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• Oeconomia and the Vegetative Soul: Rethinking Revenge in The Spanish Tragedy

  Author(s):

  Christopher Crosbie (see profile)

  Date:

  2008

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, The Renaissance Society of America

  Subject(s):

  Kyd, Thomas, 1558-1594, Spanish tragedy (Kyd, Thomas), Revenge in literature, Revenge, Aristotle

  Item Type:

  Article

  Tag(s):

  Thomas Kyd, English Renaissance Drama, revenge tragedy, Aristotle, Literature and psychology, Soul

  
  

• “The Comedy of Errors, Haecceity, and the Metaphysics of Individuation”

  Author(s):

  Christopher Crosbie (see profile)

  Date:

  2013

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Aristotle, Comedy of errors (Shakespeare, William), Twins, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Comedy of Errors, Aristotle, Aristotelian Metaphysics, Shakespeare, Twins, Early modern drama, English Renaissance Drama

  
  

• The Longleat Manuscript Reconsidered: Shakespeare and the Sword of Lath

  Author(s):

  Christopher Crosbie (see profile)

  Date:

  2014

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Theater--Historiography, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Peacham Drawing, Longleat Manuscript, Shakespeare, Titus Andronicus, Vice, Medieval Morality Play, Sword of Lath, Dagger of Lath, Aaron the Moor, Theater History

  
  

• Aristotelian Time, Ethics, and the Art of Persuasion in Shakespeare’s Henry V

  Author(s):

  Christopher Crosbie (see profile)

  Date:

  2023

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Aristotle, European drama--Renaissance, English drama

  Item Type:

  Article

  Tag(s):

  Aristotle, English Renaissance Drama, Henry V, Shakespeare

  
  

• A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama

  Author(s):

  Eduardo Paredes Ocampo (see profile)

  Date:

  2022

  Group(s):

  Early Modern Academies of the World, Early Modern Theater, Renaissance / Early Modern Studies, Spanish Golden Age Literature

  Subject(s):

  Spanish drama, Seventeenth century, Vega, Lope de, 1562-1635, Art, Baroque, Theater, Diseases, Performance art--Study and teaching

  Item Type:

  Book chapter

  Tag(s):

  17th-century Spanish theater, Lope de Vega, Baroque theatre, Disease, Performance studies

  
  

• The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC's 2017 Production

  Author(s):

  Eduardo Paredes Ocampo (see profile)

  Date:

  2019

  Group(s):

  Early Modern Academies of the World, Early Modern Theater, Renaissance / Early Modern Studies, Spanish Golden Age Literature

  Subject(s):

  Spanish drama, Seventeenth century, Performance art--Study and teaching, Renaissance, Reformation, Europe, Sixteenth century, Art, Baroque, Theater

  Item Type:

  Article

  Tag(s):

  17th-century Spanish theater, Performance studies, Calderon, Renaissance and reformation / early modern Europe, Baroque theatre

  
  

• The Sacrifice of Isaac as Psycho-Moral Drama

  Author(s):

  RONALD VINCE (see profile)

  Date:

  2020

  Group(s):

  Early Modern Theater, Medieval Studies

  Subject(s):

  Drama

  Item Type:

  Article

  Tag(s):

  Beze, abraham, Sacrifice of Isaac, Theological interpretation

  
  

• The Tempest and Race in New Orleans

  Author(s):

  Scott Oldenburg (see profile)

  Date:

  2021

  Group(s):

  Early Modern Theater, Shakespeare

  Subject(s):

  Race, Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  presentism, non-hierarchical thinking, early modern theater, new orleans, Shakespeare

  
  

• Jean de la Taille, The Famine

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2020

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies

  Subject(s):

  Theater, History, European drama--Renaissance, Drama

  Item Type:

  Translation

  Tag(s):

  Tragedy, renaissance humanism, Theater history, Renaissance drama, French theatre

  
  

• David J. Amelang, "From Directions to Descriptions: Reading the Theatrical Nebentext in Ben Jonson’s Workes as an Authorial Outlet” (SEDERI 27, 2017), pp. 7–26.

