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• Integrating the Digital Humanities into the (Re)Search Process (Slides)

  Author(s):

  Jennifer Oates (see profile)

  Date:

  2018

  Group(s):

  Music Library Association

  Subject(s):

  Digital humanities, Digital humanities research and methodology, Music libraries

  Item Type:

  Conference paper

  
  

• Some Transformational Representations on Elliott Carter’s Tempi Counterpoint

  Author(s):

  Erik Baqueiro-Victorín (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Music theory, Theories of time and temporality, Music composition

  Item Type:

  Conference paper

  Tag(s):

  Elliott Carter, Transformational theory, Transformational networks

  
  

• Bound for Glory: Binders' Volumes in a 21st Century Reading

  Author(s):

  Andrea Cawelti, Robert L. Cunningham (see profile)

  Date:

  2018

  Group(s):

  Music Library Association

  Subject(s):

  Libraries, Music

  Item Type:

  Conference paper

  Tag(s):

  muslib2018

  
  

• A Feminist Coven in the University

  Author(s):

  Jess Linz, Araby Smyth (see profile)

  Date:

  2017

  Subject(s):

  Feminism, Affect, Materialism

  Item Type:

  Conference paper

  Tag(s):

  university, emotional labor

  
  

• The Bolero Rhythm in Rock

  Author(s):

  Mark Yeary (see profile)

  Date:

  2013

  Subject(s):

  Popular Music Studies, Semiotics

  Item Type:

  Conference paper

  
  

• Entangled States: Putting Affect Theory into Play with Nnedi Okorafor and Ann Leckie

  Author(s):

  Laurie Ringer (see profile)

  Date:

  2018

  Group(s):

  GS Speculative Fiction, Interdisciplinary Approaches to Culture and Society, Speculative and Science Fiction, TC Cognitive and Affect Studies, TM Literary and Cultural Theory

  Subject(s):

  Theories of affect, Science fiction, Critical theory, Literary therory and criticism, Teaching literature

  Item Type:

  Conference paper

  Tag(s):

  Nnedi Okorafor, Ann Leckie, Binti trilogy, Imperial Radch, entangled states

  
  

• OGOM & Supernatural Cities present: The Urban Weird: Full Programme

  Author(s):

  Karl Bell, Kaja Franck, Sam George, Bill Hughes (see profile)

  Date:

  2018

  Group(s):

  Cultural Studies, Film Studies, Gothicists, Horror, Speculative and Science Fiction

  Subject(s):

  20th-century fantastic literature, Fantasy literature, 21st-century fantastic literature

  Item Type:

  Conference paper

  Tag(s):

  Urban Weird

  
  

• Listening to the Rhythms: Preparing for Theological Conversation

  Author(s):

  Jonathan Best (see profile)

  Date:

  2018

  Group(s):

  Liminal Theology, Religious Studies, Theology

  Subject(s):

  Continental philosophy, Henri Lefebvre, Jean-Luc Nancy, Practical theology, Religion, Theology

  Item Type:

  Conference paper

  Tag(s):

  Postmodern

  
  

• A flauta em Évora nos séculos XVI e XVII: Ocorrências nos contextos sacros

  Author(s):

  Luís Henriques (see profile)

  Date:

  2018

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Organology, Sacred music, 17th century

  Item Type:

  Conference paper

  Tag(s):

  Évora Cathedral, Musical Instrument

  
  

• Continuidade da prática de polifonia na Catedral de Évora no século XVIII

  Author(s):

  Luís Henriques (see profile)

  Date:

  2017

  Group(s):

  Music in Évora studies

  Subject(s):

  Musicology, Sacred music, 18th century, Polyphony

  Item Type:

  Conference paper

  Tag(s):

  Évora Cathedral

  
  

• Projects applying R to the Dead Sea Scrolls and what they mean

  Author(s):

  Janelle Peters (see profile)

  Date:

  2018

  Group(s):

  Digital Humanists

  Subject(s):

  Dead Sea scrolls, Digital humanities, Computer science

  Item Type:

  Conference paper

  
  

• The Quest for Solidarity Without Victory. Constraining the Guatemalan Guerrilla (1979-1996).

