Register Log In

Open access, open source, open to all

Humanities Commons
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ARLIS/NA
    • AUPresses
    • HASTAC
    • MLA
    • MSU
    • SAH
  • About the Commons
  • Team Blog
  • HC Visitor
Register Login
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ARLIS/NA
    • AUPresses
    • HASTAC
    • MLA
    • MSU
    • SAH
  • About the Commons
  • Team Blog

CORE Search Results Start Search Over

  • All Deposits 0
  • Satan, Subliminals, and Suicide: The Formation and Development of an Antirock Discourse in the United States During the 1980s

    Author(s):
    John Brackett (see profile)
    Date:
    2019
    Subject(s):
    Musicology, Popular music, Music, United States, Twentieth century, Devil
    Item Type:
    Article
    Tag(s):
    Popular music, satanism, American music, Moral panic, Popular Music Studies, 20th-century American music, Satan

  • “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde

    Author(s):
    John Brackett (see profile)
    Date:
    2018
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Musical analysis, Music theory, Popular music
    Item Type:
    Book chapter
    Tag(s):
    Blonde, drugs, Frank Ocean, marijuana, Historical musicology, Music analysis, Popular Music Studies

  • Some Notes on John Zorn’s Cobra

    Author(s):
    John Brackett (see profile)
    Date:
    2010
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Musical analysis, Music theory
    Item Type:
    Article
    Tag(s):
    Avant-garde, experimental music, File-card, John Zorn, Historical musicology, Music analysis

  • Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

    Author(s):
    John Brackett (see profile)
    Date:
    2015
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Musical analysis, Music theory
    Item Type:
    Article
    Tag(s):
    12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition, Historical musicology, Music analysis

  • ‘Hand in Glove’ and the Development of The Smiths’ Sound

    Author(s):
    John Brackett (see profile)
    Date:
    2013
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Musical analysis, Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths, Historical musicology, Music analysis, Popular Music Studies

  • John Zorn: Tradition and Transgression

    Author(s):
    John Brackett (see profile)
    Date:
    2008
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Jazz, Musical analysis, Music theory
    Item Type:
    Book
    Tag(s):
    Avant-garde, Collage, Contemporary Classical Music, Experimental, John Zorn, Historical musicology, Music analysis

  • Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

    Author(s):
    John Brackett (see profile)
    Date:
    2008
    Group(s):
    Music and Sound
    Subject(s):
    Musicology, History, Musical analysis, Music theory, Popular music
    Item Type:
    Article
    Tag(s):
    Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis, Historical musicology, Music analysis, Popular Music Studies

Viewing item 1 to 7 (of 7 items)

  • Author
    • John Brackett 7X
  • Group
    • Music and Sound 6X
  • Subject
    • Music 1X
    • Music theory 6X
    • Musical analysis 6X
    • Musicology 7X
    • Popular music 4X
    • Twentieth century 1X
    • United States 1X
    • Devil 1X
    • History 6X
    • Jazz 1X
    • more>>
  • Item Type
    • Article 5X
    • Book 1X
    • Book chapter 1X
    • more>>
  • Date
    • 2019 1X
    • 2018 1X
    • 2015 1X
    • 2013 1X
    • 2010 1X
    • 2008 2X
    • more>>
  • File Type
    • Text 7X
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active