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‘Found in Translation’: Review of Richard Wagner, _The Ring of the Nibelung_, trans. John Deathridge (Penguin, 2018)
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Translation Studies
Subject(s):
Translation
,
Opera
,
Mythology
,
Poetry
Item Type:
Review
Tag(s):
Richard Wagner
Redemption from the Redeemer? Review Article on Roger Scruton and _Wagner's Parsifal_
Author(s):
Jeremy Coleman
(see profile)
Date:
2021
Subject(s):
Music
,
Musicology
,
Aesthetics
,
Philosophy
,
Religion
,
Sexuality
,
Opera
,
Immanuel Kant
Item Type:
Article
Tag(s):
Richard Wagner
,
redemption
The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.
Author(s):
Jeremy Coleman
(see profile)
Date:
2017
Group(s):
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
Subject(s):
Musicology
,
Editing
,
Opera
,
German theatre
Item Type:
Review
Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.
Author(s):
Jeremy Coleman
(see profile)
Date:
2013
Group(s):
International Musicological Society (IMS)
Subject(s):
Musicology
,
Feminism
,
Sexuality
,
Gender
,
Opera
Item Type:
Review
‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Global & Transnational Studies
,
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
,
Society for Music Theory (SMT)
Subject(s):
Historical musicology
,
Musicology
,
National identity
,
Opera
,
Translation
Item Type:
Article
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