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No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
Television Studies
Subject(s):
Music
,
Television
Item Type:
Article
The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera
Author(s):
Reba Wissner
(see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Classical Greek culture
,
Music
,
Opera
Item Type:
Article
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Film Studies
,
Music and Sound
Subject(s):
Film
,
Film music
,
Sound studies
,
Television
,
Television studies
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
,
Speculative and Science Fiction
Subject(s):
Music
,
Science fiction films
,
Television
,
Television studies
Item Type:
Article
To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
Author(s):
Reba Wissner
(see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Baroque
,
Opera
,
Semiotics
Item Type:
Article
Tag(s):
baroque
,
Opera
,
semiotics
All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata
Author(s):
Reba Wissner
(see profile)
Date:
2010
Group(s):
American Musicological Society
,
Performance Studies
Subject(s):
Immigration studies
,
Musical theatre
Item Type:
Article
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