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  • Our Carnal Hearts (interview with Rachel Mars)

    Author(s):
    Roberta Mock (see profile)
    Date:
    2017
    Group(s):
    Performance Studies
    Subject(s):
    Gender studies, Performance, Theatre and politics
    Item Type:
    Blog Post
    Tag(s):
    Resistance, theatre, women in performance

  • Memories, Hauntings & Exorcisms in Brad Fraser's Snake in Fridge

    Author(s):
    Roberta Mock (see profile)
    Date:
    2008
    Subject(s):
    20th century, Canadian literature, Queer theatre, Theatre and drama of the Americas
    Item Type:
    Book chapter
    Tag(s):
    Postwar Canadian literature, Theatre Studies, cultural memory, Brad Fraser

  • Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

    Author(s):
    Roberta Mock (see profile)
    Date:
    2010
    Group(s):
    Cultural Studies, Performance Studies
    Subject(s):
    Gender and sexualities, Performance and politics, Performance art, Queer theatre
    Item Type:
    Book chapter
    Tag(s):
    Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies

  • Introduction to screening of ‘Stories We Tell’ (2012)

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    Canadian studies, Film studies, Performance studies
    Item Type:
    Blog Post
    Tag(s):
    autobiography, Sarah Polley, Stories We tell, storytelling

  • Reflections on the Arts and Humanities Doctoral Thesis and Training

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Doctoral Research in the Arts
    Subject(s):
    Artistic research
    Item Type:
    Blog Post
    Tag(s):
    doctoral training, PhD, postgraduate research, research skills, UK

  • Performing the Toxic Body

    Author(s):
    Roberta Mock (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Performance Studies
    Subject(s):
    Performance studies, Popular Music Studies, Sociology of the body
    Item Type:
    Blog Post
    Tag(s):
    Absence Presence, Amy Winehouse, performance, Prince, the body

  • Remembering Archaos: Circus with Attitude

    Author(s):
    Roberta Mock (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    20th century, French theatre, Performing arts, Popular culture studies
    Item Type:
    Blog Post
    Tag(s):
    Archaos, circus

  • Lynn Hershman and the Creation of Multiple Robertas

    Author(s):
    Roberta Mock (see profile)
    Date:
    2012
    Group(s):
    Performance Studies
    Subject(s):
    20th century, Art history, Gender studies, Performance art
    Item Type:
    Book chapter
    Tag(s):
    alter ego, digital performance, Lynn Hershman, second life

  • Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009

    Editor(s):
    Roberta Mock (see profile)
    Date:
    2009
    Group(s):
    Performance Studies
    Subject(s):
    Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
    Item Type:
    Abstract
    Tag(s):
    Book of Abstracts, Conference, Performance Studies, Theatre Studies

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    • Art history 1X
    • Artistic research 1X
    • Canadian literature 1X
    • Canadian studies 1X
    • Film studies 1X
    • French theatre 1X
    • Gender and sexualities 1X
    • Gender studies 2X
    • Performance 1X
    • Performance and politics 1X
    • Performance art 3X
    • Performance studies 3X
    • Performing arts 1X
    • Popular Music Studies 1X
    • Popular culture studies 1X
    • Queer theatre 2X
    • Sociology of the body 1X
    • Theatre and drama of the Americas 1X
    • Theatre and politics 1X
    • Theatre and society 1X
    • Theatre history 1X
    • Theatre theory 1X
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    • Blog Post 5X
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