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First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' "The Sixth Finger" (1963)
Author(s):
Reba Wissner (see profile)
Date:
2019
Subject(s):
Science fiction, Music, United States, Twentieth century, Television
Item Type:
Article
Tag(s):
The Outer Limits, Genius, 20th-century American music
Music for Murder, Machines, and Monsters
Author(s):
Reba Wissner (see profile)
Date:
2018
Item Type:
Article
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article
The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera
Author(s):
Reba Wissner (see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Greeks--Social life and customs, Civilization, Greco-Roman, Music, Opera
Item Type:
Article
Tag(s):
Classical Greek culture
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Motion pictures, Motion picture music, Sound--Study and teaching, Television, Television--Study and teaching
Item Type:
Article
Tag(s):
Film, Film music, Sound studies, Television studies
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Speculative and Science Fiction
Subject(s):
Music, Science fiction films, Television, Television--Study and teaching
Item Type:
Article
Tag(s):
Television studies
To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)
Author(s):
Reba Wissner (see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Opera, Semiotics
Item Type:
Article
Tag(s):
baroque, Opera, semiotics, Baroque
All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata
Author(s):
Reba Wissner (see profile)
Date:
2010
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Immigrants--Study and teaching, Musical theater
Item Type:
Article
Tag(s):
Immigration studies, Musical theatre

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