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  • First Mathematics, Then Music: J. S. Bach, Glenn Gould, and the Evolutionary Supergenius in The Outer Limits' "The Sixth Finger" (1963)

    Author(s):
    Reba Wissner (see profile)
    Date:
    2019
    Subject(s):
    Science fiction, 20th-century American music, Television
    Item Type:
    Article
    Tag(s):
    The Outer Limits, Genius

  • Music for Murder, Machines, and Monsters

    Author(s):
    Reba Wissner (see profile)
    Date:
    2018
    Item Type:
    Article

  • No time like the past: Hearing nostalgia in The Twilight Zone

    Author(s):
    Reba Wissner (see profile)
    Date:
    2018
    Group(s):
    American Musicological Society, Film Studies, Television Studies
    Subject(s):
    Music, Television
    Item Type:
    Article

  • The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera

    Author(s):
    Reba Wissner (see profile)
    Date:
    2011
    Group(s):
    American Musicological Society
    Subject(s):
    Classical Greek culture, Music, Opera
    Item Type:
    Article

  • I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

    Author(s):
    Reba Wissner (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Film Studies, Music and Sound
    Subject(s):
    Film, Film music, Sound studies, Television, Television studies
    Item Type:
    Article

  • For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future

    Author(s):
    Reba Wissner (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Music and Sound, Speculative and Science Fiction
    Subject(s):
    Music, Science fiction films, Television, Television studies
    Item Type:
    Article

  • To sleep perchance to sing: the suspension of disbelief in the prologue to Francesco Cavalli's Gli Amori d'Apollo e di Dafne (1640)

    Author(s):
    Reba Wissner (see profile)
    Date:
    2010
    Group(s):
    American Musicological Society
    Subject(s):
    Baroque, Opera, Semiotics
    Item Type:
    Article
    Tag(s):
    baroque, Opera, semiotics

  • All of Mulberry Street Is a Stage: Representations of the Italian Immigrant Experience Through Community Theater Performances of the Italian-American Sceneggiata

    Author(s):
    Reba Wissner (see profile)
    Date:
    2010
    Group(s):
    American Musicological Society, Performance Studies
    Subject(s):
    Immigration studies, Musical theatre
    Item Type:
    Article

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    • 20th-century American music 1X
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    • Film 1X
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    • Immigration studies 1X
    • Music 3X
    • Musical theatre 1X
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