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Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860
Author(s):
Jack Blaszkiewicz (see profile)
Date:
2020
Group(s):
American Musicological Society
Subject(s):
Musicology, French, Music and Society, French music, Urban history
Item Type:
Article
Tag(s):
Second Empire, nineteenth-century music
Rare Gems by the Pioneers of the Concert Spiritual (Pt. 2)
Author(s):
Randye Jones (see profile)
Date:
2020
Group(s):
Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association
Subject(s):
African American culture, Music performance
Item Type:
Documentary
Tag(s):
Negro spirituals, concert spirituals
Rare Gems by the Pioneers of the Concert Spiritual (Pt. 1)
Author(s):
Randye Jones (see profile)
Date:
2020
Group(s):
Afrocentric Sounds, American Musicological Society, Music and Sound, Music Library Association
Subject(s):
African American cultural studies, Music performance, Voice
Item Type:
Documentary
Tag(s):
Negro spirituals, concert spirituals
Enacting Musical Time: Chapter 1: Meaning
Author(s):
Mariusz Kozak (see profile)
Date:
2019
Group(s):
American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
Item Type:
Book chapter
Tag(s):
affordances, Edmund Husserl, Merleau-Pony
Annotated Bibliography of African American Carillon Music
Author(s):
Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music
Item Type:
Bibliography
Tag(s):
racial equity, Negro spirituals, gospel music, ragtime
International Bibliography of Carillon Music by Women, Transgender, and Nonbinary Composers
Author(s):
Emmet Lewis, Tiffany Ng (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, Music composition, 20th-century music, Western classical music, Women's history, Women writers
Item Type:
Bibliography
Tag(s):
women and gender, women composers, gender equality, gender equity
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
Subject(s):
Comparative cultural studies, History of opera, Opera staging
Item Type:
Book chapter
Tag(s):
Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera
"How to Talk about Opera at a Time of Crisis"
Author(s):
Samuel Dorf (see profile)
Date:
2020
Group(s):
American Musicological Society
Subject(s):
Public humanities, Opera, Trauma
Item Type:
Article
Appendix 6 - African American Art Song Resource List
Author(s):
Caroline Helton, Emery Stephens (see profile)
Date:
2020
Group(s):
American Musicological Society, Ethnomusicology, Music Library Association
Subject(s):
African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance
Item Type:
Online publication
Tag(s):
African American music, Black poetry, Music bibliographies, Music composers
Popular Music and the Growth of Brazilian Culture Industries since 1945
Author(s):
K. E. Goldschmitt (see profile) , Eduardo Vicente
Date:
2020
Group(s):
American Musicological Society, Ethnomusicology, Music and Sound
Subject(s):
Brazilian cultural studies, Music industry studies
Item Type:
Other
Tag(s):
bossa nova, Brega, incentive laws, independent recording industry, media convergence
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher (see profile)
Date:
2019
Group(s):
American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
Subject(s):
Medieval music, Music theory, Music analysis, Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory, Counterpoint, Ars nova
Recorded Concert Spirituals: A Guide for the Solo Vocalist
Author(s):
Randye Jones (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, Music Library Association
Subject(s):
African American, Music, Voice and opera, Sacred music
Item Type:
Book
Tag(s):
Negro spirituals
Postcolonial Affect: Ambiguous Relationality in Robert Casteels's L’(autre) fille aux cheveux de Bali
Author(s):
Gavin Lee (see profile)
Date:
2015
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
Postcolonial Bifurcation: On John Sharpley's Emptiness
Author(s):
Gavin Lee (see profile)
Date:
2019
Group(s):
American Musicological Society, Global Musical Modernisms, SMT Analysis of World Music Interest Group, Society for Music Theory (SMT)
Item Type:
Article
"The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Historical musicology, Music history
Item Type:
Article
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music history, Musicology, Music theory, Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history, Musicology, Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education, Music history, Musicology, Music theory
Item Type:
Review
Love Under a Microscope: Chaya Czernowin's Heart Chamber
Author(s):
Anne C. Shreffler (see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Contemporary music
Item Type:
Review
Tag(s):
Chaya Czernowin, contemporary opera, Deutsche Oper Berlin, Heart Chamber, new music
“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Article
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article

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