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Gloomy Divergence: Death/Doom Metal as Dark Leisure
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Musical analysis, Culture, Heavy metal (Music)--Instruction and study, Musicology, Popular music, Music--Sociological aspects
Item Type:
Essay
Tag(s):
dark leisure, doom metal, extreme metal, metal music studies, music worlds, Cultural musicology, Metal Music Studies, Popular Music Studies, Sociology of music
'Death – Pierce Me': A case study considering a Freudian repetition-compulsion view in depressive suicidal black metal
Author(s):
M.Selim Yavuz (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Popular music
Item Type:
Conference paper
Tag(s):
black metal, black metal theory, metal music studies, Black Metal Theory, Metal Music Studies, Popular Music Studies
‘Gateways of Bereavement’: a defence of sub-categorisation in metal music
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
doom metal, extreme metal, genre in music, metal music studies, Metal Music Studies, Popular Music Studies
‘Golden Hatred’: anti-war sentiment and transgression in death doom metal
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Musical analysis, Culture, Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
anti-war, doom metal, metal music studies, Cultural musicology, Metal Music Studies, Popular Music Studies
‘My Body, a Funeral’: dark leisure activity and death reflections in death/doom and gothic/doom metal music
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Popular music, Music--Sociological aspects
Item Type:
Conference paper
Tag(s):
dark leisure, doom metal, extreme metal, metal music studies, music worlds, Metal Music Studies, Popular Music Studies, Sociology of music
‘Quiet These Paintings Are’: the function of slowness in doom metal styles
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
doom metal, extreme metal, metal music studies, Metal Music Studies, Popular Music Studies
‘The Blood, The Wine, The Roses’: Lust and contrast in My Dying Bride’s music
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Subject(s):
Musicology
Item Type:
Conference paper
Tag(s):
doom metal, extreme metal, metal music studies
‘A Cruel Taste of Winter’: Gothic/doom metal as an act of Northernness
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
doom metal, extreme metal, metal music studies, music and place, Yorkshire, Metal Music Studies, Popular Music Studies
‘Humörets Bottenvåning’: Suicide in depressive suicidal black metal music
Author(s):
M.Selim Yavuz (see profile)
Date:
2016
Group(s):
Music and Sound
Subject(s):
Death, Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
black metal, black metal theory, extreme metal, metal music studies, Black Metal Theory, Metal Music Studies, Popular Music Studies
‘The Raven and the Rose’: Tradition and Death/Doom Metal Music
Author(s):
M.Selim Yavuz (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Conference paper
Tag(s):
doom metal, extreme metal, metal music studies, sociology of music, Metal Music Studies, Popular Music Studies
Symbolism and Text Painting in Tan Dun’s Marco Polo
Author(s):
M.Selim Yavuz (see profile)
Date:
2013
Group(s):
Music and Sound
Subject(s):
Musicology, History
Item Type:
Essay
Tag(s):
20th Century, 20th century opera, madrigal, Tan Dun, Historical musicology
Doom metal and ways of remembering in popular music
Author(s):
M.Selim Yavuz (see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Oral history, Popular music
Item Type:
Essay
Tag(s):
doom metal, extreme metal, metal music studies, Metal Music Studies, Popular Music Studies
Hong Kong Metal Scene: An overview and related issues
Author(s):
M.Selim Yavuz (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Other
Tag(s):
extreme metal, hong kong metal scene, metal music studies, Metal Music Studies, Popular Music Studies
Vocal accent and identity in Scandinavian metal
Author(s):
M.Selim Yavuz (see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Other
Tag(s):
doom metal, extreme metal, metal music studies, Scandinavia, Metal Music Studies, Popular Music Studies
John Dowland’s Religious Venture: Perspectives on the Elizabethan Social Structure and Rhetorical Analysis of ‘A Pilgrimes Solace’
Author(s):
M.Selim Yavuz (see profile)
Date:
2014
Subject(s):
English language, Musicology, History, Music, Renaissance, Rhetoric
Item Type:
Dissertation
Tag(s):
Elizabethan society, John Dowland, Lute song, Religious music, Historical musicology, Renaissance music
Dead is dead: Perspectives on the Meaning of Death in Depressive Suicidal Black Metal Music through Musical Representations
Author(s):
M.Selim Yavuz (see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Death, Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music
Item Type:
Dissertation
Tag(s):
black metal, death studies, extreme metal, metal music studies, suicide, Black Metal Theory, Metal Music Studies, Popular Music Studies

Viewing item 1 to 16 (of 16 items)

CORE Search Results Start Search Over

Gloomy Divergence: Death/Doom Metal as Dark Leisure

'Death – Pierce Me': A case study considering a Freudian repetition-compulsion view in depressive suicidal black metal

‘Gateways of Bereavement’: a defence of sub-categorisation in metal music

‘Golden Hatred’: anti-war sentiment and transgression in death doom metal

‘My Body, a Funeral’: dark leisure activity and death reflections in death/doom and gothic/doom metal music

‘Quiet These Paintings Are’: the function of slowness in doom metal styles

‘The Blood, The Wine, The Roses’: Lust and contrast in My Dying Bride’s music

‘A Cruel Taste of Winter’: Gothic/doom metal as an act of Northernness

‘Humörets Bottenvåning’: Suicide in depressive suicidal black metal music

‘The Raven and the Rose’: Tradition and Death/Doom Metal Music

Symbolism and Text Painting in Tan Dun’s Marco Polo

Doom metal and ways of remembering in popular music

Hong Kong Metal Scene: An overview and related issues

Vocal accent and identity in Scandinavian metal

John Dowland’s Religious Venture: Perspectives on the Elizabethan Social Structure and Rhetorical Analysis of ‘A Pilgrimes Solace’

Dead is dead: Perspectives on the Meaning of Death in Depressive Suicidal Black Metal Music through Musical Representations

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