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Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához (Introduction into the Fundamental-ontological Foundations of Wamserology)
Author(s):
Miklos Mezosi (see profile)
Date:
2020
Subject(s):
Ethics, Dostoevsky
Item Type:
Podcast
Tag(s):
Semi-satire, moral standing
L'esprit d'escalier és „az igazságra való törekvés s a hamisításban való gyönyör”. Megjegyzések Füst Milán kvázi-platonikus látomásához és indulatához
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
Literary theory
Subject(s):
Comparative literature, Plato
Item Type:
Conference paper
Tag(s):
Milán Füst, Frigyes Karinthy, Nietzsche, literary parody
Két új Szapphó-vers első magyar fordítása
Author(s):
Miklos Mezosi (see profile)
Date:
2020
Group(s):
Ancient Greece & Rome, Classical Tradition, Poetics and Poetry
Subject(s):
Ancient Greek poetry, Papyrology, Greek lyric
Item Type:
Article
Tag(s):
Sappho, Sapphic strophe, The Brothers poem, Kypris Poem
The inserted narratives in Boris Godunov
Author(s):
Miklos Mezosi (see profile)
Date:
1997
Group(s):
Literary theory
Subject(s):
19th-century Russian literature, Dramatic genre, Literary criticism
Item Type:
Article
Tag(s):
Alexander Pushkin, Modest Musorgsky, Boris Godunov, romantic tragedy
„...szörnyü elbeszélni mi van ottan..." vagy "...per verba nincs mód, nyelv hogy elbeszélje”? A „perszonifikáció intertextuális lebeg(tet)ése”: Dante Commediá-ja és Petőfi János vitéze
Author(s):
Miklos Mezosi (see profile)
Date:
2010
Group(s):
Classical Tradition, Greek and Roman Intellectual History, Literary theory
Subject(s):
Comparative literature, Dante, Vergil, Travel literature
Item Type:
Conference proceeding
Tag(s):
Adventure, John the Valiant, Divina Commedia, Inferno, The Rose
Két variáció a Don Giovanni-mítoszra. Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, E. T. A. Hoffmann, W. A. Mozart, Don Giovanni/Don Juan
Как сделан Подъячий Мусоргского? An Opera Emerging from Gogol's Sleeve—“Musical Synecdoche” in the making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Russian musical history, Opera, Metaphor, Poetics
Item Type:
Article
Tag(s):
Opera semiotics, synecdoche, Gogolian mask
A hidalgó szédelgése a szökökútnál – Megváltás vagy kárhozat? Beavatás és sebezhetetlenség: a szakrális, a profán és a deszakralizáció hármasútján
Author(s):
Miklos Mezosi (see profile)
Date:
2005
Group(s):
Literary theory
Subject(s):
19th-century Russian literature, Dramatic genre, Genre theory
Item Type:
Article
Tag(s):
Alexander Pushkin, Historical tragedy
How was Musorgsky's Scribe Made? An Opera Emerging from Gogol's Sleeve – Musical Synecdoche in the Making
Author(s):
Miklos Mezosi (see profile)
Date:
2009
Group(s):
American Musicological Society, International Musicological Society (IMS), Literary theory
Subject(s):
19th-century Russian literature, Opera, Russian musical history, Comparative literature
Item Type:
Article
Tag(s):
Gogol, Musorgsky, Mandelstam, Dante Alighieri, Opera semiotics
Sally Dalton-Brown, Pushkin's Evgenii Onegin (Bristol: Bristol Classical Press, 1997)
Author(s):
Miklos Mezosi (see profile)
Date:
2000
Group(s):
Literary theory, Narrative theory and Narratology, Poetics and Poetry
Subject(s):
19th-century Russian literature
Item Type:
Book review
Tag(s):
Alexander Pushkin, Evgenii Onegin
Kiútkeresés az érdek nélküli tetszés zsákutcájából Kalandozások a művészetterápia forrásvidékein – Dosztojevszkij, Mozart és az interperszonalitás / In Search for a Loophole from the Deadlock of Disinterested Pleasure.Wandering about in the Region of Sources of Art Therapy – Dostoevsky, Mozart and Interpersonality
Author(s):
Miklos Mezosi (see profile)
Date:
2011
Group(s):
Literary theory, Scholarly Communication
Subject(s):
Literature and psychology, Mikhail Bakhtin, Dostoevsky
Item Type:
Article
Tag(s):
Carl Gustav Jung, W. A. Mozart, Bibliotherapy
A vihar mint a filológia szolgálóleánya. Vörösmarty: A vén cigány és a Lear király / Thunderstorm as Ancilla Philologiae: Vörösmarty's The Old Gipsy and King Lear
Author(s):
Miklos Mezosi (see profile)
Date:
2020
Subject(s):
Hungarian/Magyar literature, Shakespeare, Comparative literature, Hungarian literature
Item Type:
Conference paper
Tag(s):
W. A. Mozart, Vörösmarty, 19th century Hungarian poetry
Két variáció a Don Giovanni-mítoszra Faustizálás versus(?) érzéki zsenialitás: Hoffmann és Kierkegaard Mozart- értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, International Musicological Society (IMS)
Subject(s):
Comparative 18th-century and 19th-century literature
Item Type:
Conference proceeding
Tag(s):
Literature and music, W. A. Mozart, E. T. A. Hoffmann
Komparálva és behálózva – mítosz, szóbeszéd, pletyka / Comparative Literature Linked - Myth, Rumor, Gossip
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Subject(s):
Comparative literary studies, Comparative literature
Item Type:
Conference paper
Tag(s):
network theory
A dráma válsága – vagy drámaiatlan-e a történelmi játék? [The Crisis of Drama - or is a Historical Play Undramatic?]
