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• Die Öffnung von Forschungsdaten in den Film- und Medienwissenschaften: praktische und urheberrechtliche Herausforderungen

  Author(s):

  Marion Goller, Adelheid Heftberger (see profile)

  Date:

  2018

  Group(s):

  Digital Humanists, Film Studies

  Subject(s):

  Research data management, Copyright, Film studies

  Item Type:

  Article

  Tag(s):

  Open access to research data

  
  

• No time like the past: Hearing nostalgia in The Twilight Zone

  Author(s):

  Reba Wissner (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Television Studies

  Subject(s):

  Music, Television

  Item Type:

  Article

  
  

• OGOM & Supernatural Cities present: The Urban Weird: Full Programme

  Author(s):

  Karl Bell, Kaja Franck, Sam George, Bill Hughes (see profile)

  Date:

  2018

  Group(s):

  Cultural Studies, Film Studies, Gothicists, Horror, Speculative and Science Fiction

  Subject(s):

  20th-century fantastic literature, Fantasy literature, 21st-century fantastic literature

  Item Type:

  Conference paper

  Tag(s):

  Urban Weird

  
  

• "Learning to Look: The Educational Documentary and Post-War Race Relations"

  Author(s):

  Stephen Charbonneau (see profile)

  Date:

  2016

  Group(s):

  Film Studies

  Subject(s):

  Civil rights, Documentary, Documentary filmmaking

  Item Type:

  Book

  Tag(s):

  nontheatrical filmmaking, Race and film

  
  

• “The Law of Capital: ‘The Measure of a Man’”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2016

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Film, Marxism, Stylistics

  Item Type:

  Article

  
  

• “Screened Signs of Grace: André Bazin’s ‘Cinema and Theology’ and the Sacramental Facet of Film”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2012

  Group(s):

  Film Studies, Religious Studies, Theology

  Subject(s):

  Film, Religion, Catholicism

  Item Type:

  Conference proceeding

  
  

• “Sembène, Ousmane (1923-2007)”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2016

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Film, Postcolonial culture, Politics

  Item Type:

  Book section

  
  

• “Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film, Memory

  Item Type:

  Article

  
  

• “Music Videos and Reused Footage”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2009

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Film, Music, Video arts

  Item Type:

  Book chapter

  
  

• “Sci-Fi Ghettos: ‘Battlestar Galactica’ and Genre Aesthetics”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2010

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Stylistics, Genres

  Item Type:

  Book chapter

  
  

• “Super Style: Notes for a Stylistic Analysis”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2011

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Stylistics

  Item Type:

  Book chapter

  
  

• “Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2013

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Television, Stylistics

  Item Type:

  Book chapter

  
  

• “Magic and Loss: Style, Progression and the ‘Ending’ of ‘Carnivàle’”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Film Studies, Religious Studies

  Subject(s):

  Television, Stylistics, Narrative

  Item Type:

  Book chapter

  
  

• Cinema: Journal of Philosophy and the Moving Image, no. 4, “Philosophy of Religion”

  Editor(s):

  Sérgio Dias Branco (see profile)

  Date:

  2013

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies, Religious Studies

  Subject(s):

  Film, Philosophy of religion, Aesthetics

  Item Type:

  Other

  
  

• Psychoanalysis, Popular and Unpopular

  Author(s):

  Catherine Liu (see profile)

  Date:

  2014

  Group(s):

  Film Studies

  Subject(s):

  Psychoanalysis, Film, Science fiction films, Critical theory, Science fiction, Cultural studies

  Item Type:

  Book chapter

  
  

• "Taiwan's Cold War Geopolitics in Edward Yang's The Terrorizers"

  Author(s):

  Catherine Liu (see profile)

  Date:

  2017

  Group(s):

  Film Studies, War Studies

  Subject(s):

  Cinema, Cold War, Marxism, Surveillance studies, Taiwan studies

  Item Type:

  Book chapter

  
  

• I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Film Studies, Music and Sound

  Subject(s):

  Film, Film music, Sound studies, Television, Television studies

  Item Type:

  Article

  
  

• Mediating Gesture in Theory and Practice

  Author(s):

  Ana Hedberg Olenina, Irina Schulzki (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Film, Media studies, Body politics, Film theory, Performance art

  Item Type:

  Article

  Tag(s):

  gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies

  
  

• “The Mosaic-Screen: Exploration and Definition”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2008

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film studies, Film criticism, Aesthetics, Philosophy

  Item Type:

  Article

  
  

• “Kino Kino Kino Kino Kino: el cine de artificio de Guy Maddin”

  Author(s):

  Sérgio Dias Branco (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film-Philosophy, Film Studies

  Subject(s):

  Film criticism, Authorship studies, Canadian studies

  Item Type:

  Article

  
  

• “Transnational Media Fan Studies.” The Routledge Companion to Media Fandom. Suzanne Scott and Melissa Click, eds. (forthcoming in 2017, Routledge)

  Author(s):

  Lori Morimoto (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies, Global & Transnational Studies

  Subject(s):

  Cultural studies, Fandom, Fan studies, Media studies

  Item Type:

  Book chapter

  Tag(s):

  fan studies, transnational fandom, transnational media

  
  

• Fictions incarnées : pratiques publicitaires du Ballyhoo et regard spectatoriel dans le cinéma muet hollywoodien

  Author(s):

  Fabrice Lyczba (see profile)

  Date:

  2015

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Film studies, Media studies, Reception studies, Silent cinema

  Item Type:

  Article

  Tag(s):

  audience reception, film paratexts, silent film exhibition

  
  

• Fictions of Intimacy, and the intimacy of fiction: "Going Into People's Houses" and the Remediation of 1920s Film Reception

  Author(s):

  Fabrice Lyczba (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Film studies, Media studies, Reception studies

  Item Type:

  Book chapter

  Tag(s):

  ballyhoo, film fan magazines, silent film exhibition, silent films

  
  

• Spectatoritis vs. World-building: Sandbox spectatorship in American children’s silent film culture

  Author(s):

  Fabrice Lyczba (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies

  Subject(s):

  Reception studies, Silent cinema, Sociology of childhood

  Item Type:

  Article

  Tag(s):

  audience reception, Play, worldbuilding

  
  

• ESTRATEGIAS PARA EL TRAUMAY EL DUELO; La relación entre lo visual y lo social en el cine de Wong Kar Wai

  Author(s):

  Josue Baruj Gordon Guerrero (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Cinema, Cinematography, Trauma, Visual studies

  Item Type:

  Conference paper

  
  

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