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China Doll: A Conversation with Marjorie Chan
Author(s):
Antje Budde
,
Jacqueline Taucar
(see profile)
Date:
2011
Group(s):
Performance Studies
Subject(s):
Canadian studies
,
Ethnology
,
Intercultural communication
,
Modern theatre
,
Playwriting
Item Type:
Interview
Tag(s):
A Doll's House (Adaptation)
,
chinese diaspora
,
Henrik Ibsen
,
intercultural theatre
,
performativity
(Per)Forming Ourselves and Others in Toronto’s Multicultural Caravan Festival
Author(s):
Jacqueline Taucar
(see profile)
Date:
2009
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Performance Studies
Subject(s):
Canadian studies
,
Ethnic studies
,
Multicultural education
,
Performance
,
Theatre and society
Item Type:
Article
Tag(s):
audience reception
,
cross-cultural relations
,
ethnocultural festivals
,
multiculturalism
,
representations
Making Mas: TruDynasty Carnival Takes Josephine Baker to the Caribbean Carnival
Author(s):
Jacqueline Taucar
(see profile)
Date:
2012
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Performance Studies
Subject(s):
Carnival
,
Costume design
,
Gender studies
,
Performance studies
,
Postcolonialism
Item Type:
Article
Tag(s):
Womens History Month
Playing (with) Gestic Dolls in Mabou Mines DollHouse
Author(s):
Jacqueline Taucar
(see profile)
Date:
2011
Group(s):
Feminist Humanities
,
Performance Studies
Subject(s):
Adaptation
,
American theatre
,
Feminist theology
,
Performance studies
,
Theatre and society
Item Type:
Article
Tag(s):
feminist theatre
,
Womens History Month
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