  Author(s):

  Joren Janssens (see profile)

  Date:

  2016

  Subject(s):

  Latin America

  Item Type:

  Conference paper

  
  

• A Market Forces Model of Economic Behavior

  Author(s):

  Ken Blawatt (see profile)

  Date:

  2018

  Subject(s):

  Economics

  Item Type:

  Conference paper

  Tag(s):

  entrepreneurial economics, marconomics, Market Forces, marketing

  
  

• They Came and Built It Themselves: Working with Students to Curate Digital Exhibits

  Author(s):

  Susannah Cleveland (see profile) , Stefanie Hunker, Carol Singer

  Date:

  2018

  Subject(s):

  Academic libraries, Digital humanities, Special collections

  Item Type:

  Conference paper

  Tag(s):

  Digitization

  
  

• Scoring the Perfect Job

  Author(s):

  Susannah Cleveland (see profile)

  Date:

  2018

  Subject(s):

  Music libraries, Academic libraries

  Item Type:

  Conference paper

  Tag(s):

  employment, interviews

  
  

• A More-Product-Less-Process Approach to Cataloging Recordings

  Author(s):

  Susannah Cleveland (see profile)

  Date:

  2018

  Subject(s):

  Metadata

  Item Type:

  Conference paper

  Tag(s):

  Popular music, description, mplp

  
  

• Theme and Variation: Survey of MLA Personnel Characteristics, Revisited (2009)

  Author(s):

  Susannah Cleveland (see profile) , Mark Puente, Judy Tsou

  Date:

  2010

  Subject(s):

  Music libraries, Diversity studies

  Item Type:

  Conference paper

  Tag(s):

  Music Library Association, personnel

  
  

• Beyond Google Docs: Using Free, Web-based Tools for Collaboration and Management in Your Library

  Author(s):

  Susannah Cleveland (see profile) , Liz Tousey

  Date:

  2011

  Group(s):

  Library & Information Science

  Subject(s):

  Collaboration, Internet/web-based media, Libraries

  Item Type:

  Conference paper

  Tag(s):

  management, productivity, web tools

  
  

• Enacted Metadata: Combining Content and Metadata

  Author(s):

  Susannah Cleveland (see profile) , Libby Hertenstein

  Date:

  2014

  Group(s):

  Library & Information Science, Music Librarians

  Subject(s):

  Libraries, Metadata, Special collections, Video production

  Item Type:

  Conference paper

  
  

• The Sampling Network of Public Enemy's "Bring the Noise"

  Author(s):

  Amanda Sewell (see profile)

  Date:

  2012

  Group(s):

  American Musicological Society

  Subject(s):

  Musicology, Hip Hop

  Item Type:

  Conference paper

  Tag(s):

  musical borrowing, African American music

  
  

• Buffer Zones: Visuality and the Time of Networks in Tom McCarthy's Satin Island

  Author(s):

  Daniel Barrow (see profile)

  Date:

  2018

  Group(s):

  Narrative theory and Narratology

  Subject(s):

  Contemporary fiction, Digital culture, Visual studies, Narrative and time

  Item Type:

  Conference paper

  
  

• Clipart Pastoral: Image and the Labour of Lyric Selfhood in Contemporary British Poetry

  Author(s):

  Daniel Barrow (see profile)

  Date:

  2018

  Subject(s):

  Contemporary poetry, Critical theory, Digital labor, Subjectivity

  Item Type:

  Conference paper

  
  

• 10:04: Everyday Life and the Novel as Late Capitalist Limit-Form

  Author(s):

  Daniel Barrow (see profile)

  Date:

  2018

  Group(s):

  Autofiction, Narrative theory and Narratology

  Subject(s):

  Contemporary fiction, Narrative and time, Critical theory

  Item Type:

  Conference paper

  
  

• Don Delillo's Point Omega: Mediated Vision and the Novel After the Subject

  Author(s):

  Daniel Barrow (see profile)

  Date:

  2018

  Subject(s):

  Anthropocene, Contemporary art, Contemporary fiction, Film studies

  Item Type:

  Conference paper

  
  

• “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone

  Author(s):

  Richard Elliott (see profile)

  Date:

  2016

  Group(s):

  American Musicological Society, Cultural Studies, Music and Sound

  Subject(s):

  Music, Popular Music Studies, Age studies, Voice, Celebrity studies

  Item Type:

  Conference paper

  Tag(s):

  Nina Simone, Janis Ian, cover version, stardom

  
  

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