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Katie Mitchell’s Theatre
Author(s):
Tom Cornford
(see profile)
,
Caridad Svich
Date:
2020
Subject(s):
Theater and society
,
Theater history
,
Contemporary theater
Item Type:
Article
Tag(s):
theatre directing
,
Katie Mitchell
Katie Mitchell and the Technologies of the Realist Theatre
Author(s):
Tom Cornford
(see profile)
Date:
2020
Subject(s):
Theater and society
,
Theater history
,
Contemporary theater
,
Theater and technology
Item Type:
Article
Tag(s):
Katie Mitchell
,
theatre directing
Tyrone Guthrie
Author(s):
Roberta Barker
,
Tom Cornford
(see profile)
Date:
2019
Subject(s):
Theater
,
Theater history
,
Theatre history
,
Theatre management
Item Type:
Book chapter
The Routledge Companion to Michael Chekhov. Edited by Marie-Christine Autant-Mathieu and Yana Meerzon. Abingdon and New York: Routledge, 2015. Pp. xxi + 433 + 25 illus. £148/$204 Hb. - Stanislavsky in the World: The System and Its Transformations across Continents. Edited by Jonathan Pitches and Stefan Aquilina. London and New York: Bloomsbury Methuen Drama, 2017. Pp. xiii + 461 + 40 illus. £22.49/$30.56 Pb.
Author(s):
Tom Cornford
(see profile)
Date:
2018
Subject(s):
Theater history
,
Acting
Item Type:
Review
Willful Distraction: Katie Mitchell, Auteurism and the Canon
Author(s):
Tom Cornford
(see profile)
Date:
2019
Subject(s):
Theater and society
,
Contemporary theater
Item Type:
Book chapter
Michael Chekhov: Directing an Actors' Theatre
Author(s):
Tom Cornford
(see profile)
Date:
2018
Subject(s):
Theater history
,
Theatre history
,
Theatrical production
Item Type:
Book chapter
The Racist Case for Diversity? (Backpages 28.4)
Author(s):
Tom Cornford
(see profile)
Date:
2019
Subject(s):
Theater and society
,
Theater
,
Race
,
Diversity studies
Item Type:
Article
Tag(s):
Racism
,
diversity
,
theatre
,
british theatre
Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre
Author(s):
Tom Cornford
(see profile)
Date:
2018
Subject(s):
Migration
,
Theater
,
Theater and society
Item Type:
Article
Tag(s):
Theatre Studies
Find Direction Out: In the Archives of Hamlet
Author(s):
Tom Cornford
(see profile)
Date:
2010
Subject(s):
Shakespeare
,
Theatre history
Item Type:
Article
Michael Chekhov: The Spiritual Realm and the Invisible Body
Author(s):
Tom Cornford
(see profile)
Date:
2014
Subject(s):
Theatre history
Item Type:
Book chapter
Reconstructing Theatre: the Globe under Dominic Dromgoole
Author(s):
Tom Cornford
(see profile)
Date:
2010
Subject(s):
Shakespeare
,
Theatre history
Item Type:
Article
The Importance of How: Directing Shakespeare with Michael Chekhov's Technique
Author(s):
Tom Cornford
(see profile)
Date:
2012
Subject(s):
Shakespeare
,
Theatre history
Item Type:
Article
‘A new kind of conversation’: Michael Chekhov's ‘turn to the crafts’
Author(s):
Tom Cornford
(see profile)
Date:
2013
Subject(s):
Theatre history
Item Type:
Article
Beyond Realism: Into the Studio
Author(s):
Tom Cornford
(see profile)
Date:
2013
Subject(s):
Theatre history
Item Type:
Article
Training in a Cold Climate: Edited Transcript of Roundtable Discussion with Catherine Alexander, Alison Andrews, Tom Cornford, Matt Hargrave, Struan Leslie, Kylie Walsh
Author(s):
Tom Cornford
(see profile)
Date:
2014
Subject(s):
Art education
,
Theatre and politics
Item Type:
Article
Peter Boenisch and Thomas Ostermeier The Theatre of Thomas Ostermeier Abingdon: Routledge, 2016, 262 p. £32.99. ISBN: 978-1-138-91447-6.Peter M. Boenisch Directing Scenes and Senses: the Thinking of Regie Manchester: Manchester University Press, 2015. 256 p. £65. ISBN: 978-0-7190-9719-5.
Author(s):
Tom Cornford
(see profile)
Date:
2017
Subject(s):
German theatre
,
Theatre and politics
,
Theatre theory
Item Type:
Review
Jacques Lecoq and the Studio Tradition
Author(s):
Tom Cornford
(see profile)
Date:
2016
Subject(s):
Acting
,
Theatre history
Item Type:
Book chapter
Acting, Skill and Artistry
Author(s):
Tom Cornford
(see profile)
Date:
2015
Subject(s):
Acting
,
Classical theatre
,
Shakespeare
,
Theatre and society
,
Theatre history
Item Type:
Article
'The Editing of Emma Rice', Backpages
Author(s):
Tom Cornford
(see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
Shakespeare
,
Theatre and society
,
Theatrical production
Item Type:
Article
Tag(s):
theatre directing
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