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Unfixing Epic: Homeric Orality and Contemporary Performance
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ancient Greece & Rome, Classical Tradition, Poetics and Poetry
Subject(s):
Classical reception, Theater and film, Performance, Homer, Epic poetry
Item Type:
Book chapter
Democracy and the Vernacular Imagination in Vico’s Plebian Philology
Author(s):
Rebecca Ruth Gould (see profile)
Date:
2018
Group(s):
Classical Tradition, Historiography, History of Linguistics and Language Study, Legal history, Political Philosophy & Theory
Subject(s):
Political theory, Law, Rhetoric, Philosophy, Philology, Politics
Item Type:
Article
Tag(s):
imagination, democracy, Vico, class struggle
“The Poetics from Athens to al-Andalus: Ibn Rushd’s Grounds for Comparison,” Modern Philology 112 (2014): 1-24.
Author(s):
Rebecca Ruth Gould (see profile)
Date:
2014
Group(s):
Classical Tradition, Graeco-Arabic Studies, Literary Translation, Medieval Studies, Poetics and Poetry
Subject(s):
Comparative literature, Reading, Translation, Aristotle, Arabic literature
Item Type:
Article
"A Vessel Divinely Molded": Basil of Caesarea on the Human Body
Author(s):
Adam Rasmussen (see profile)
Date:
2017
Group(s):
Classical Tradition, Late Antiquity, Origen, Theology
Subject(s):
Ancient philosophy, Classics, Early Christianity, Late Antiquity, Theology
Item Type:
Conference paper
Tag(s):
Basil of Caesarea, Origen, Science and Religion
Basil of Caesarea’s Uses of Origen in His Polemic against Astrology
Author(s):
Adam Rasmussen (see profile)
Date:
2015
Group(s):
Classical Tradition, Late Antiquity, Origen, Theology
Subject(s):
Ancient philosophy, Classics, Early Christianity, Late Antiquity, Theology
Item Type:
Article
Tag(s):
astrology, Basil of Caesarea, late antique literature, Origen, Science and Religion
The Paper Cinema's Odyssey and The Factory, The Odyssey
Author(s):
Stephe Harrop (see profile)
Date:
2013
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Classical reception, Greek and Latin poetry, Performance, Performance practice, Theater
Item Type:
Article
Physical Performance and the Languages of Translation
Author(s):
Stephe Harrop (see profile)
Date:
2010
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation
Item Type:
Book chapter
Poetic Language and Corporeality in Translations of Greek Tragedy
Author(s):
Stephe Harrop (see profile) , David Wiles
Date:
2008
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Choreography, Classical reception, Dance, Greek and Roman drama, Translation
Item Type:
Article
Speech, Silence and Epic Performance: Alice Oswald's Memorial
Author(s):
Stephe Harrop (see profile)
Date:
2013
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Epic poetry, Greek and Latin poetry, Modern poetry, Performance
Item Type:
Article
‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis
Author(s):
Stephe Harrop (see profile)
Date:
2014
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare
Item Type:
Article
Grounded, Heracles and the Gorgon's Gaze
Author(s):
Stephe Harrop (see profile)
Date:
2015
Group(s):
Ancient Greece & Rome, Classical Tradition, Performance Studies
Subject(s):
Classical reception, Greek and Roman drama, Greek mythology, Playwriting, Theatre and politics
Item Type:
Article
Three's Company...
Author(s):
Raymond CORMIER (see profile)
Date:
2017
Group(s):
Classical Tradition
Subject(s):
11th to 14th century
Item Type:
Article
Tag(s):
Aeneid

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