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• First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' "The Sixth Finger" (1963)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2019

  Subject(s):

  Science fiction, Music, United States, Twentieth century, Television

  Item Type:

  Article

  Tag(s):

  The Outer Limits, Genius, 20th-century American music

  
  

• Music for Murder, Machines, and Monsters

  Author(s):

  Reba Wissner (see profile)

  Date:

  2018

  Item Type:

  Article

  
  

• No time like the past: Hearing nostalgia in The Twilight Zone

  Author(s):

  Reba Wissner (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Film Studies, Television Studies

  Subject(s):

  Music, Television

  Item Type:

  Article

  
  

• The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera

  Author(s):

  Reba Wissner (see profile)

  Date:

  2011

  Group(s):

  American Musicological Society

  Subject(s):

  Greeks--Social life and customs, Civilization, Greco-Roman, Music, Opera

  Item Type:

  Article

  Tag(s):

  Classical Greek culture

  
  

• I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Film Studies, Music and Sound

  Subject(s):

  Motion pictures, Motion picture music, Sound--Study and teaching, Television, Television--Study and teaching

  Item Type:

  Article

  Tag(s):

  Film, Film music, Sound studies, Television studies

  
  

• For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future

  Author(s):

  Reba Wissner (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound, Speculative and Science Fiction

  Subject(s):

  Music, Science fiction films, Television, Television--Study and teaching

  Item Type:

  Article

  Tag(s):

  Television studies

  
  

• To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)

  Author(s):

  Reba Wissner (see profile)

  Date:

  2010

  Group(s):

  American Musicological Society

  Subject(s):

  Opera, Semiotics

  Item Type:

  Article

  Tag(s):

  baroque, Opera, semiotics, Baroque

  
  

• All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata

  Author(s):

  Reba Wissner (see profile)

  Date:

  2010

  Group(s):

  American Musicological Society, Performance Studies

  Subject(s):

  Immigrants--Study and teaching, Musical theater

  Item Type:

  Article

  Tag(s):

  Immigration studies, Musical theatre

  
  

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