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Cosmopolíticas e cosmopoéticas do contato
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2018
Group(s):
Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Film studies, Film and history, Indigenous peoples
Item Type:
Article
Tag(s):
documentário, história, contato
O macaco com a câmera na mão: montagem anarquívica e devir-animal em Leo Pyrata
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2019
Group(s):
Arqueologia do sensível, Film Studies
Subject(s):
Film studies
Item Type:
Article
Tag(s):
cinema brasileiro contemporâneo, experimental, videoarte, montagem anarquívica, Leo Pyrata
Landscapes of Disappearance
Author(s):
Edwin Culp (see profile)
Date:
2020
Group(s):
Film-Philosophy, Film Studies, Latin America and the Caribbean
Subject(s):
Landscape art, Film theory, Violence
Item Type:
Article
Reviews of Lord of the Rings (Return of the King), Passion of Christ and Schindlers List
Author(s):
Steven Aoun (see profile)
Date:
2005
Group(s):
Advocating for the Humanities, Connected Academics, Cultural Studies, Film Studies, Literary theory
Subject(s):
Film and history, Cultural studies, Holocaust
Item Type:
Article
Tag(s):
Spielberg, Tolkien, Religion and Culture
In the Company of Wolves: Wolves, Werewolves, and Wild Children, ed. Sam George & Bill Hughes – Book Launch and Film Screening, 29 February 2020, Odyssey Cinema, St Albans, UK
Editor(s):
Sam George, Bill Hughes (see profile)
Date:
2020
Group(s):
Film Studies, Gothicists, Horror, Speculative and Science Fiction, Television Studies
Subject(s):
Gothic literature, Fairy tales, Fantasy literature, Animal studies, Horror, Folklore
Item Type:
Other
Tag(s):
wolves, company of wolves, Werewolves, wild children
El discreto (y cómico) encanto de la sobremesa
Author(s):
Edwin Culp (see profile)
Date:
2015
Group(s):
Film-Philosophy, Film Studies
Subject(s):
Comedy (genre), Film studies, Aesthetics
Item Type:
Book chapter
Materialità e sensazione storiche del film
Author(s):
Bregt Lameris (see profile)
Date:
2005
Group(s):
Archives, Film Studies
Subject(s):
Materiality, Film, Historiography
Item Type:
Article
Tag(s):
historical sensation
Directing Actors for Non-Directors: Creative Research Strategies for Fiction Films
Author(s):
Edwin Culp (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Arts-based research, Film production, Filmmaking, Acting, Fiction, Editing, Cinematography
Item Type:
Book chapter
Tag(s):
film directing, directing actors
Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities
Author(s):
Adelheid Heftberger (see profile)
Date:
2016
Group(s):
Digital Humanists, Film Studies, Soviet and Russian history and culture
Subject(s):
Digital humanities research and methodology, Film studies, Soviet film, Data visualization
Item Type:
Book
Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film music, Film history, Religion
Item Type:
Book
Space and the Affect of Horror in Pablo Larrain's Post Mortem
Author(s):
Rosa Tapia (see profile)
Date:
2019
Group(s):
Film Studies, Latin America and the Caribbean
Subject(s):
Latin American cinema, Horror cinema, Affect
Item Type:
Book chapter
Tag(s):
Chilean film, zombies
Affective radicality: prisons, Palestine, and interactive documentary
Author(s):
Ryan Watson (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Activism, Affect, Documentary filmmaking, interactive media, Theories of affect
Item Type:
Article
Tag(s):
Interactive Documentary, Sharon Daniel, Zohar Kfir
In the Wakes of Rodney King: Militant Evidence and Media Activism in the Age of Viral Black Death
Author(s):
Ryan Watson (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Black studies, Digital media, Documentary filmmaking, Media studies, Media theory
Item Type:
Article
Tag(s):
Media Activism, Militant Evidence, Police Brutality, Visible Evidence
Women at the Pedals: Female Cinema Musicians during the Great War
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film music
Item Type:
Book chapter
Question Mark? Mass Murder, the Mass Media and Mental Health
Author(s):
Steven Aoun (see profile)
Date:
1997
Group(s):
Connected Academics, Cultural Studies, Film Studies, Public Humanities, Television Studies
Subject(s):
Mass media
Item Type:
Article
Tag(s):
mass murder
EGL 194: Intro to Film (Fall 2019)
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Humanities Commons Summer Camp
Subject(s):
Film, Horror, 21st-century American film, Genre, Film studies, Genre studies
Item Type:
Syllabus
Tag(s):
syllabus
“Live or die, make your choice”: American Survival Game Horror
Author(s):
Caitlin Duffy (see profile)
Date:
2019
Group(s):
Film Studies, Gothicists, Horror, Neoliberal Fiction
Subject(s):
Horror cinema, 21st-century American film, Gothic, Neoliberalism, Games, Horror, Film
Item Type:
Conference paper
Tag(s):
american gothic, survival
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
Italian Americans in the Hollywood Cinema: Filmmakers, Characters, Audiences Voices in Italian Americana 7.1 (Spring 1996): 65-77. Selected for reprinting in Voices in Italian Americana 26.1 (Spring 2015) as one of the most significant essays published in VIA
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and society, Hollywood cinema, Ethnicity, Cinema
Item Type:
Article
Tag(s):
Italian Americans in film, Italian film, representations
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film, Film arts, Japan, Cinema, world cinema
Item Type:
Article
Tag(s):
Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film arts, Cinema, world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni, Italian film
Mr. Jones Goes to Washington: Myth and Religion in "Raiders of the Lost Ark"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Cinema history, Mythology
Item Type:
Article
Tag(s):
Steven Spielberg, Joseph Campbell, Monomyth, Raiders of the Lost Ark
"'You're Telling Me You Didn't See": Hitchcock's "Rear Window" and Antonioni's "Blow-Up"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2006
Group(s):
Film Studies
Subject(s):
Film, Film arts, Cinema, Cinema history, Adaptation, Intertextuality
Item Type:
Book chapter
Tag(s):
Michelangelo Antonioni, Alfred Hitchcock, film modernism
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
The Gospel According to Spielberg in "E.T.: The Extra-Terrestrial"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2001
Group(s):
Film Studies
Subject(s):
Film, Film and politics, Cinema, Hollywood cinema
Item Type:
Article
Tag(s):
Steven Spielberg, E.T, christian iconography

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