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The Places of Writing on the Multimodal Page
Author(s):
Matthew Davis, Alex Mueller (see profile)
Date:
2020
Group(s):
CLCS Medieval, RCWS History and Theory of Composition, RCWS Writing Pedagogies, TC Digital Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Digital rhetoric, Multimodality, Book history, History of rhetoric, Writing studies, Manuscript cultures
Item Type:
Book chapter
Tag(s):
Annotation, web design, page, medieval writing
Content is not Context: Radical Transparency and the Acknowledgement of Informational Palimpsests in Online Display.
Author(s):
Matthew Davis (see profile)
Editor(s):
Matthew Davis, Tamsyn Mahoney-Steel, Ece Turnator
Date:
2018
Group(s):
CLCS Medieval, Computer Studies in Language and Literature, Interdisciplinary Approaches to Culture and Society, TC Digital Humanities
Subject(s):
Digital humanities, Medieval studies
Item Type:
Book chapter
Tag(s):
code studies
Electronic Linguistic Atlas of Late Medieval English
Author(s):
Matthew Davis (see profile)
Date:
2015
Subject(s):
Digital humanities, Linguistics
Item Type:
Review
Tag(s):
medieval english, user interface
"As Above, So Below: Staging the Digby Mary Magdalene"
Author(s):
Matthew Davis (see profile)
Date:
2016
Group(s):
CLCS Medieval, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Middle English
Subject(s):
British literature, Drama, English language, Medieval literature, Religion
Item Type:
Article
Tag(s):
digby Mary Magdalene, Hagiography, place-and-scaffold, staging practice
Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context
Author(s):
Matthew Davis (see profile)
Date:
2017
Group(s):
CLCS Medieval, Interdisciplinary Approaches to Culture and Society, LLC Middle English, TM Book History, Print Cultures, Lexicography
Subject(s):
Cultural studies, English literature, History and literature, Medieval literature, Religion
Item Type:
Article
Tag(s):
parish church architecture, John Lydgate, Testament of John Lydgate, “Quis Dabit Meo Capiti Fontem Lacrimarum”

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