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Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945
Author(s):
Natascha Drubek (see profile)
Date:
2020
Group(s):
Documentary Studies, Film Studies, Holocaust history, Soviet and Russian history and culture
Subject(s):
Film and history, Holocaust, Poland, Soviet Union, Documentary production
Item Type:
Book
The Mass Psychology of Fascist Cinema: "Triumph of the Will"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1998
Group(s):
Documentary Studies, Film Studies
Subject(s):
Film, Film and society, Film history, Cinema, Cinema history, Documentary, Propaganda
Item Type:
Book chapter
Tag(s):
Hitler, Leni Riefenstahl, Wilhelm Reich
"I'll See It When I Believe It": Rodney King and the Prison-House of Video
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1996
Group(s):
Documentary Studies, Film Studies
Subject(s):
Documentary, Documentary filmmaking, Film, Phenomenology, Cinema
Item Type:
Book chapter
Tag(s):
documentary films, Race and film
The Ethics of Appropriation: ‘Misusing’ the Found Document in Suitcase of Love and Shame and A Film Unfinished
Author(s):
Jaimie Baron (see profile)
Date:
2015
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Archives, Ethics, Appropriation
Item Type:
Book chapter
(In)appropriation: Productions of Laughter in Contemporary Experimental Found Footage Films
Author(s):
Jaimie Baron (see profile)
Date:
2014
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Book chapter
Tag(s):
experimental video, remix, humor
Subverted Intentions and the Potential for “Found” Collectivity in Natalie Bookchin’s Mass Ornament
Author(s):
Jaimie Baron (see profile)
Date:
2011
Group(s):
Documentary Studies, Film-Philosophy, Film Studies
Subject(s):
Found footage, Appropriation
Item Type:
Article
Tag(s):
Natalie Bookchin, Siegrfried Kracauer, archival footage, experimental film, video art
"The Experimental Film Remake and the Digital Archive Effect: A Movie by Jen Proctor and Man with a Movie Camera: The Global Remake"
Author(s):
Jaimie Baron (see profile)
Date:
2017
Group(s):
Documentary Studies
Subject(s):
Cultural studies, Film studies, Media studies
Item Type:
Article
Tag(s):
Bruce Conner, digital archive, found footage, Jennifer Proctor, Perry Bard
"Digital Historicism: Archival Footage, Digital Interface, and Historiographic Effects in Call of Duty: World at War"
Author(s):
Jaimie Baron (see profile)
Date:
2010
Group(s):
Documentary Studies
Item Type:
Article
Contemporary Documentary Film and "Archive Fever": History, the Fragment, the Joke
Author(s):
Jaimie Baron (see profile)
Date:
2007
Group(s):
Archives, Digital Humanists, Documentary Studies
Subject(s):
Cultural studies, Film studies, Media studies
Item Type:
Article
Tag(s):
archives, found footage, historiography, history
“The Archive Effect: Archival Footage as an Experience of Reception.”
Author(s):
Jaimie Baron (see profile)
Date:
2012
Group(s):
Archives, Documentary Studies, History, Library & Information Science
Subject(s):
Cultural studies, Film studies, Media studies
Item Type:
Article
Tag(s):
archival footage, archive, archives, found footage, historiography, history

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