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Ritual Structure and Rites of Passage in Wole Soyinka's Death and the King's Horseman
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2007
Group(s):
GS Drama and Performance
,
GS Folklore, Myth, and Fairy Tale
,
Interdisciplinary Approaches to Culture and Society
,
LLC African American
,
LLC African to 1990
Subject(s):
Ritual--Study and teaching
,
Mythology
,
Social change
,
Theater
,
Africa
,
African drama
Item Type:
Article
Tag(s):
ritual
,
sacrifice
,
burial rites
,
Kingship
,
colonialism
,
Ritual studies
,
Postcolonial literature
,
Sociology of social change
,
African theatre
Ritualization as pragmatic deployment of revolutionary consciousness in the drama of Femi Osofisan
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2012
Group(s):
GS Drama and Performance
,
GS Folklore, Myth, and Fairy Tale
,
Interdisciplinary Approaches to Culture and Society
,
LLC African American
,
LLC African to 1990
Subject(s):
African literature
,
Marxian school of sociology
,
Mythology
,
Aesthetics
Item Type:
Book chapter
Tag(s):
marxian aesthetics
,
myth
,
ritual
,
social change
,
the mimetic
,
Literary criticism
,
Marxist sociology
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2012
Group(s):
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
MS Opera and Musical Performance
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
Africa
,
Area studies
,
Culture--Study and teaching
,
Ethnomusicology
,
Music--Performance
,
Performance art--Study and teaching
Item Type:
Article
Tag(s):
ethnomusicology
,
performance
,
orality
,
African studies
,
Cultural studies
,
Music performance
,
Performance studies
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