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Our Carnal Hearts (interview with Rachel Mars)
Author(s):
Roberta Mock (see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
Gender studies, Performance, Theatre and politics
Item Type:
Blog Post
Tag(s):
Resistance, theatre, women in performance
Memories, Hauntings & Exorcisms in Brad Fraser's Snake in Fridge
Author(s):
Roberta Mock (see profile)
Date:
2008
Subject(s):
20th century, Canadian literature, Queer theatre, Theatre and drama of the Americas
Item Type:
Book chapter
Tag(s):
Postwar Canadian literature, Theatre Studies, cultural memory, Brad Fraser
Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus
Author(s):
Roberta Mock (see profile)
Date:
2010
Group(s):
Cultural Studies, Performance Studies
Subject(s):
Gender and sexualities, Performance and politics, Performance art, Queer theatre
Item Type:
Book chapter
Tag(s):
Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies
Introduction to screening of ‘Stories We Tell’ (2012)
Author(s):
Roberta Mock (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Canadian studies, Film studies, Performance studies
Item Type:
Blog Post
Tag(s):
autobiography, Sarah Polley, Stories We tell, storytelling
Reflections on the Arts and Humanities Doctoral Thesis and Training
Author(s):
Roberta Mock (see profile)
Date:
2016
Group(s):
Doctoral Research in the Arts
Subject(s):
Artistic research
Item Type:
Blog Post
Tag(s):
doctoral training, PhD, postgraduate research, research skills, UK
Performing the Toxic Body
Author(s):
Roberta Mock (see profile)
Date:
2017
Group(s):
Cultural Studies, Performance Studies
Subject(s):
Performance studies, Popular Music Studies, Sociology of the body
Item Type:
Blog Post
Tag(s):
Absence Presence, Amy Winehouse, performance, Prince, the body
Remembering Archaos: Circus with Attitude
Author(s):
Roberta Mock (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
20th century, French theatre, Performing arts, Popular culture studies
Item Type:
Blog Post
Tag(s):
Archaos, circus
Lynn Hershman and the Creation of Multiple Robertas
Author(s):
Roberta Mock (see profile)
Date:
2012
Group(s):
Performance Studies
Subject(s):
20th century, Art history, Gender studies, Performance art
Item Type:
Book chapter
Tag(s):
alter ego, digital performance, Lynn Hershman, second life
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock (see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
Item Type:
Abstract
Tag(s):
Book of Abstracts, Conference, Performance Studies, Theatre Studies

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