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Fleshing Oedipa Out: How to Read The Crying of Lot 49 (and How Not To)
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Literary criticism
,
Thomas Pynchon
Item Type:
Article
Tag(s):
The Crying of Lot 49
The Fermata, the Trill, and Life and Death
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Musical Ambiguity and Musical Analysis
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
The Nerk Twins Separated---examples
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles
,
John Lennon
,
Paul McCartney
The Nerk Twins Separated
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles
,
John Lennon
,
Paul McCartney
Gershwin's Surface Motivic Repetitions with Hidden Sources---examples
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
Gershwin's Surface Motivic Repetitions with Hidden Sources
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
“Un bacio”—ancora? Un altro “bacio”!---examples
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Opera
Item Type:
Article
Tag(s):
giuseppe verdi
“Un bacio”—ancora? Un altro “bacio”!
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Opera
Item Type:
Article
Tag(s):
giuseppe verdi
Accents of Remorse-examples 2
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse-examples 1
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Subject(s):
Music analysis
,
Opera
Item Type:
Article
Tag(s):
Benjamin Britten
The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Music analysis
Item Type:
Other
The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic
Author(s):
Arthur Maisel
(see profile)
Date:
2018
Group(s):
American Musicological Society
,
Music and Sound
Subject(s):
Music analysis
Item Type:
Article
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