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Critical Race Study, Traditional Literary Scholarship, and Othello's Jealousy
Author(s):
Michael L. Hays
(see profile)
Date:
2022
Group(s):
Shakespearean Dramatic Genres
Subject(s):
Othello (Shakespeare, William)
,
Influence (Literary, artistic, etc.)
,
Shakespearean criticism
Item Type:
Article
Tag(s):
critical race study
The White Fragility of Robin DiAngelo
Author(s):
Michael L. Hays
(see profile)
Date:
2020
Subject(s):
Racism
,
Race
Item Type:
Review
One Jesus for Jews, Another for Christians
Author(s):
Michael L. Hays
(see profile)
Date:
2019
Group(s):
Religious Studies
Subject(s):
Historicity of Jesus Christ
,
Bible. Gospels
,
Christianity--Origin
,
Paganism
Item Type:
Essay
Tag(s):
Historical Jesus
,
Synoptic Gospels
,
Christian origins
Race: Political Correctness vs. Scholarship in the Humanities
Author(s):
Michael L. Hays
(see profile)
Date:
2018
Group(s):
Public Humanities
,
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
Political criticism
,
Shakespeare
,
Critical race studies
Some Maladies of Early Modern Race Study in Shakespeare
Author(s):
Michael L. Hays
(see profile)
Date:
2016
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
Othello
,
Shakespeare
,
Critical race studies
The English Profession-Tendentious Reflections of a Retired Independent Scholar.
Author(s):
Michael L. Hays
(see profile)
Date:
2017
Group(s):
Public Humanities
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
humanities
,
Shakespeare
,
Humanities PhD
,
Literary criticism
The Dehumanizing of the Humanities and a Remedy
Author(s):
Michael L. Hays
(see profile)
Date:
2015
Group(s):
Public Humanities
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
Political criticism
,
humanities
,
Shakespeare
,
Literary criticism
Answer the Question, Question Authority, and Read Inclusively
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Conference paper
Tag(s):
Macbeth
,
Othello
,
King Lear
,
Shakespeare
,
Literary criticism
The Shakespeare Authorship Question: E Pluribus Unum
Author(s):
Michael L. Hays
(see profile)
Date:
2018
Group(s):
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
Shakespeare authorship
,
Greene's Groatsworth
,
Shakespeare
Diana Price’s Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship
Author(s):
Michael L. Hays
(see profile)
Date:
2017
Group(s):
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
,
Authorship
Item Type:
Other
Tag(s):
Shakespeare's biography
,
Shakespeare authorship
,
Greene's Groatsworth
,
Shakespeare
,
Authorship attribution
The Origins of Colbrond in Richardson's "Pamela"
Author(s):
Michael L. Hays
(see profile)
Date:
2018
Subject(s):
Richardson, Samuel, 1689-1761
,
Fiction
,
Eighteenth century
Item Type:
Other
Tag(s):
Pamela
,
Colbrond
,
Samuel Richardson
,
18th-century novel
Shakespeare's "Sonnet 73" as a Poetic Emblem
Author(s):
Michael L. Hays
(see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Other
Tag(s):
Shakespeare sonnets
,
Sonnet 73
,
sic transit gloria mundi
,
Shakespeare
“‘Othello Is Not about Race’”
Author(s):
Michael L. Hays
(see profile)
Date:
2018
Group(s):
Medieval English Literature
,
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
,
Race
Item Type:
Other
Tag(s):
Othello
,
Shakespeare
,
Critical race studies
Romancing the Sources: Framing Tales in Hamlet and King Lear
Author(s):
Michael L. Hays
(see profile)
Date:
2017
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Shakespeare, William, 1564-1616
,
Literary form
,
Literary theory
Item Type:
Other
Tag(s):
Hamlet
,
King Lear
,
Romance
,
chivalric romance
,
Shakespeare
,
Genre theory
Emending Othello; Explaining Othello: A Critique of Contemporary Principles of and Practices in Editing Shakespeare and a Historical-Literary Interpretation of Othello’s Jealousy
Author(s):
Michael L. Hays
(see profile)
Date:
2005
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
,
Textual Scholarship
Subject(s):
Shakespeare, William, 1564-1616
,
Criticism, Textual
Item Type:
Other
Tag(s):
Othello
,
editing Shakespeare
,
Courtly love
,
Shakespeare
,
Textual criticism
,
Literary criticism
A Sense of the Ending: Does Malcolm Earn It?
Author(s):
Michael L. Hays
(see profile)
Date:
2011
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Conference paper
Tag(s):
Macbeth
,
Shakespeare
,
Literary criticism
Saving His Source: Shakespeare’s Use of Holinshed in Macbeth, IV, iii
Author(s):
Michael L. Hays
(see profile)
Date:
2006
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Conference paper
Tag(s):
Macbeth
,
Holinshed
,
exile and return
,
Shakespeare
Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth
Author(s):
Michael L. Hays
(see profile)
Date:
2003
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Conference paper
Tag(s):
Macbeth
,
exile and return
,
Holinshed
,
Bellona's Bridegroom
,
Shakespeare
Who Wooed Desdemona? The Crux at Othello III, iii, 94
Author(s):
Michael L. Hays
(see profile)
Date:
2017
Group(s):
Medieval English Literature
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Textual Scholarship
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Article
Tag(s):
Othello
,
intermediary
,
Courtly love
,
Shakespeare
What Kind of Play Is Troilus and Cressida?
Author(s):
Michael L. Hays
(see profile)
Date:
2013
Group(s):
Medieval English Literature
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Shakespeare, William, 1564-1616
,
Literary form--Study and teaching
Item Type:
Article
Tag(s):
chivalric romance
,
chivalric satire
,
Troilus and Cressida
,
Shakespeare
,
Genre studies
0. Preliminaries, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Medieval English Literature
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Literary form
,
Literary theory
,
Literature
,
History
,
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
New Historicism
,
presentism
,
Genre theory
,
Literary criticism
,
Literary history
,
Shakespeare
1. Introduction, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Literary form
,
Literary theory
,
Literature
,
History
,
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
romantic idealism
,
Genre theory
,
Literary history
,
Literary theory
,
Shakespeare
2. The Survival of English Chivalric Romances, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Medieval English Literature
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Bibliography, Critical
,
English literature
,
Sixteenth century
,
Literature
,
History
,
Manuscripts, Medieval
,
Printing--Social aspects
,
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
Analytical bibliography
,
Elizabethan literature
,
Literary history
,
Medieval manuscripts
,
Print culture
,
Shakespeare
3. The Significance of English Chivalric Romance, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Chivalry
,
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
Courtly love
,
exile and return
,
Intermediaries
,
Single Combat
,
Shakespeare
4. Macbeth: Loyal Stewards and Royal Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays
(see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies
,
Shakespeare
,
Shakespearean Dramatic Genres
Subject(s):
Shakespeare, William, 1564-1616
Item Type:
Book chapter
Tag(s):
exile and return
,
false steward
,
Single Combat
,
Shakespeare
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