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  • Modeling Performing Arts: On the Representations of Agency

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2020
    Group(s):
    Digital Art History, Digital Humanists
    Subject(s):
    Performing arts, Ontology
    Item Type:
    Article
    Tag(s):
    data modeling, CIDOC-CRM, Agency

  • Classical Hollywood as an Epistemological Network

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2012
    Subject(s):
    Motion pictures, Technology, History, Actor-network theory
    Item Type:
    Article
    Tag(s):
    Film, History of technology

  • Image as Collective: A History of Optical Effects in Hollywood's Studio System

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2016
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, History, Motion pictures--Production and direction, Actor-network theory, Technology, Motion picture studios, California--Los Angeles--Hollywood
    Item Type:
    Dissertation
    Tag(s):
    optical effects, special effects, Film history, Film production, History of technology, Studio-era Hollywood

  • Maschinenbilder. Zur postsubjektiven Kamera

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2014
    Group(s):
    Film Studies
    Subject(s):
    Motion pictures, Aesthetics
    Item Type:
    Book chapter
    Tag(s):
    camera, machine, subjective camera, pov, Film, Film studies, Media arts

  • The Paradigm of Streaming in Contemporary Arts

    Author(s):
    Birk Weiberg (see profile)
    Date:
    2017
    Group(s):
    Digital Art History
    Subject(s):
    Art, Modern, Twenty-first century, Digital media
    Item Type:
    Conference paper
    Tag(s):
    #streaming, Contemporary art, Media arts

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