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• Gloomy Divergence: Death/Doom Metal as Dark Leisure

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Musical analysis, Culture, Heavy metal (Music)--Instruction and study, Musicology, Popular music, Music--Sociological aspects

  Item Type:

  Essay

  Tag(s):

  dark leisure, doom metal, extreme metal, metal music studies, music worlds, Cultural musicology, Metal Music Studies, Popular Music Studies, Sociology of music

  
  

• 'Death – Pierce Me': A case study considering a Freudian repetition-compulsion view in depressive suicidal black metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Popular music

  Item Type:

  Conference paper

  Tag(s):

  black metal, black metal theory, metal music studies, Black Metal Theory, Metal Music Studies, Popular Music Studies

  
  

• ‘Gateways of Bereavement’: a defence of sub-categorisation in metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, genre in music, metal music studies, Metal Music Studies, Popular Music Studies

  
  

• ‘Golden Hatred’: anti-war sentiment and transgression in death doom metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Musical analysis, Culture, Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  anti-war, doom metal, metal music studies, Cultural musicology, Metal Music Studies, Popular Music Studies

  
  

• ‘My Body, a Funeral’: dark leisure activity and death reflections in death/doom and gothic/doom metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Popular music, Music--Sociological aspects

  Item Type:

  Conference paper

  Tag(s):

  dark leisure, doom metal, extreme metal, metal music studies, music worlds, Metal Music Studies, Popular Music Studies, Sociology of music

  
  

• ‘Quiet These Paintings Are’: the function of slowness in doom metal styles

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies, Metal Music Studies, Popular Music Studies

  
  

• ‘The Blood, The Wine, The Roses’: Lust and contrast in My Dying Bride’s music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Subject(s):

  Musicology

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies

  
  

• ‘A Cruel Taste of Winter’: Gothic/doom metal as an act of Northernness

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies, music and place, Yorkshire, Metal Music Studies, Popular Music Studies

  
  

• ‘Humörets Bottenvåning’: Suicide in depressive suicidal black metal music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2016

  Group(s):

  Music and Sound

  Subject(s):

  Death, Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  black metal, black metal theory, extreme metal, metal music studies, Black Metal Theory, Metal Music Studies, Popular Music Studies

  
  

• ‘The Raven and the Rose’: Tradition and Death/Doom Metal Music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Conference paper

  Tag(s):

  doom metal, extreme metal, metal music studies, sociology of music, Metal Music Studies, Popular Music Studies

  
  

• Symbolism and Text Painting in Tan Dun’s Marco Polo

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Musicology, History

  Item Type:

  Essay

  Tag(s):

  20th Century, 20th century opera, madrigal, Tan Dun, Historical musicology

  
  

• Doom metal and ways of remembering in popular music

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Oral history, Popular music

  Item Type:

  Essay

  Tag(s):

  doom metal, extreme metal, metal music studies, Metal Music Studies, Popular Music Studies

  
  

• Hong Kong Metal Scene: An overview and related issues

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2017

  Group(s):

  Music and Sound

  Subject(s):

  Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Other

  Tag(s):

  extreme metal, hong kong metal scene, metal music studies, Metal Music Studies, Popular Music Studies

  
  

• Vocal accent and identity in Scandinavian metal

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Other

  Tag(s):

  doom metal, extreme metal, metal music studies, Scandinavia, Metal Music Studies, Popular Music Studies

  
  

• John Dowland’s Religious Venture: Perspectives on the Elizabethan Social Structure and Rhetorical Analysis of ‘A Pilgrimes Solace’

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2014

  Subject(s):

  English language, Musicology, History, Music, Renaissance, Rhetoric

  Item Type:

  Dissertation

  Tag(s):

  Elizabethan society, John Dowland, Lute song, Religious music, Historical musicology, Renaissance music

  
  

• Dead is dead: Perspectives on the Meaning of Death in Depressive Suicidal Black Metal Music through Musical Representations

  Author(s):

  M.Selim Yavuz (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Death, Ethnomusicology, Heavy metal (Music)--Instruction and study, Musicology, Popular music

  Item Type:

  Dissertation

  Tag(s):

  black metal, death studies, extreme metal, metal music studies, suicide, Black Metal Theory, Metal Music Studies, Popular Music Studies

  
  

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