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HELLcome to ameriKKKa!
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Art's Impact on Society, Contemporary Art, Digital Humanists, History of Illustration and Illustration Studies, Networked Art
Subject(s):
Art, Digital arts, Visual arts, Human rights, Social justice
Item Type:
Visual art
Tag(s):
QR codes, pop art, political art and activist art, Political criticism, Democracy
A Haunting of Haunts
Date:
2020
Group(s):
Contemporary Art, Networked Art
Subject(s):
Contemporary art
Item Type:
Book section
Tag(s):
Networked Performance, Networked Art
I’m Garrett Lynch (IRL)
Author(s):
Garrett Lynch (IRL) (see profile)
Date:
2020
Group(s):
Contemporary Art, Networked Art
Subject(s):
Contemporary art, Language, Ireland
Item Type:
Article
Tag(s):
Networked Art, virtual, real, networked performance
Contemporary Art & Open Learning
Author(s):
Prof Neil Mulholland (see profile)
Date:
2020
Group(s):
Contemporary Art, Education and Pedagogy
Subject(s):
Contemporary art, Art education, Open educational resources, Open education, Arts pedagogy
Item Type:
Visual art
BIS REPETITA PLACENT!
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Comics Scholarship/Comics Studies, Contemporary Art, Digital Humanists, History of Illustration and Illustration Studies, Networked Art
Subject(s):
Art, Digital arts, Humor studies, Visual arts, Political sociology
Item Type:
Visual art
Tag(s):
pop art, QR codes, Humor, humour, digital art
CORVIDS
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Art's Impact on Society, Contemporary Art, History of Illustration and Illustration Studies, Medical Humanities, Networked Art
Subject(s):
Art, Visual art, Digital arts, Humor studies, Public health, Metaphor
Item Type:
Visual art
Tag(s):
pop art, QR codes, digital art, Death and Humor
QRt is the new pop ARt!
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Contemporary Art, History of Illustration and Illustration Studies, Networked Art, Visual Arts Advocacy, Women in the Arts
Subject(s):
Art, Visual arts, Digital arts, Humor studies
Item Type:
Visual art
Tag(s):
pop art, QR codes, digital art, colour, color
Il "Tempo rallentato" di Nino Migliori - IO SONO VERTICALE / 20 febbraio - 20 giugno 2020, Galleria Monitor, Pereto (AQ)
Author(s):
Stefano Verri (see profile)
Date:
2020
Group(s):
Contemporary Art
Subject(s):
Contemporary art, Photography (history and studio)
Item Type:
Essay
L'arte e il pensiero ecologico sul paesaggio
Author(s):
Stefano Verri (see profile)
Date:
2020
Group(s):
Art's Impact on Society, Contemporary Art, Environmental Humanities
Subject(s):
20th century, Art and environment, Contemporary art, Environmental art
Item Type:
Article
Landscape: art and ecological thinking
Author(s):
Stefano Verri (see profile)
Translator(s):
Simon Jarvis
Date:
2020
Group(s):
Art's Impact on Society, Contemporary Art, Environmental Humanities
Subject(s):
20th century, Art, Art and environment, Contemporary art, Ecological art, Photography
Item Type:
Article
Tag(s):
landart
Enjoy Caustic Humour!