Author(s):
Miklos Mezosi (see profile)
Date:
2006
Group(s):
Literary theory
Subject(s):
Dramatic genre, 19th-century Russian literature
Item Type:
Article
Tag(s):
Russian drama, Theory of genres
A „Borisz Godunov-szüzsé”: történet( és )írás Az autoritatív elbeszéléstől a művészi szkepszisig: Karamzin, Puskin és Muszorgszkij feldolgozásai
Author(s):
Miklos Mezosi (see profile)
Date:
2007
Group(s):
Historiography, Literary theory
Subject(s):
19th-century Russian literature, Russian musical history
Item Type:
Article
Tag(s):
Russian historiography, 19th century Russian drama, 19th century Russian opera
Két variáció a Don Giovanni-mítoszra: Faustizálás vs. érzéki zsenialitás. Hoffmann és Kierkegaard Mozart-értelmezései
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Group(s):
American Musicological Society, Ethnomusicology, International Musicological Society (IMS)
Subject(s):
Comparative cultural studies, History of opera, Opera staging
Item Type:
Book chapter
Tag(s):
Opera semiotics, E. Th. A. Hoffmann, S. Kierkegaard, W. A. M. Mozart, Literature and opera
Bevezetés a vamzerológia fundamentál-ontológiai megalapozásához / Introduction into the fundamental-ontological Foundations of Wamserology
Author(s):
Miklos Mezosi (see profile)
Date:
2020
Subject(s):
Satire
Item Type:
Sound recording-non musical
Tag(s):
podcast, Semi-satire
Charting the Phenomenology of Music Rhetoresis and Imagery in Opera (Musorgsky and Mozart)
Author(s):
Miklos Mezosi (see profile)
Date:
2016
Subject(s):
Opera, Semiotics, Comparative cultural studies, Mozart
Item Type:
Book chapter
Tag(s):
Opera semiotics, Musorgsky, Gogol, Dante Alighieri
History and the Political Ethos Represented on Pushkin's Stage: The Dramatic Poet and the Historian
Author(s):
Miklos Mezosi (see profile)
Date:
1995
Subject(s):
19th-century Russian literature, Pushkin
Item Type:
Article
Tag(s):
Historical drama, Chronicle play, Aristotelean Poetics
Charting the Phenomenology of Music [preprint]
Author(s):
Miklos Mezosi (see profile)
Date:
2016
Subject(s):
Poetics, Semiotics, Comparative literature
Item Type:
Article
Tag(s):
19th century Russian opera, Opera semiotics, Musorgsky, Gogol, Dante Alighieri
Aranykor és sex appeal: Mnémosyné leányai
Author(s):
Miklos Mezosi (see profile)
Date:
2019
Subject(s):
Comparative literature, Classics, Poetics, Literary criticism, Classical Greek culture
Item Type:
Book
Tag(s):
Mythopoetics, Greek myth, Hungarian poetry, Opera semiotics, Myth and literature
Államférfiak családi körben. Muszorgszkij hősei az összeomlás előtt
Author(s):
Miklos Mezosi (see profile)
Date:
2013
Subject(s):
Russian musical history, Opera, Semiotics
Item Type:
Book chapter
Tag(s):
Musorgsky, Khovanshchina, Boris Godunov
Harag és elfogulatlanság a Borisz Godunovban. Puskin történetírói poétikájához – egy tacitusi reminiszcencia és két hommage
Author(s):
Miklos Mezosi (see profile)
Date:
2017
Subject(s):
19th-century Russian literature, Poetics, Historiography, Pushkin
Item Type:
Book chapter
Tag(s):
19th century Russian drama
Puškin’s ‘Virtual Scene. Some Aspects of Puškin’s Historiography. Boris Godunov as the Trivium on the Way to the Polyphonic Novel
Author(s):
Miklos Mezosi (see profile)
Date:
2003
Subject(s):
19th-century Russian literature, Genre theory, Poetics, Pushkin
Item Type:
Article
Tag(s):
Genre poetics, Russian drama

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