Deposits – Humanities Commons

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'Aspects of British Experimental Music as a Separate Art-Music Culture'
Author(s):
Virginia Anderson (see profile)
Date:
2004
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century music, Aesthetics
Item Type:
Thesis
Inscring medieval pedagogy: musica ficta in its texts
Author(s):
Clóvis de André (see profile)
Date:
2005
Group(s):
American Musicological Society, Society for Music Theory
Item Type:
Dissertation
Mending Bells and Closing Belfries with Faust
Author(s):
Chris Chafe, John Granzow, Romain Michon, Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, Music composition, Music technology, Russian musical history, Research computing
Item Type:
Conference proceeding
Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later
Author(s):
Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Latin American music, Venezuela, Musicology, Performance
Item Type:
Article
Tag(s):
nineteenth-century music, women composers, interviews
Phantoms of the Archives slides
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies
Subject(s):
Musicology, Film history, Film music
Item Type:
Presentation
review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Musicology, Music theory
Item Type:
Review
Laura Rossi’s War Musics
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Musicology, Cultural musicology, Film music
Item Type:
Book chapter
A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)
Author(s):
Frank Lehman (see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Music, Film music, Music theory, Film
Item Type:
Catalog
Tag(s):
Music Cataloging, Music cataloguing
Re-envisioning Information Literacy: Critical Information Literacy, Disciplinary Discourses, and Music History
Author(s):
Erin Conor (see profile)
Date:
2019
Group(s):
American Musicological Society, Library & Information Science, Music Library Association
Subject(s):
Information literacy, Music history
Item Type:
Article
Tag(s):
critical information literacy, critlib
Catalog of the Municipal Carillon Museum of Mechelen, Belgium
Author(s):
Tiffany Ng (see profile)
Date:
2005
Group(s):
American Musicological Society
Subject(s):
Campanology, Early Modern Netherlands, Ethnomusicology, Museums, Musicology, Numismatics, Organology
Item Type:
Catalog
Tag(s):
bells, bronze, carillon
The Conservatoire Américain: a History
Author(s):
Kendra Leonard (see profile)
Date:
2007
Group(s):
American Musicological Society, Music Library Association, Society for Music Theory
Subject(s):
Musicology, 20th-century American music, Music theory
Item Type:
Book
“What does the data tell us?: Representation, Canon, and Music Encoding”
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Digital Humanists, Music Library Association, Open Music
Subject(s):
Performance, Digital musicology, History of archives, Open data, Digital humanities
Item Type:
Conference paper
Tag(s):
women composers, canon, Music encoding, Diversity
How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy
Author(s):
Douglas Shadle (see profile)
Date:
2014
Group(s):
American Musicological Society
Subject(s):
19th-century American music, 19th-century music, Abolition, Musicology, Print culture
Item Type:
Article
Tag(s):
Eduard Hanslick, Music Aesthetics, Richard Storrs Willis, Santa Claus, William Henry Fry
Dante, Liszt, and the Alienated Agony of Hell
Author(s):
Tekla Babyak (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound, Religious Studies
Subject(s):
19th-century music, Dante, Medieval Italian literature, Musicology, Romanticism, Sacred music, Theology and the arts
Item Type:
Article
Tag(s):
Liszt, Program music, Symphony
Review: Recomposing the Past: Representations of Early Music on Stage and Screen
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Opera and Musical Performance, MS Screen Arts and Culture, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film music, Music theory
Item Type:
Review
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
Data Generation and Multi-Modal Analysis for Recorded Operatic Performance
Author(s):
Joshua Neumann (see profile)
Date:
2016
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Archival studies, Data visualization, Digital archives
Item Type:
Conference proceeding
Tag(s):
Audio analysis, Data generation
Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera
Author(s):
Joshua Neumann (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, Digital Pedagogy, Performance Studies
Subject(s):
Data visualization, History and philosophy of science and technology, Opera, Performance practice
Item Type:
Article
Tag(s):
Creative process, Data analysis
Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung
Author(s):
Derek R. Strykowski (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, History
Subject(s):
History, Music, Music history, Musicology, Music publishing
Item Type:
Data set
Tag(s):
Allgemeine musikalische Zeitung, Breitkopf & Härtel, Music printing, newspapers, nineteenth century
Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Music Library Association, Society for Music Theory
Subject(s):
Musicology, Film history, Film music
Item Type:
Book chapter
Tag(s):
silent film
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
When #TimesUp for Musical Gods: The James Levine Scandal
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
Musicology, Reception studies, Classical music, Western classical music, Internet culture
Item Type:
Conference paper
Tag(s):
James Levine, sexual assault, #MeToo, #TimesUp, Post-Truth
Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)
Author(s):
Kendra Leonard (see profile)
Date:
2001
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review
Review: Gilbert Amy, Memoire pour violoncelle et piano d’après Shin’anim sha’ananim (1979-1989); Georges Aperghis, Sonate pour violoncelle seul (1994); Nicolas Bacri, Suite no. 1 “Preludio e Metamorfosi,”, pour violoncelle seul, opus 31 no. 1 (1987-94); Jacques Castérède, Sonate pour violoncelle et piano (1996); Alexander Comitas, Yiddish Suite pour violoncelle et piano, opus 17 (1995); Thierry Escaich, Nocturne pour violoncelle et piano (1997); Renaud Gagneux, Trois bagatelles pour violoncelle seul, opus 49 (1997); Ingrid Guymer, Seven Sketches pour violoncelle seul (1989) and Chainmail pour violoncelle solo (1995); Georges Migot, Sonate et Rhapsodie pour violoncelle seul; Serge Nigg, Duo élégiaque pour violoncelle et piano; Ton-That Tiêt, Xuân Vũ pour violoncelle et piano; Jean-Jacques Werner, Clair-obscur pour violoncelle et harpe (1996)
Author(s):
Kendra Leonard (see profile)
Date:
2002
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review

Viewing item 1 to 25 (of 95 items)

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CORE Search Results Start Search Over

'Aspects of British Experimental Music as a Separate Art-Music Culture'

Inscring medieval pedagogy: musica ficta in its texts

Mending Bells and Closing Belfries with Faust

Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later

Phantoms of the Archives slides

Phantoms of the Archives: Music for the Early Cinematic Supernatural and Other Tales

review: Composer Diversity Database, https://composerdiversity.com Music Theory Examples by Women, https://musictheoryexamplesbywomen.com

Laura Rossi’s War Musics

A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)

Re-envisioning Information Literacy: Critical Information Literacy, Disciplinary Discourses, and Music History

Catalog of the Municipal Carillon Museum of Mechelen, Belgium

The Conservatoire Américain: a History

“What does the data tell us?: Representation, Canon, and Music Encoding”

How Santa Claus Became a Slave Driver: The Work of Print Culture in a Nineteenth-Century Musical Controversy

Dante, Liszt, and the Alienated Agony of Hell

Review: Recomposing the Past: Representations of Early Music on Stage and Screen

Hamilton's Ghosts

Data Generation and Multi-Modal Analysis for Recorded Operatic Performance

Phenomena, Poiēsis, and Performance Profiling: Temporal-Textual Emphasis and Creative Process Analysis in Turandot at the Metropolitan Opera

Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung

Cue Sheets, Musical Suggestions, and Performance Practices for Hollywood Films, 1908–1927

Performing Spiritualism in the Silent Cinema

When #TimesUp for Musical Gods: The James Levine Scandal

Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)

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