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The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Musicology, Music--Performance, Biography
Item Type:
Article
Tag(s):
women composers, women pianists, Latin American musicians, Music performance, Women and performance
Teresa Carreño: Cien años más tarde | Teresa Carreño: One Hundred Years Later
Author(s):
Jesús Eloy Gutiérrez, Hermann Hudde, Anna Kijas (see profile) , David Coifman Michailos, Selene Quiroga, Clara Rodríguez, Juan Francisco Sans
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Music, Latin American, Venezuela, Musicology
Item Type:
Article
Tag(s):
nineteenth-century music, women composers, interviews, Latin American music, Performance
Music Research Data Management: a DH Perspective
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
Digital Humanists, Library & Information Science, Music Library Association
Subject(s):
Music libraries, Electronic data processing--Management, Digital humanities, Musicology
Item Type:
Presentation
Tag(s):
#muslib2019, data for humanists, Data management
“What does the data tell us?: Representation, Canon, and Music Encoding”
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Digital Humanists, Music Library Association, Open Music
Subject(s):
Musicology, Archives, History, Data sets, Open access publishing, Digital humanities
Item Type:
Conference paper
Tag(s):
women composers, canon, Music encoding, Diversity, Performance, Digital musicology, History of archives, Open data
(MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas (see profile) , Elizabeth Sweeney
Date:
2018
Group(s):
Digital Humanists, Irish Literature and Culture, Music Librarians, Open Music
Subject(s):
Data curation, Music, Irish--Music
Item Type:
Presentation
Tag(s):
Traditional music, Digital scholarship, Digital curation, Irish music
Engaging in Small Data Rescue
Author(s):
Anna Kijas (see profile)
Date:
2018
Group(s):
Data Rescue, Digital Humanists, Music Librarians, Open Music
Subject(s):
Data sets, Open access publishing
Item Type:
Presentation
Tag(s):
data rescue, Digital archives, Open data
BLC Expanding Knowledge: Introduction to Digital Humanities
Author(s):
Anna Kijas, Sarah Melton (see profile)
Date:
2017
Subject(s):
Academic libraries--Administration, Academic librarians, Digital humanities
Item Type:
Presentation
Tag(s):
Academic librarianship
Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas (see profile) , Elizabeth Sweeney
Date:
2017
Group(s):
Open Music
Subject(s):
Data curation, Music
Item Type:
Presentation
Tag(s):
Irish music, Traditional music, Digital curation, Digital scholarship
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas (see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
Twelfth century, Thirteenth century, Fourteenth century, Digital humanities, Music, Middle Ages, Musicology
Item Type:
Presentation
Tag(s):
DH2016, workflow, 11th to 14th century, Medieval music, Digital musicology
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas (see profile)
Date:
2017
Group(s):
Digital Humanists, Open Music
Subject(s):
Digital humanities, Music, Middle Ages, Musicology
Item Type:
Presentation
Tag(s):
DH2017, digital infrastructure, Digital scholarship, Medieval music, Digital musicology

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