  Author(s):

  David Amelang (see profile)

  Date:

  2017

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, The Renaissance Society of America

  Subject(s):

  Theater, History, English drama, Sixteenth century, Seventeenth century, Books

  Item Type:

  Article

  Tag(s):

  Theatre history, Early modern English drama, Book history, History of the book, Manuscript culture

  
  

• David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644

  Author(s):

  David Amelang (see profile)

  Date:

  2018

  Group(s):

  Early Modern History, Early Modern Theater, Shakespeare, Spanish Golden Age Literature, The Renaissance Society of America

  Subject(s):

  Theater, History, England--London, Architecture, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Theatre history, London, Architectural history, Renaissance drama, Golden Age theater

  
  

• David J. Amelang, "A Day in the Life: The Performance of Playgoing in Early Modern Madrid and London" (Bulletin of the Comediantes 70.2, 2018), pp. 111-127

  Author(s):

  David Amelang (see profile)

  Date:

  2018

  Group(s):

  Early Modern History, Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, Spanish Golden Age Literature

  Subject(s):

  England--London, Renaissance, Spain

  Item Type:

  Article

  Tag(s):

  London, Renaissance in Spain, Everyday

  
  

• David J. Amelang, “'A Broken Voice': Iconic Distress in Shakespeare’s Tragedies” (Anglia 137.1, 2019), pp. 33-52

  Author(s):

  David Amelang (see profile)

  Date:

  2019

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, The Renaissance Society of America

  Subject(s):

  Shakespeare, William, 1564-1616, Drama, Language and languages

  Item Type:

  Article

  Tag(s):

  Shakespeare, Language

  
  

• David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134

  Author(s):

  David Amelang (see profile)

  Date:

  2019

  Group(s):

  Digital Humanists, Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, Spanish Golden Age Literature

  Subject(s):

  Shakespeare, William, 1564-1616, Vega, Lope de, 1562-1635, Sex in literature, Race in literature, Theater, History, European drama--Renaissance

  Item Type:

  Article

  Tag(s):

  Shakespeare, Lope de Vega, Gender and race in literature, Theatre history, Renaissance drama

  
  

• Jean de la Taille, Saul in his Madness (Saül le furieux)

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2020

  Group(s):

  Early Modern Theater, Renaissance / Early Modern Studies

  Subject(s):

  European drama--Renaissance

  Item Type:

  Translation

  Tag(s):

  Tragedy, renaissance humanism, La Taille, French theatre, Renaissance drama, Dramatic theory

  
  

• Matisse in the Playhouse

  Author(s):

  HC Admin

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance, LLC 16th-Century English, Renaissance / Early Modern Studies

  Subject(s):

  Shakespeare, William, 1564-1616, English drama, Sixteenth century, Seventeenth century, Dramatists, Theater, History

  Item Type:

  Article

  
  

• The Life of Saint Fiacre

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2019

  Group(s):

  Early Modern Theater, Medieval Studies

  Subject(s):

  Drama, Medieval, Theater, Drama

  Item Type:

  Translation

  Tag(s):

  saint play, farce, Medieval drama, Dramatic literature

  
  

• Two Short Plays by André de la Vigne:

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2019

  Group(s):

  Early Modern Theater, Medieval Studies, Renaissance / Early Modern Studies

  Subject(s):

  Drama, Medieval, French literature, Literature, Medieval

  Item Type:

  Translation

  Tag(s):

  La Vigne, dramatic genres, Medieval drama, Medieval French literature

  
  

• Romeo and Juliet by the Oregon Shakespeare Festival

  Author(s):

  HC Admin

  Date:

  2019

  Group(s):

  CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance

  Subject(s):

  Shakespeare, William, 1564-1616, Theater

  Item Type:

  Review

  
  

• The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’

  Author(s):

  HC Admin

  Date:

  2016

  Group(s):

  Early Modern Theater

  Subject(s):

  Theater, History, European drama--Renaissance

  Item Type:

  Article

  
  

• The Sacrifice of Abraham (1539)

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2019

  Group(s):

  Biblical Studies, Early Modern Theater

  Subject(s):

  Drama, Medieval, Drama, Sixteenth century, Seventeenth century, French literature, Literature, Medieval

  Item Type:

  Translation

  Tag(s):

  Theatre Studies, Renassance drama, Medieval drama, Early modern drama, French medieval literature

  
  

• Théodore de Bèze, Abraham Sacrificing

  Translator(s):

  RONALD VINCE (see profile)

  Date:

  2018

  Group(s):

  Early Modern Theater

  Subject(s):

  Drama, Bible and literature, European drama--Renaissance, Reformation, French literature, Theater

  Item Type:

  Translation

  Tag(s):

  Dramatic literature, Renaissance drama, Dramatic genre

  
  

• Western Theatrical Traditions: Four Introductory Lectures

  Author(s):

  RONALD VINCE (see profile)

  Date:

  2018

  Group(s):

  Early Modern Theater

  Subject(s):

  Theater, History, Teaching, Drama

  Item Type:

  Course material or learning objects

  Tag(s):

  theatre, Theatre history

  
  

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