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Linked Open Data for Filmarchives - Organised by the LOD-Task Force of the FIAF Cataloging and Documentation Commission (CDC)
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Film Studies
Subject(s):
Metadata, Linked open data, Film
Item Type:
Report
The Sublime Horror of the English Countryside
Author(s):
Derek Johnston (see profile)
Date:
2017
Group(s):
Cultural Studies, Film Studies, Horror, Television Studies
Subject(s):
Horror, Landscape, Identity
Item Type:
Conference paper
Tag(s):
Folk horror
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history, Film production, Actor-network theory, History of technology, Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects, special effects
Phantoms of the Archives slides
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
The Ethics of Appropriation: ‘Misusing’ the Found Document in Suitcase of Love and Shame and A Film Unfinished
Author(s):
Jaimie Baron (see profile)
Date:
2015
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Archives, Ethics, Appropriation
Item Type:
Book chapter
(In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films
Author(s):
Jaimie Baron (see profile)
Date:
2014
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Book chapter
Tag(s):
experimental video, remix, humor
Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament
Author(s):
Jaimie Baron (see profile)
Date:
2011
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Article
Tag(s):
Natalie Bookchin, Siegrfried Kracauer, archival footage, experimental film, video art
"Mi Casa, Su Casa"
Author(s):
Patrick McEvoy-Halston (see profile)
Date:
2004
Group(s):
CLCS 20th- and 21st-Century, Film Studies, TC Cognitive and Affect Studies, TC Psychology, Psychoanalysis, and Literature, TM Literary Criticism
Subject(s):
Cinema, Psychological literary criticism, Masculinity studies
Item Type:
Essay
Tag(s):
quentin tarantino, pulp fiction
Laura Rossi’s War Musics
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Musicology, Cultural musicology, Film music
Item Type:
Book chapter
Maschinenbilder. Zur postsubjektiven Kamera
Author(s):
Birk Weiberg (see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Film, Film studies, Aesthetics, Media arts
Item Type:
Book chapter
Tag(s):
camera, machine, subjective camera, pov
Rural Returns: Journeys to the Past and the Pagan in Folk Horror
Author(s):
Derek Johnston (see profile)
Date:
2019
Group(s):
Cultural Studies, Film Studies, Horror, Television Studies
Subject(s):
Identity, Cultural identity, Horror, Film, Television
Item Type:
Conference paper
Tag(s):
Folk horror
The historical relationship of musical form and the moving image in the current context of the digitisation of media
Author(s):
John Davey (see profile)
Date:
2017
Group(s):
Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)
Subject(s):
Film, Intermedia, Media studies, Multimedia, Music, Music and Society, Poetics
Item Type:
Thesis
Tag(s):
audiovisual, Digital Technology, Media convergence
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
Film Museum Practice and Film Historiography
Author(s):
Bregt Lameris (see profile)
Date:
2017
Group(s):
Archives, Film Studies
Subject(s):
Archival studies, Film history, Historiography, Media studies, Restoration culture
Item Type:
Monograph
Šestaja čast' kadra". Vosstanovlenie vertovskogo "Čelovek s kinoapparatom" / "The Sixth of the Frame". Vertov's "Man with a Movie Camera" restored.
Author(s):
Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Archives, Film Studies, Soviet and Russian history and culture
Subject(s):
Film history, Restoration culture, Film arts, Archival materials, Archives
Item Type:
Article
Tag(s):
russian film, restoration
‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road
Author(s):
mpesses (see profile)
Date:
2018
Group(s):
Cultural Studies, Film Studies, Philosophy
Subject(s):
Cultural studies, Anthropocene, Slavoj Zizek, Deleuze and Guattari, Mobility studies
Item Type:
Article
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
Based on a True Story: Tracking What is Queer about German Queer Documentary
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, History of East Germany, Film, Queer and gender studies
Item Type:
Article
Tag(s):
queer cinema, documentary films
The East German Film 'Coming Out' (1989) as Melancholic Reflection and Hopeful Projection
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Queer/gay, Film
Item Type:
Article
Tag(s):
East German film, Gay and Lesbian, queer cinema
Sex and Socialism in East German Cinema
Author(s):
Kyle Frackman (see profile) , Faye Stewart
Date:
2018
Group(s):
Film Studies, LGBTQ Studies, LLC 20th- and 21st-Century German, Queer German Studies
Subject(s):
East Germany, Film, Sexuality, Gender, German culture
Item Type:
Book chapter
Tag(s):
East German film
Shame and Love: East German Homosexuality Goes to the Movies
Author(s):
Kyle Frackman (see profile)
Date:
2018
Group(s):
Film Studies, German Literature and Culture, LGBTQ Studies, LLC 20th- and 21st-Century German, TC Sexuality Studies
Subject(s):
East Germany, German history, Queer history, Film, Affect, Documentary
Item Type:
Book chapter
Tag(s):
German cinema
Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen
Author(s):
Marion Goller, Adelheid Heftberger (see profile)
Date:
2018
Group(s):
Digital Humanists, Film Studies
Subject(s):
Research data management, Copyright, Film studies
Item Type:
Article
Tag(s):
Open access to research data
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article

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