Register Log In

Open access, open source, open to all

Humanities Commons
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ARLIS/NA
    • AUPresses
    • HASTAC
    • MLA
    • MSU
    • SAH
  • About the Commons
  • Team Blog
  • HC Visitor
Register Login
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ARLIS/NA
    • AUPresses
    • HASTAC
    • MLA
    • MSU
    • SAH
  • About the Commons
  • Team Blog

CORE Search Results Start Search Over

  • All Deposits 0

  • One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams

    Author(s):
    Marc Edward Hannaford (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory, Society for Music Theory – Jazz Interest Group
    Subject(s):
    Race relations--Study and teaching, Ethnology--Study and teaching, Critical theory, Cognition, Jazz--Instruction and study, Musical analysis, Music theory
    Item Type:
    Dissertation
    Tag(s):
    AACM, Analysis, experimental music, Improvisation, Critical race and ethnic studies, Embodied cognition, Jazz studies, Music analysis

Viewing item 1 to 1 (of 1 items)

  • Author
    • Marc Edward Hannaford 1X
  • Group
    • Society for Music Theory 1X
    • Society for Music Theory – Jazz Interest Group 1X
  • Subject
    • Music theory 1X
    • Musical analysis 1X
    • Race relations--Study and teaching 1X
    • Cognition 1X
    • Critical theory 1X
    • Ethnology--Study and teaching 1X
    • Jazz--Instruction and study 1X
      • more>>
  • Item Type
    • Dissertation 1X
  • Date
    • 2019 1X
  • File Type
    • Text 1X
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active