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Musical Quotation and the ‘Use-Mention’ Distinction
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Analytic Philosophy
Subject(s):
Aesthetics
,
Analytical philosophy
,
Classical music
,
Music
,
Music cognition
Item Type:
Article
Tag(s):
quotation
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Music and philosophy
,
Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory
,
music and language
,
recursion
Schocher’s Ideas and Wötzel’s Words: Notes Along a Sidetrack
Author(s):
Lodewijk Muns
(see profile)
Date:
2016
Subject(s):
Biography
,
German studies
Item Type:
Article
Tag(s):
Christian Gotthold Schocher
,
Johann Carl Wötzel
,
musical notation
Gustav Anton Freiherr von Seckendorff, Alias Patrik Peale: A Biographical Note
Author(s):
Lodewijk Muns
(see profile)
Date:
2016
Subject(s):
Biography
,
German studies
,
Music history
,
Theatre history
Item Type:
Article
Tag(s):
art song
,
declamation
,
Franz Schubert
,
German lied
,
Gustav Anton von Seckendorff
Art, Aesthetics, and Origins
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Cultural Evolution
,
Ecomusicology
Subject(s):
Aesthetics
,
Cultural evolution
Item Type:
Book review
Tag(s):
Evolutionary Psychology
,
origins of art
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
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