Deposits – Humanities Commons

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Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
Film Museum Practice and Film Historiography
Author(s):
Bregt Lameris (see profile)
Date:
2017
Group(s):
Archives, Film Studies
Subject(s):
Film history, Archival studies, Historiography, Media studies, Restoration culture
Item Type:
Monograph
Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road
Author(s):
mpesses (see profile)
Date:
2018
Group(s):
Cultural Studies, Film Studies, Philosophy
Subject(s):
Cultural studies, Anthropocene, Slavoj Zizek, Deleuze and Guattari, Mobility studies
Item Type:
Article
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
Based on a True Story: Tracking What is Queer about German Queer Documentary
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, History of East Germany, Film, Queer and gender studies
Item Type:
Article
Tag(s):
queer cinema, documentary films
The East German Film 'Coming Out' (1989) as Melancholic Reflection and Hopeful Projection
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Queer/gay, Film
Item Type:
Article
Tag(s):
East German film, Gay and Lesbian, queer cinema
Sex and Socialism in East German Cinema
Author(s):
Kyle Frackman (see profile) , Faye Stewart
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Film, Sexuality, Gender, German culture
Item Type:
Book chapter
Tag(s):
East German film
Shame and Love: East German Homosexuality Goes to the Movies
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LGBTQ Studies, LLC 20th- and 21st-Century German, TC Sexuality Studies
Subject(s):
East Germany, German history, Queer history, Film, Affect, Documentary
Item Type:
Book chapter
Tag(s):
German cinema
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller, Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Digital Humanists, Film Studies
Subject(s):
Research data management, Copyright, Film studies
Item Type:
Article
Tag(s):
Open access to research data
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article
OGOM & Supernatural Cities present: The Urban Weird: Full Programme
Author(s):
Karl Bell, Kaja Franck, Sam George, Bill Hughes (see profile)
Date:
2018
Group(s):
Cultural Studies, Film Studies, Gothicists, Horror, Speculative and Science Fiction
Subject(s):
20th-century fantastic literature, Fantasy literature, 21st-century fantastic literature
Item Type:
Conference paper
Tag(s):
Urban Weird
"Learning to Look: The Educational Documentary and Post-War Race Relations"
Author(s):
Stephen Charbonneau (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Civil rights, Documentary, Documentary filmmaking
Item Type:
Book
Tag(s):
nontheatrical filmmaking, Race and film
“The Law of Capital: ‘The Measure of a Man’”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2016
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film, Marxism, Stylistics
Item Type:
Article
“Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2012
Group(s):
Film Studies, Religious Studies, Theology
Subject(s):
Film, Religion, Catholicism
Item Type:
Conference proceeding
“Sembène, Ousmane (1923-2007)”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2016
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film, Postcolonial culture, Politics
Item Type:
Book section
“Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2015
Group(s):
Cultural Studies, Film-Philosophy, Film Studies
Subject(s):
Film, Memory
Item Type:
Article
“Music Videos and Reused Footage”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2009
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film, Music, Video arts
Item Type:
Book chapter
“Sci-Fi Ghettos: ‘Battlestar Galactica’ and Genre Aesthetics”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2010
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics, Genres
Item Type:
Book chapter
“Super Style: Notes for a Stylistic Analysis”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2011
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics
Item Type:
Book chapter
“Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2013
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics
Item Type:
Book chapter
“Magic and Loss: Style, Progression and the ‘Ending’ of ‘Carnivàle’”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2015
Group(s):
Cultural Studies, Film Studies, Religious Studies
Subject(s):
Television, Stylistics, Narrative
Item Type:
Book chapter
Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion”
Editor(s):
Sérgio Dias Branco (see profile)
Date:
2013
Group(s):
Cultural Studies, Film-Philosophy, Film Studies, Religious Studies
Subject(s):
Film, Philosophy of religion, Aesthetics
Item Type:
Other
Psychoanalysis, Popular and Unpopular
Author(s):
Catherine Liu (see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Psychoanalysis, Film, Science fiction films, Critical theory, Science fiction, Cultural studies
Item Type:
Book chapter
"Taiwan's Cold War Geopolitics in Edward Yang's The Terrorizers"
Author(s):
Catherine Liu (see profile)
Date:
2017
Group(s):
Film Studies, War Studies
Subject(s):
Cinema, Cold War, Marxism, Surveillance studies, Taiwan studies
Item Type:
Book chapter

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CORE Search Results Start Search Over

Performing Spiritualism in the Silent Cinema

Film Museum Practice and Film Historiography

Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.

‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road

Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride

Based on a True Story: Tracking What is Queer about German Queer Documentary

The East German Film 'Coming Out' (1989) as Melancholic Reflection and Hopeful Projection

Sex and Socialism in East German Cinema

Shame and Love: East German Homosexuality Goes to the Movies

Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen

No time like the past: Hearing nostalgia in The Twilight Zone

OGOM & Supernatural Cities present: The Urban Weird: Full Programme

"Learning to Look: The Educational Documentary and Post-War Race Relations"

“The Law of Capital: ‘The Measure of a Man’”

“Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”

“Sembène, Ousmane (1923-2007)”

“Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”

“Music Videos and Reused Footage”

“Sci-Fi Ghettos: ‘Battlestar Galactica’ and Genre Aesthetics”

“Super Style: Notes for a Stylistic Analysis”

“Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”

“Magic and Loss: Style, Progression and the ‘Ending’ of ‘Carnivàle’”

Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion”

Psychoanalysis, Popular and Unpopular

"Taiwan's Cold War Geopolitics in Edward Yang's The Terrorizers"

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