Search for:
Register
Log In
Open access, open source, open to all
News Feed
Members
Groups
Sites
CORE Repository
Help & Support
HC Organizations
ASEEES
AUPresses
MLA
MSU
SAH
About
HC Bylaws
Participating Organization Council
Advisory Groups
Why is the Platypus Our Mascot?
Roadmap
Team Blog
Log in
Register
Login
News Feed
Members
Groups
Sites
CORE Repository
Help & Support
HC Organizations
ASEEES
AUPresses
MLA
MSU
SAH
About
HC Bylaws
Participating Organization Council
Advisory Groups
Why is the Platypus Our Mascot?
Roadmap
Team Blog
CORE
Search Results
Start Search Over
Order By:
Newest Deposits
Alphabetical
Search Field:
All Fields
Author/Contributor
Subject
Tag
Title
All Deposits
0
First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' "The Sixth Finger" (1963)
Author(s):
Reba Wissner
(see profile)
Date:
2019
Subject(s):
Science fiction
,
20th-century American music
,
Television
Item Type:
Article
Tag(s):
The Outer Limits
,
Genius
Music for Murder, Machines, and Monsters
Author(s):
Reba Wissner
(see profile)
Date:
2018
Item Type:
Article
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Film Studies
,
Television Studies
Subject(s):
Music
,
Television
Item Type:
Article
The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera
Author(s):
Reba Wissner
(see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Classical Greek culture
,
Music
,
Opera
Item Type:
Article
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner
(see profile)
Date:
2017
Group(s):
American Musicological Society
,
Film Studies
,
Music and Sound
Subject(s):
Film
,
Film music
,
Sound studies
,
Television
,
Television studies
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner
(see profile)
Date:
2015
Group(s):
American Musicological Society
,
Music and Sound
,
Speculative and Science Fiction
Subject(s):
Music
,
Science fiction films
,
Television
,
Television studies
Item Type:
Article
To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
Author(s):
Reba Wissner
(see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Baroque
,
Opera
,
Semiotics
Item Type:
Article
Tag(s):
baroque
,
Opera
,
semiotics
All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata
Author(s):
Reba Wissner
(see profile)
Date:
2010
Group(s):
American Musicological Society
,
Performance Studies
Subject(s):
Immigration studies
,
Musical theatre
Item Type:
Article
Viewing item 1 to 8 (of 8 items)
@
Not recently active