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• Autorias rasuradas em "Afrique 50": para uma economia política das assinaturas

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2023

  Group(s):

  Arqueologia do sensível, Film Studies

  Subject(s):

  Vautier, René, 1928-2015, Documentary films, Decolonization, Motion pictures

  Item Type:

  Article

  Tag(s):

  film history, film theory, documentary

  
  

• Plano de ensino da disciplina Teorias do Cinema (COMA86, Facom-UFBA, 2023-1)

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2023

  Group(s):

  Film Studies

  Item Type:

  Syllabus

  Tag(s):

  Film studies, Film theory

  
  

• Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2021

  Group(s):

  Archives, Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Archives--Study and teaching, Motion pictures, History, Motion pictures--Philosophy, Motion pictures and history, Imperialism, Postcolonialism

  Item Type:

  Article

  Tag(s):

  Lumière, Early cinemas, Decolonising Archives, Archival studies, Film studies, Film history, Film theory, Film and history, Colonialism, Decolonial theory

  
  

• Tarzan, um negro: para uma crítica da economia política do nome de “África”

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2021

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Motion pictures, Africa, Area studies, Racism, Decolonization, Postcolonialism, Imperialism

  Item Type:

  Article

  Tag(s):

  Jean Rouch, Tarzan, Film, Colonial discourse, African studies, Decolonial theory, Colonialism

  
  

• Cosmopoéticas do espectador selvagem

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2020

  Group(s):

  Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Motion pictures and history, Genocide--Study and teaching, Editing, Indigenous peoples, Indigenous films

  Item Type:

  Article

  Tag(s):

  cinema brasileiro contemporâneo, montagem, montagem anarquívica, cosmopoéticas, Film and history, Genocide studies, Indigenous cinema

  
  

• Cosmopolíticas e cosmopoéticas do contato

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2018

  Group(s):

  Arqueologia do sensível, Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Motion pictures and history, Indigenous peoples

  Item Type:

  Article

  Tag(s):

  documentário, história, contato, Film studies, Film and history

  
  

• O macaco com a câmera na mão: montagem anarquívica e devir-animal em Leo Pyrata

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2019

  Group(s):

  Arqueologia do sensível, Film Studies

  Item Type:

  Article

  Tag(s):

  cinema brasileiro contemporâneo, experimental, videoarte, montagem anarquívica, Leo Pyrata, Film studies

  
  

• Teorias do Cinema (Facom-UFBA, 2017.2)

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Subject(s):

  Motion pictures--Philosophy

  Item Type:

  Syllabus

  Tag(s):

  Film studies, Film theory

  
  

• Tarzan, un noir: Pour une critique de l’économie politique du nom «Afrique»

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2009

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Africa, Area studies, Anthropology

  Item Type:

  Article

  Tag(s):

  Tarzan, cinéma, Afrique, racisme, Jean Rouch, African studies, Documentary, Film studies, Visual culture

  
  

• Cinema Internacional: Cinemas Africanos

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2017

  Group(s):

  Film Studies

  Item Type:

  Syllabus

  Tag(s):

  African film, Film studies, Film history

  
  

• O Mundo, o mundo: da alegoria da globalização à revelação do comum

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2013

  Group(s):

  Film Studies

  Subject(s):

  China, Twentieth century, Twenty-first century, Motion pictures--Philosophy, Globalization

  Item Type:

  Article

  Tag(s):

  allegory, Chinese cinema, Jia Zhangke, World cinema, China, modern (post-1911), Film studies, Film theory

  
  

• Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos

  Author(s):

  Marcelo R. S. Ribeiro (see profile)

  Date:

  2017

  Group(s):

  Cultural Studies, Film Studies, Postcolonial Studies

  Subject(s):

  Imperialism, Motion pictures--Political aspects, Motion pictures, History, Motion pictures--Philosophy, Postcolonialism

  Item Type:

  Article

  Tag(s):

  African film, commons, cosmopoetics, cosmopolitics, decolonization, Colonialism, Film and politics, Film history, Film theory

  
  

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