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• The White Fragility of Robin DiAngelo

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2020

  Subject(s):

  Racism, Race

  Item Type:

  Review

  
  

• One Jesus for Jews, Another for Christians

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2019

  Group(s):

  Religious Studies

  Subject(s):

  Historicity of Jesus Christ, Bible. Gospels, Christianity--Origin, Paganism

  Item Type:

  Essay

  Tag(s):

  Historical Jesus, Synoptic Gospels, Christian origins

  
  

• Race: Political Correctness vs. Scholarship in the Humanities

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Public Humanities, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  Political criticism, Shakespeare, Critical race studies

  
  

• Some Maladies of Early Modern Race Study in Shakespeare

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2016

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  Othello, Shakespeare, Critical race studies

  
  

• The English Profession-Tendentious Reflections of a Retired Independent Scholar.

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Public Humanities, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  humanities, Shakespeare, Humanities PhD, Literary criticism

  
  

• The Dehumanizing of the Humanities and a Remedy

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2015

  Group(s):

  Public Humanities, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  Political criticism, humanities, Shakespeare, Literary criticism

  
  

• Answer the Question, Question Authority, and Read Inclusively

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, Othello, King Lear, Shakespeare, Literary criticism

  
  

• The Shakespeare Authorship Question: E Pluribus Unum

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  Shakespeare authorship, Greene's Groatsworth, Shakespeare

  
  

• Diana Price’s Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Authorship

  Item Type:

  Other

  Tag(s):

  Shakespeare's biography, Shakespeare authorship, Greene's Groatsworth, Shakespeare, Authorship attribution

  
  

• The Origins of Colbrond in Richardson's "Pamela"

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Subject(s):

  Richardson, Samuel, 1689-1761, Fiction, Eighteenth century

  Item Type:

  Other

  Tag(s):

  Pamela, Colbrond, Samuel Richardson, 18th-century novel

  
  

• Shakespeare's "Sonnet 73" as a Poetic Emblem

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Other

  Tag(s):

  Shakespeare sonnets, Sonnet 73, sic transit gloria mundi, Shakespeare

  
  

• “‘Othello Is Not about Race’”

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2018

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616, Race

  Item Type:

  Other

  Tag(s):

  Othello, Shakespeare, Critical race studies

  
  

• Romancing the Sources: Framing Tales in Hamlet and King Lear

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare, William, 1564-1616, Literary form, Literary theory

  Item Type:

  Other

  Tag(s):

  Hamlet, King Lear, Romance, chivalric romance, Shakespeare, Genre theory

  
  

• Emending Othello; Explaining Othello: A Critique of Contemporary Principles of and Practices in Editing Shakespeare and a Historical-Literary Interpretation of Othello’s Jealousy

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2005

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship

  Subject(s):

  Shakespeare, William, 1564-1616, Criticism, Textual

  Item Type:

  Other

  Tag(s):

  Othello, editing Shakespeare, Courtly love, Shakespeare, Textual criticism, Literary criticism

  
  

• A Sense of the Ending: Does Malcolm Earn It?

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2011

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, Shakespeare, Literary criticism

  
  

• Saving His Source: Shakespeare’s Use of Holinshed in Macbeth, IV, iii

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2006

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, Holinshed, exile and return, Shakespeare

  
  

• Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2003

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Conference paper

  Tag(s):

  Macbeth, exile and return, Holinshed, Bellona's Bridegroom, Shakespeare

  
  

• Who Wooed Desdemona? The Crux at Othello III, iii, 94

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2017

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Article

  Tag(s):

  Othello, intermediary, Courtly love, Shakespeare

  
  

• What Kind of Play Is Troilus and Cressida?

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2013

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare, William, 1564-1616, Literary form--Study and teaching

  Item Type:

  Article

  Tag(s):

  chivalric romance, chivalric satire, Troilus and Cressida, Shakespeare, Genre studies

  
  

• 0. Preliminaries, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Literary form, Literary theory, Literature, History, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  New Historicism, presentism, Genre theory, Literary criticism, Literary history, Shakespeare

  
  

• 1. Introduction, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Literary form, Literary theory, Literature, History, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  romantic idealism, Genre theory, Literary history, Literary theory, Shakespeare

  
  

• 2. The Survival of English Chivalric Romances, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Bibliography, Critical, English literature, Sixteenth century, Literature, History, Manuscripts, Medieval, Printing--Social aspects, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  Analytical bibliography, Elizabethan literature, Literary history, Medieval manuscripts, Print culture, Shakespeare

  
  

• 3. The Significance of English Chivalric Romance, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  Courtly love, exile and return, Intermediaries, Single Combat, Shakespeare

  
  

• 4. Macbeth: Loyal Stewards and Royal Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  exile and return, false steward, Single Combat, Shakespeare

  
  

• 5. Hamlet: Courtly Revenge and Chivalric Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed

  Author(s):

  Michael L. Hays (see profile)

  Date:

  2014

  Group(s):

  Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres

  Subject(s):

  Chivalry, Shakespeare, William, 1564-1616

  Item Type:

  Book chapter

  Tag(s):

  exile and return, Single Combat, Shakespeare

  
  

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