Deposits – Humanities Commons

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Dante, Liszt, and the Alienated Agony of Hell
Author(s):
Tekla Babyak (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound, Religious Studies
Subject(s):
Musicology, Medieval Italian literature, 19th-century music, Sacred music, Theology and the arts, Dante, Romanticism
Item Type:
Article
Tag(s):
Liszt, Symphony, Program music
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film music, Music theory
Item Type:
Review
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance
Author(s):
Joshua Neumann (see profile)
Date:
2016
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Archival studies, Data visualization, Digital archives
Item Type:
Conference proceeding
Tag(s):
Audio analysis, Data generation
Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
Author(s):
Joshua Neumann (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Data visualization, History and philosophy of science and technology, Opera, Performance practice
Item Type:
Article
Tag(s):
Creative process, Data analysis
Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung
Author(s):
Derek R. Strykowski (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, History
Subject(s):
History, Music, Music history, Musicology, Music publishing
Item Type:
Data set
Tag(s):
Allgemeine musikalische Zeitung, Breitkopf & Härtel, Music printing, newspapers, nineteenth century
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
When #TimesUp for Musical Gods: The James Levine Scandal
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
Musicology, Reception studies, Classical music, Western classical music, Internet culture
Item Type:
Conference paper
Tag(s):
James Levine, sexual assault, #MeToo, #TimesUp, Post-Truth
Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)
Author(s):
Kendra Leonard (see profile)
Date:
2001
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Gilbert Amy, Memoire pour violoncelle et piano d’après Shin’anim sha’ananim (1979-1989); Georges Aperghis, Sonate pour violoncelle seul (1994); Nicolas Bacri, Suite no. 1 “Preludio e Metamorfosi,”, pour violoncelle seul, opus 31 no. 1 (1987-94); Jacques Castérède, Sonate pour violoncelle et piano (1996); Alexander Comitas, Yiddish Suite pour violoncelle et piano, opus 17 (1995); Thierry Escaich, Nocturne pour violoncelle et piano (1997); Renaud Gagneux, Trois bagatelles pour violoncelle seul, opus 49 (1997); Ingrid Guymer, Seven Sketches pour violoncelle seul (1989) and Chainmail pour violoncelle solo (1995); Georges Migot, Sonate et Rhapsodie pour violoncelle seul; Serge Nigg, Duo élégiaque pour violoncelle et piano; Ton-That Tiêt, Xuân Vũ pour violoncelle et piano; Jean-Jacques Werner, Clair-obscur pour violoncelle et harpe (1996)
Author(s):
Kendra Leonard (see profile)
Date:
2002
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: The Miserly Knight by Sergei Rachmaninoff
Author(s):
Kendra Leonard (see profile)
Date:
2006
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Changing Tunes: The Use of Pre-existing Music in Film, eds. Phil Powrie and Robynn Stilwell
Author(s):
Kendra Leonard (see profile)
Date:
2007
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Nadia and Lili Boulanger by Caroline Potter
Author(s):
Kendra Leonard (see profile)
Date:
2007
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Off the Planet, ed. Philip Hayward
Author(s):
Kendra Leonard (see profile)
Date:
2009
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Help, Help, the Globolinks! by Gian Carlo Menotti
Author(s):
Kendra Leonard (see profile)
Date:
2008
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Mademoiselle by Bruno Monsaingeon
Author(s):
Kendra Leonard (see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Little Women by Mark Adamo
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Piano Trio; String Quartet; La Bonne Chanson by Gabriel Faure
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Music and the Skillful Listener: American Women Compose the Natural World by Denise Van Glahn
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Marching to the Canon: The Life of Schubert’s Marche Militaire by Scott Messing
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Music and Diplomacy from the Early Modern Era to the Present, eds. Rebekah Ahrendt, Mark Ferraguto, Damien Mahiet
Author(s):
Kendra Leonard (see profile)
Date:
2016
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
“The Wild West meets the wives of Windsor: Shakespeare and Music in the Mythological American West”
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Global Shakespeares, LLC Shakespeare
Subject(s):
Shakespeare, Music
Item Type:
Book chapter
Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421
Author(s):
William O'Hara (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Mozart, Musicology, Music theory
Item Type:
Article
Tag(s):
chamber music

Viewing item 1 to 25 (of 81 items)

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CORE Search Results Start Search Over

Dante, Liszt, and the Alienated Agony of Hell

Review: Recomposing the Past: Representations of Early Music on Stage and Screen

Hamilton's Ghosts

Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung

Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

Performing Spiritualism in the Silent Cinema

When #TimesUp for Musical Gods: The James Levine Scandal

Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)

Review: The Miserly Knight by Sergei Rachmaninoff

Review: Changing Tunes: The Use of Pre-existing Music in Film, eds. Phil Powrie and Robynn Stilwell

Review: Nadia and Lili Boulanger by Caroline Potter

Review: Off the Planet, ed. Philip Hayward

Review: Help, Help, the Globolinks! by Gian Carlo Menotti

Review: Mademoiselle by Bruno Monsaingeon

Review: Little Women by Mark Adamo

Review: Piano Trio; String Quartet; La Bonne Chanson by Gabriel Faure

Review: Music and the Skillful Listener: American Women Compose the Natural World by Denise Van Glahn

Review: Marching to the Canon: The Life of Schubert’s Marche Militaire by Scott Messing

Review: Music and Diplomacy from the Early Modern Era to the Present, eds. Rebekah Ahrendt, Mark Ferraguto, Damien Mahiet

Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride

“The Wild West meets the wives of Windsor: Shakespeare and Music in the Mythological American West”

Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421

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