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Modeling Performing Arts: On the Representations of Agency
Author(s):
Birk Weiberg
(see profile)
Date:
2020
Group(s):
Digital Art History
,
Digital Humanists
Subject(s):
Performing arts
,
Ontology
,
Agency
Item Type:
Article
Tag(s):
data modeling
,
CIDOC-CRM
Classical Hollywood as an Epistemological Network
Author(s):
Birk Weiberg
(see profile)
Date:
2012
Subject(s):
Film
,
History of technology
,
Actor-network theory
Item Type:
Article
Image as Collective: A History of Optical Effects in Hollywood's Studio System
Author(s):
Birk Weiberg
(see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Film history
,
Film production
,
Actor-network theory
,
History of technology
,
Studio-era Hollywood
Item Type:
Dissertation
Tag(s):
optical effects
,
special effects
Maschinenbilder. Zur postsubjektiven Kamera
Author(s):
Birk Weiberg
(see profile)
Date:
2014
Group(s):
Film Studies
Subject(s):
Film
,
Film studies
,
Aesthetics
,
Media arts
Item Type:
Book chapter
Tag(s):
camera
,
machine
,
subjective camera
,
pov
The Paradigm of Streaming in Contemporary Arts
Author(s):
Birk Weiberg
(see profile)
Date:
2017
Group(s):
Digital Art History
Subject(s):
Contemporary art
,
Digital media
,
Media arts
Item Type:
Conference paper
Tag(s):
#streaming
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