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Art's Impact on Society, Contemporary Art, Networked Art, Visual Arts Advocacy
Subject(s):
Art, Visual arts, Digital arts, Humor studies
Item Type:
Visual art
Tag(s):
QR codes, pop art, Humor, humour, digital art
SOMOGYI.wpp
Author(s):
Ted SOMOGYI (see profile)
Date:
2021
Group(s):
Contemporary Art
Subject(s):
Performance, Contemporary art, Aesthetics
Item Type:
Documentary
IGNIS
Author(s):
Pruritus Migrans (see profile)
Date:
2021
Group(s):
Art's Impact on Society, Contemporary Art, History of Illustration and Illustration Studies, Visual Arts Advocacy, Women in the Arts
Subject(s):
Art, Digital arts, Latin
Item Type:
Visual art
Tag(s):
digital art, pop art, QR codes
SANTA CLAWS
Author(s):
Pruritus Migrans (see profile)
Date:
2020
Group(s):
Comics Scholarship/Comics Studies, Contemporary Art, History of Illustration and Illustration Studies, Horror, Monsters and Monstrosity
Subject(s):
Art
Item Type:
Visual art
Tag(s):
digital art, Humor, pop art, QR codes
Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki \ Every object is an image: Sauerbruch Hutton according to Harun Farocki
Author(s):
Raphael Grazziano (see profile)
Date:
2020
Group(s):
Architectural History and Theory, Contemporary Art, Film Studies, History of Art, Urban Studies
Subject(s):
Theories of architecture, Art criticism, Contemporary art, Avant garde cinema, Urbanism/urban planning
Item Type:
Article
Tag(s):
Critique of Architecture, urban design, Contemporary Architecture
Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas
Author(s):
Raphael Grazziano (see profile)
Date:
2012
Group(s):
Architectural History and Theory, Contemporary Art, History of Art, Urban Studies
Subject(s):
Architectural history, Art history, Communism, Abstraction, Architectural design, Socialist realism
Item Type:
Monograph
Tag(s):
João Batista Vilanova Artigas, Olga Baeta, Rubens de Mendonça, Concretism
SOMOGYI.wpp
Author(s):
Ted SOMOGYI (see profile)
Date:
2020
Group(s):
Contemporary Art
Subject(s):
Aesthetics, Contemporary art, Performance
Item Type:
Performance
Tag(s):
Institutional Critique
Archiving complex digital artworks
Author(s):
Dušan Barok (see profile) , Julie Boschat Thorez, Annet Dekker, David Gauthier, Claudia Roeck
Date:
2019
Group(s):
Contemporary Art, Digital Humanists
Subject(s):
Digital arts, Digital archives, Documentation, Preservation, Art conservation
Item Type:
Article
From Collection Management to Content Management in Art Documentation: The Conservator as an Editor
Author(s):
Dušan Barok (see profile) , Arjen de Vries, Julia Noordegraaf
Date:
2019
Group(s):
Contemporary Art, History of Art
Subject(s):
Documentation, Art conservation, Preservation, Museum studies, Collections
Item Type:
Article
The transformative nature of networks within contemporary art practice
Author(s):
Garrett Lynch (IRL) (see profile)
Date:
2018
Group(s):
Contemporary Art, Networked Art
Subject(s):
Contemporary art, Network studies
Item Type:
Thesis
Tag(s):
Networked Art, systems theory, Networks, framework
How to explain information to a dead hare: Floridi's approach to information and its relevance to art practice
Author(s):
Gordon Edison McQueen (see profile)
Date:
2019
Group(s):
CityLIS, Contemporary Art, Library & Information Science, Philosophy
Subject(s):
Art theory, Contemporary art, Philosophy of information
Item Type:
Dissertation
Tag(s):
Art practice, Information theory, infosphere, Interactivity, Luciano Floridi
Trav—erse
Author(s):
Garrett Lynch (see profile)
Date:
2010
Group(s):
Contemporary Art, Networked Art
Subject(s):
Performance, Art
Item Type:
Book section
Tag(s):
networked art, sonic arts, audio-visual
Exploring the networked image in 'post' art practices
Author(s):
Garrett Lynch (see profile)
Date:
2018
Group(s):
Contemporary Art, Networked Art
Item Type:
Article
Tag(s):
Networked Performance, networked image, post art, virtual, real
Monoskop Exhibition Library
Author(s):
Josefina Björk, Joana Chicau, John Colenbrander, Annet Dekker, Leslie Drost-Robbins, Espen Sommer Eide, Kenneth Goldsmith, Tetsuya Goto, Sarah Hamerman, Sam Hart, Yuki Hayashi, Seewon Hyun, Václav Janoščík, Lee Jungmin, Geraldine Juárez, Mara Karagianni, Richard Kitta, Tadashi Kobayashi, Signe Lidén, Kyung Yong Lim, Silvio Lorusso, Ilan Manouach, Marcell Mars, Tomislav Medak, Darija Medić, Michal Murin, Bhavisha Panchia, Lídia Pereira, Jürgen Rendl, Jara Rocha, Sebastian Schmieg, Eva Skopalová, Danny Snelson, Femke Snelting, Charles Turner, Takuma Uematsu, Marina Valle Noronha, Mathijs van Oosterhoudt, Amy Suo Wu
Editor(s):
Dusan Barok (see profile)
Date:
2018
Group(s):
Contemporary Art, History of Art, Library & Information Science
Subject(s):
Artist's books, Documentation, Exhibtions, Installation art, Libraries, Visual arts
Item Type:
Catalog
Tag(s):
artists museum, catalogue-exhibition, exhibition catalog, video art
Auction action – commission an artwork
Author(s):
Garrett Lynch (see profile)
Date:
2017
Group(s):
Contemporary Art, Networked Art
Subject(s):
Contemporary art
Item Type:
Book section
Tag(s):
Networked Art, Networked Performance, New Media Art

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