Tag(s):

  2018 MLA 217

  
  

• Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare

  Item Type:

  Article

  Tag(s):

  adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare

  
  

• Early Modern English Historiography: Providentialism versus New History.

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2014

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare

  Subject(s):

  Early Modern, Early modern theatre, Historiography, History and literature, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  Renaissance drama

  
  

• The ‘Gothic’ in Hamlet: The Role of the Macabre in Creating Cathartic Horror.

  Author(s):

  Murat Öğütcü (see profile)

  Date:

  2017

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare

  Subject(s):

  Drama, Reception studies, Renaissance theater, Shakespeare, Theatre and history

  Item Type:

  Article

  Tag(s):

  Gothic, Hamlet

  
  

• "Romeo and Juliet, Allegory, and the Ethnic Vocabularies of History." Shakespeare Studies 46 (2008): 6-19

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2008

  Group(s):

  East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Adaptation, Chinese theatre, Globalization, Performance studies, Shakespeare

  Item Type:

  Article

  Tag(s):

  adaptation, China, Global Shakespeare, historiography, intercultural theatre

  
  

• Shakespeare and the Ethics of Appropriation (New York: Palgrave, 2014), ed. Alexa Huang and Elizabeth Rivlin.

  Author(s):

  Alexa Alice Joubin (see profile) , Elizabeth Rivlin

  Date:

  2014

  Group(s):

  GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, MS Screen Arts and Culture, TC Translation Studies

  Subject(s):

  Adaptation, Film studies, Globalization, Performance, Shakespeare

  Item Type:

  Book

  Tag(s):

  20th century film, adaptation, Global Shakespeare, intercultural performance, Shakespeare

  
  

• REED London: Humanistic Roots, Humanistic Futures

  Author(s):

  Diane Jakacki (see profile)

  Date:

  2017

  Group(s):

  GS Drama and Performance, LLC 16th-Century English, TC Digital Humanities

  Subject(s):

  Digital humanities, Drama, Early modern studies, English literature

  Item Type:

  Conference paper

  Tag(s):

  digital humanities, drama, english, mla17, performance

  
  

• Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice

  Author(s):

  Adewale Bankole Ajayi (see profile)

  Date:

  2012

  Group(s):

  GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, MS Opera and Musical Performance, TC Popular Culture, TC Postcolonial Studies

  Subject(s):

  African studies, Cultural studies, Ethnomusicology, Music performance, Performance studies

  Item Type:

  Article

  Tag(s):

  ethnomusicology, performance, orality

  
  

• “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2017

  Group(s):

  East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture

  Subject(s):

  Adaptation, East Asian literatures, Film criticism, Globalization, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  Global Shakespeare, Film, East Asian cultures

  
  

• The Paradox of Female Agency: Ophelia and East Asian Sensibilities

  Author(s):

  Alexa Alice Joubin (see profile)

  Date:

  2012

  Group(s):

  East Asian Languages and Literatures after 1900, Global Shakespeares, GS Drama and Performance, LLC Shakespeare, TC Translation Studies

  Subject(s):

  Adaptation, East Asian literatures, Film history, Gender studies, Shakespeare

  Item Type:

  Book chapter

  
  

• "As Above, So Below: Staging the Digby Mary Magdalene"

  Author(s):

  Matthew Davis (see profile)

  Date:

  2016

  Group(s):

  CLCS Medieval, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Middle English

  Subject(s):

  British literature, Drama, English language, Medieval literature, Religion

  Item Type:

  Article

  Tag(s):

  digby Mary Magdalene, Hagiography, place-and-scaffold, staging practice

  
  

• Breaking Open the Conversation on Delarivier Manley

  Author(s):

  Aleksondra Hultquist (see profile)

  Date:

  2017

  Group(s):

  CLCS 18th-Century, GS Drama and Performance, GS Nonfiction Prose, GS Prose Fiction, TC Women’s and Gender Studies

  Subject(s):

  Cultural studies, Drama, English literature, Gay and lesbian literature, Literature

  Item Type:

  Book chapter

  Tag(s):

  british literature, criticism, desire, drama, genre studies

  
  

• Intertextual Approaches to Teaching The Tempest

  Author(s):

  Lila Marz Harper (see profile)

  Date:

  2016

  Group(s):

  GS Drama and Performance, LLC Shakespeare, TM The Teaching of Literature

  Subject(s):

  British literature, Shakespeare, Teaching of literature

  Item Type:

  Conference paper

  Tag(s):

  17th Century, adaptation

  
  

• "'Let's consult together': Women's Agency and the Gossip Network in The Merry Wives of Windsor"

  Author(s):

  Cristina León Alfar (see profile)

  Date:

  2015

  Group(s):

  CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, TC Women’s and Gender Studies, TM Literary Criticism

  Subject(s):

  Drama, Early modern studies, English literature, Literary theory, Shakespeare

  Item Type:

  Book chapter

  Tag(s):

  prepositions, Women's History Month

  
  

• Bibliography for Cognitive Literary Studies

  Author(s):

  Lisa Zunshine (see profile)

  Date:

  2016

  Group(s):

  CLCS Classical and Modern, GS Drama and Performance, MS Screen Arts and Culture, TC Cognitive and Affect Studies, TM Literary Criticism

  Subject(s):

  Cultural studies, Literary theory, Literature, Literature and psychology, Media studies

  Item Type:

  Bibliography

  Tag(s):

  cognition, cognitive science, critical theory, emotions and empathy, literature

  
  

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