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Critical Approaches to Information Literacy and Authentic Assessment Using Wikipedia
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Library Association, Open Music
Subject(s):
Information literacy, Music pedagogy, Feminist pedagogy
Item Type:
Book chapter
Tag(s):
authentic assessment, open pedagogy
Bound for Glory: Binder's Volumes in a 21st-Century Reading PPT Bailey
Author(s):
Candace Bailey (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Library Association, Victorian Studies
Subject(s):
American Civil War, American cultural studies, Musicology, Women's studies
Item Type:
Presentation
Tag(s):
muslib2018
Bound for Glory: Binder's Volumes in a 21st-Century Reading
Author(s):
Candace Bailey (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Library Association, Victorian Studies
Subject(s):
American Civil War, American cultural studies, Musicology, Women’s culture
Item Type:
Presentation
Tag(s):
muslib2018
BEAM THEM TOGETHER: Employing the Background, Exhibit, Argument, and Method Model to Connect Research and Writing
Author(s):
Rachel Scott (see profile)
Date:
2018
Group(s):
American Musicological Society, Library & Information Science, Music Library Association
Subject(s):
Historical musicology, Librarianship, Research, Rhetorical theory, Rhetoric and composition
Item Type:
Presentation
Tag(s):
muslib2018
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article
“In Their Own Native Keys”: Tonal Organization in William Byrd’s Published Motets
Author(s):
Mark Yeary (see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Historical musicology, Early music
Item Type:
Article
Music in the poetry competition held in Girona, 1622
Author(s):
Ascensión Mazuela-Anguita (see profile)
Date:
2016
Group(s):
American Musicological Society
Subject(s):
Early modern poetry, Renaissance music, Music and literature
Item Type:
Article
'Aida' and Nine Readings of Empire
Author(s):
Ralph P. Locke (see profile)
Date:
2011
Group(s):
American Musicological Society, Cultural Studies, Global & Transnational Studies, Ottoman and Turkish Studies, Victorian Studies
Subject(s):
Egypt, Imperialism, Ideology, Cultural history, Critical race and ethnic studies, Hegemony
Item Type:
Article
Tag(s):
Khedive Ismail, Edward W. Said, cultural interpretation, Italian theatre
Beyond the exotic: How
Author(s):
Ralph P. Locke (see profile)
Date:
2005
Group(s):
American Musicological Society, Cultural Studies, Global & Transnational Studies, Ottoman and Turkish Studies, Victorian Studies
Subject(s):
Musicology, Cultural history, Cultural musicology, Opera, Critical race and ethnic studies, Imperialism
Item Type:
Article
Tag(s):
sub-Saharan Africa, Edward Said, Khedive Ismail, Egypt history
The Sampling Network of Public Enemy's "Bring the Noise"
Author(s):
Amanda Sewell (see profile)
Date:
2012
Group(s):
American Musicological Society
Subject(s):
Musicology, Hip Hop
Item Type:
Conference paper
Tag(s):
musical borrowing, African American music
A Dream Deferred: Nina Simone and the Work of Mourning
Author(s):
Richard Elliott (see profile)
Date:
2013
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Popular Music Studies, Civil rights, History, Voice, Popular culture
Item Type:
Presentation
Tag(s):
Nina Simone, late voice, mourning, experience, age
“All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone
Author(s):
Richard Elliott (see profile)
Date:
2016
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular Music Studies, Age studies, Voice, Celebrity studies
Item Type:
Conference paper
Tag(s):
Nina Simone, Janis Ian, cover version, stardom
A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice
Author(s):
Richard Elliott (see profile)
Date:
2016
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Popular Music Studies, Cultural studies, Cultural studies of age, Voice
Item Type:
Conference paper
Tag(s):
pop culture, female voice, age, experience, Taylor Swift
“Time and Distance Are No Object”
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation
Item Type:
Article
Tag(s):
exotica, pop culture, nostalgia
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Copyright, Digital humanities, Fair use, Music
Item Type:
Presentation
Tag(s):
altmuslib2018, MLAtechcamp, muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Music, Copyright, Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp, muslib2018, altmuslib2018
The Morality of Musical Men: From Victorian Propriety to the Era of #MeToo
Author(s):
Linda Shaver-Gleason (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
19th century, Classical music, Feminism, Fine arts, Historiography, Musicology
Item Type:
Presentation
Tag(s):
#MeToo, James Levine
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson (see profile)
Date:
2014
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
Item Type:
Article
Tag(s):
musicology, los angeles, Patronage, Avant-garde
“Unstuck in time”: Harry Partch's Bilocated Life
Author(s):
Jake Johnson (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, 20th-century American music, Contemporary music, Narrative and time
Item Type:
Article
Tag(s):
musicology, Harry Partch, Time and temporality, Queer Studies
“That's Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline
Author(s):
Jake Johnson (see profile)
Date:
2016
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th-century American music, Age studies, Musical theatre, Musicology, Popular Music Studies
Item Type:
Article
Tag(s):
aging, American music, american musical theater, regionalism
Calling out the nameless: CocoRosie's Posthuman sound world
Author(s):
Jake Johnson (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice
Item Type:
Article
Tag(s):
Popular music, posthumanism, Queer Studies, sound studies, voice
The Music Room: Betty Freeman's Musical Soirées
Author(s):
Jake Johnson (see profile)
Date:
2018
Group(s):
American Musicological Society
Subject(s):
20th-century American music, American studies, Avant-garde, Contemporary music, Musicology
Item Type:
Article
Tag(s):
American music, los angeles, Patronage, women in music
The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera
Author(s):
Reba Wissner (see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Classical Greek culture, Music, Opera
Item Type:
Article
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Speculative and Science Fiction
Subject(s):
Music, Science fiction films, Television, Television studies
Item Type:
Article

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