Deposits – Humanities Commons

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Pacifism as Ideological Complicity in The Big Lebowski
Author(s):
Todd Comer (see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film, Cultural studies, War and conflict, Myth, Narrative
Item Type:
Article
Tag(s):
The Big Lebowski, pacificism
Studies in the Humanities (entire issue focus on the intersectionality of disability and ecology)
Editor(s):
Todd Comer (see profile) , Christine Junker
Date:
2020
Group(s):
Critical Disability Studies, Medical Humanities, World-Ecology Research Network
Subject(s):
Disability studies, Ecocriticism, Critical disability studies, Ecological humanities
Item Type:
Article
Tag(s):
literary ecology, cultural ecology, Disabiltiy in global context
An Introduction: Disability Studies and Ecocriticism
Author(s):
Todd Comer (see profile) , Christine Junker
Date:
2020
Group(s):
Critical Disability Studies, Medical Humanities, World-Ecology Research Network
Subject(s):
Disability studies, Critical disability studies, Ecocriticism, Place-based ecocriticism, Disability, Ontology
Item Type:
Article
Tag(s):
ecologies
Family, Nature, Autonomy: The Truman Show
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Literature and economics
Item Type:
Essay
Tag(s):
capitalism, neoliberalism, australian film
“’Space is the Place”: The Politics of Birth in Minority Report”
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Film Studies, Speculative and Science Fiction
Subject(s):
Action and adventure films, Film and society
Item Type:
Conference paper
Tag(s):
birth, hermeneutics, Post traumatic stress disorder, science fiction, Spielberg
“Dilating Fixity: Pacific Rim, and the Erasure of Birth”
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Film Studies, Horror, Speculative and Science Fiction
Subject(s):
Film and society, Speculative fiction
Item Type:
Conference paper
Tag(s):
del toro, godzilla, birth
“The Indigestibility of the World; or, Birthing the Posthuman in Spielberg’s A.I.”
Author(s):
Todd Comer (see profile)
Date:
2013
Subject(s):
Film and society, Horror films, Postmodernism
Item Type:
Book chapter
Tag(s):
20th century film, posthumanism, Spielberg
“Terrence Malick's Tree of Life: Grace and the General Economy”
Author(s):
Todd Comer (see profile)
Date:
2017
Subject(s):
Christianity, Economics, Film and politics
Item Type:
Conference paper
Tag(s):
Derrida, Malick, Terrence, grace
The Hidden Architecture of Disability: Chris Ware's Building Stories
Author(s):
Todd Comer (see profile)
Date:
2016
Subject(s):
Comics, Disability, Disability studies, Graphic novels
Item Type:
Book chapter
Tag(s):
Chris Ware, Building Stories
THE DISABLED HERO: BEING AND ETHICS IN PETER JACKSON’S THE LORD OF THE RINGS
Author(s):
Todd Comer (see profile)
Date:
2016
Subject(s):
Adaptation, Disability, Disability studies, Film and society, Speculative fiction
Item Type:
Article
Tag(s):
Peter Jackson, Disability, Wound
“Who needs family? I’ve got the whole world on my shoulders:” How the Doctor’s Non-Domesticity Interrupts History
Author(s):
Todd Comer (see profile)
Date:
2010
Group(s):
Speculative and Science Fiction
Subject(s):
Speculative fiction, Television
Item Type:
Book chapter
Tag(s):
doctor who, domesticity, Imperialism, Ontology, Television Studies
Playing at Birth: Samuel R. Delany’s Dhalgren
Author(s):
Todd Comer (see profile)
Date:
2005
Subject(s):
Postmodernism
Item Type:
Article
Tag(s):
science fiction, Samuel R. Delany
“Body Politics: Unearthing an Embodied Ethics in V for Vendetta”
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Comics Scholarship/Comics Studies
Subject(s):
Comics, Graphic novels
Item Type:
Article
Tag(s):
Alan moore, embodiment
"This aggression will not stand": Myth, War, and Ethics in The Big Lebowski
Author(s):
Todd Comer (see profile)
Date:
2005
Group(s):
Film Studies
Subject(s):
Film and politics
Item Type:
Article
Tag(s):
Joel and Ethan Coen
Birth as Ethical Sublime in Joel and Ethan Coen's Fargo
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film criticism
Item Type:
Conference paper
Tag(s):
Joel and Ethan Coen, Sublime
A Mortal Agency: Flann O'Brien's At Swim-Two-Birds
Author(s):
Todd Comer (see profile)
Date:
2017
Group(s):
Irish Literature and Culture
Subject(s):
Irish literature
Item Type:
Article
Tag(s):
Flann O'Brien, Irish Literature, postmodernism

Viewing item 1 to 16 (of 16 items)

CORE Search Results Start Search Over

Pacifism as Ideological Complicity in The Big Lebowski

Studies in the Humanities (entire issue focus on the intersectionality of disability and ecology)

An Introduction: Disability Studies and Ecocriticism

Family, Nature, Autonomy: The Truman Show

“’Space is the Place”: The Politics of Birth in Minority Report”

“Dilating Fixity: Pacific Rim, and the Erasure of Birth”

“The Indigestibility of the World; or, Birthing the Posthuman in Spielberg’s A.I.”

“Terrence Malick's Tree of Life: Grace and the General Economy”

The Hidden Architecture of Disability: Chris Ware's Building Stories

THE DISABLED HERO: BEING AND ETHICS IN PETER JACKSON’S THE LORD OF THE RINGS

“Who needs family? I’ve got the whole world on my shoulders:” How the Doctor’s Non-Domesticity Interrupts History

Playing at Birth: Samuel R. Delany’s Dhalgren

“Body Politics: Unearthing an Embodied Ethics in V for Vendetta”

"This aggression will not stand": Myth, War, and Ethics in The Big Lebowski

Birth as Ethical Sublime in Joel and Ethan Coen's Fargo

A Mortal Agency: Flann O'Brien's At Swim-Two-Birds

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