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Leitfaden für die Annotation von Named Entities (NE) in Biographien
Author(s):
Maximilian Kaiser (see profile)
Date:
2022
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Digital humanities
Item Type:
Book chapter
Tag(s):
National Biographical Encyclopedia, digital humanities
Introduction to Digital Humanities Syllabus Spring 2022 Duke University
Author(s):
Hannah Jacobs (see profile)
Date:
2022
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Digital humanities, Teaching, Inclusive education
Item Type:
Syllabus
Tag(s):
syllabus, Digital pedagogy, Inclusive pedagogy
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons (see profile)
Date:
2021
Group(s):
Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
Subject(s):
Machine learning, Artificial intelligence, Big data, Data mining, Affect (Psychology), Art, Modern, Twenty-first century, Computer vision
Item Type:
Article
Tag(s):
facial expression, informed consent, critique, datasets, Data science, Theories of affect, Contemporary art
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons (see profile)
Date:
2021
Group(s):
Archives, Digital Art History, Digital Humanists, Science and Technology Studies (STS)
Subject(s):
Affect (Psychology), Art, Modern, Twenty-first century, Machine learning, Computer vision, Ethics, Fair use (Copyright)
Item Type:
Essay
Tag(s):
dataset, visual psychology, affective computing, informed consent, Affect, Contemporary art, Fair use
Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons (see profile)
Date:
2021
Group(s):
Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
Subject(s):
Affect (Psychology), Art, Modern, Twenty-first century, Critical theory, Data mining, Art and science, Science--Study and teaching, Technology--Study and teaching, Machine learning
Item Type:
Article
Tag(s):
facial expression, affective computing, dataset, Ethics of Emerging Technologies, Affect, Contemporary art, Critical data studies, Science and art, STS
AMS Preliminary Program
Author(s):
Melia Wong (see profile)
Date:
2021
Group(s):
Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Ethnomusicology, Music, History, Musicology, Music theory
Item Type:
Conference poster
Tag(s):
Music history
“Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset
Author(s):
Michael Lyons (see profile)
Date:
2021
Group(s):
Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
Subject(s):
Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning
Item Type:
Article
Tag(s):
facial expression, training sets, affective computing, dataset, Affect, Critical data studies, Information ethics
A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in "Big Data and Society"
Author(s):
Jasmine Burns (see profile)
Date:
2021
Group(s):
Digital Art History, Library & Information Science
Subject(s):
Critical theory, Data mining, Data sets, Open access publishing, Digital libraries, Digital humanities
Item Type:
Review
Tag(s):
Commodification, Critical data studies, Open data, Appropriation
Excavating 'Excavating AI': The Elephant in the Gallery
Author(s):
Michael Lyons (see profile)
Date:
2021
Group(s):
Archives, Digital Art History, Digital Humanists, Linked Open Data, Science and Technology Studies (STS)
Subject(s):
Affect (Psychology), Artificial intelligence, Critical theory, Data mining, Information technology--Moral and ethical aspects, Machine learning
Item Type:
Article
Tag(s):
data ethics, dataset, digital ethics, Affect, Critical data studies, Information ethics, Theories of affect
A Digital Humanities Bibliography
Author(s):
John Taormina (see profile)
Date:
2019
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Bibliography, Digital humanities, Research, Methodology, Digital libraries, Learning and scholarship--Data processing
Item Type:
Bibliography
Tag(s):
digital cultural heritage, digital humanities librarianship, digital humanities research, digital humanities teaching, Digital humanities research and methodology, Digital pedagogy, Digital scholarship/history
Art Style, Art & Culture International Magazine, no. 6
Editor(s):
Christiane Wagner (see profile)
Date:
2020
Group(s):
Architectural History and Theory, Cultural Studies, Digital Art History, Diversity in the Arts, History of Art
Subject(s):
Art, History, Culture--Study and teaching, Interdisciplinary approach in education, Communication, Aesthetics
Item Type:
Online publication
Tag(s):
art and culture, aesthetics and politics, moving images, media, cinema and photography, Art history, Visual arts, Interdisciplinary cultural studies, Communications
Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte
Author(s):
Maximilian Kaiser (see profile)
Date:
2020
Group(s):
Digital Art History, Digital Humanists, History of Art
Subject(s):
Artists--Biography, Social networks, Art, Nineteenth century, Twentieth century
Item Type:
Book chapter
Tag(s):
Artist biography, 19th-century art, 20th-century art
Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data
Author(s):
Florian Windhager (see profile)
Date:
2020
Group(s):
Cultural Heritage, DH2020, Digital Art History, Digital Heritage, Museums
Subject(s):
Information visualization
Item Type:
Presentation
Tag(s):
cultural collections, information integration, multiple views, visualization, Data visualization
Modeling Performing Arts: On the Representations of Agency
Author(s):
Birk Weiberg (see profile)
Date:
2020
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Performing arts, Ontology
Item Type:
Article
Tag(s):
data modeling, CIDOC-CRM, Agency
Images as Research Data and the Role of the Information Professional
Author(s):
Jasmine Burns (see profile)
Date:
2020
Group(s):
Digital Art History, Library & Information Science
Subject(s):
Library science
Item Type:
Article
Tag(s):
research data, image management
The Design History of Robert M. Pirsig’s Books
Author(s):
Christoph Bartneck (see profile)
Date:
2019
Group(s):
Archives, Digital Art History, Digital Humanists, History of Illustration and Illustration Studies, Visual Arts Advocacy
Subject(s):
Books, History, Graphic arts, Design, Art
Item Type:
Article
Tag(s):
book cover, metaphysics of quality, pirsig, Book history, Design (graphic), Design history, Visual art
Structure, Network, Discourse. Anatomy of an Artists Association
Author(s):
Maximilian Kaiser (see profile)
Date:
2014
Group(s):
Digital Art History, Digital Humanists, History of Art
Subject(s):
Digital humanities, Avant-garde (Aesthetics)
Item Type:
Article
Tag(s):
historical network analyses, artist association, Avant-garde
Museum Photo Archives and the History of the Art Market: A Digital Approach
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2019
Group(s):
Digital Art History, Digital Humanists, History of Art
Subject(s):
Art, Markets, Museums, Archives, Forgery
Item Type:
Article
Tag(s):
Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren, Association of Museum Officials for Defense against Fakes and Improper Business Practices, Art market, Fakes/forgeries
On the Crisis of Creation: A Short Comic
Author(s):
Kay Sohini (see profile)
Date:
2019
Group(s):
Comics Scholarship/Comics Studies, Digital Art History, GS Comics and Graphic Narratives
Subject(s):
Comic books, strips, etc., Art--Study and teaching, Digital humanities, Art
Item Type:
Visual art
Tag(s):
Comics, Art education
Project: Building a Research Collection
Author(s):
Yelena Kalinsky (see profile)
Date:
2019
Group(s):
Digital Art History, Digital Humanists, Education and Pedagogy
Subject(s):
Art, History, Computer art, Research--Methodology, Teaching
Item Type:
Course material or learning objects
Tag(s):
assignment, digital project, Art history, Digital art history, Research methods, Pedagogy
To the Stars and Beyond: Perceptions on The Starry Night
Author(s):
Kay Sohini (see profile)
Date:
2018
Group(s):
Comics Scholarship/Comics Studies, Digital Art History, Humanities Commons Summer Camp, Rhetoric and Composition, TC Ecocriticism and Environmental Humanities
Subject(s):
Art
Item Type:
Essay
Tag(s):
Non-fiction, reflection, Visual arts
Artist migration through the biographer’s lens: A case study based on biographical data retrieved from the Austrian Biographical Dictionary
Author(s):
Maximilian Kaiser (see profile) , Katalin Lejtovicz, Peter Alexander Rumpolt, Matthias Schlögl
Date:
2018
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Art, History, Digital humanities, Computer art, Prosopography, Nineteenth century
Item Type:
Article
Tag(s):
biographical dictionary, spatial history of art, Art history, Digital art history, 19th-century art
The Biographical Formula: Types and Dimensions of Biographical Networks
Author(s):
Ágoston Zénó Bernád, Maximilian Kaiser (see profile)
Date:
2018
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Biography--Study and teaching, Digital humanities, Art, History
Item Type:
Conference proceeding
Tag(s):
biographical dictionary, biographical research, historical network research, source criticism, Biography Studies, History of art
Was uns Biographien über Künstlernetzwerke sagen
Author(s):
Maximilian Kaiser (see profile)
Date:
2017
Group(s):
Digital Art History, Digital Humanists
Subject(s):
Art, History, Biography--Study and teaching, Computer art, Digital humanities
Item Type:
Article
Tag(s):
artist biographies, historical network research, Art history, Biography Studies, Digital art history
Experts and Auctioneers in Paris Art Auctions 1852-1862
Author(s):
Lukas Fuchsgruber (see profile)
Date:
2017
Group(s):
Digital Art History, History of Art, Linked Open Data, Victorian Studies
Subject(s):
Art, History, Computer art, Markets, France, Nineteenth century, Area studies
Item Type:
Online publication
Tag(s):
auction, Hôtel Drouot, Commissaire-Priseur, Expert, expertise, Art history, Digital art history, Art market, 19th-century French studies, Network analysis

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