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Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in _Hamlet_
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern
,
LLC Shakespeare
Subject(s):
Shakespeare
,
Shakespeare in adaptation
,
Feminist art history
,
Textual editing
,
Art history
Item Type:
Book chapter
Why Ganymede Faints and the Duke of York Weeps: Passion Plays in Shakespeare
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Philosophy of emotion
,
History of medicine
,
Book history
Item Type:
Article
Tag(s):
Gender studies
,
blood
,
menstruation
,
Theatre history
Intermediating the Book Beautiful: Shakespeare at the Doves Press
Author(s):
Sujata Iyengar
(see profile)
Date:
2016
Subject(s):
Shakespeare
,
Artist's books
,
Fine arts
,
Printing
,
Book history
Item Type:
Article
Tag(s):
Appropriation
,
adaptation
,
typography
,
cognition
,
reading
Copyright, Copyleft, and Shakespeare After Shakespeare
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Creativity
,
Law
,
Art criticism
,
Adaptation
Item Type:
Article
Tag(s):
Global Shakespeare
,
Copyright
,
creative commons
,
Appropriation
,
fandom
Beds, Handkerchiefs, and Moving Objects in Othello
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Adaptation
,
Film
,
New materialism
Item Type:
Article
Shades of Difference (extracts)
Author(s):
Sujata Iyengar
(see profile)
Date:
2017
Item Type:
Book section
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