Graduate student at McMaster University. Interested in intersectional and (problematically) cross-cultural feminist Romanticism.
PhD. Student in Translation studies at the University of Birmingham, UK. My main interests lie in the intersection of feminist translation, translation theory, linguistic hybridity, Francophone studies, Russian studies, African studies and Postcolonial studies.
Humanities librarian, digital humanities and #critlib enthusiast, voracious reader, queer femme, intersectional feminist, cat person.
I am an artist, educator, and researcher based in London (UK) and Gothenburg (Swe) working in the intersections between contemporary art, feminist pedagogies, and institutional analysis by experimenting with intersectional knowledge practices. I currently conduct doctoral research in artistic practice at Valand Academy, University of Gothenburg investigating the micro-politics of publishing and dissemination. More concretely I research through artistic practice the coercive reciprocity between authorship, authorization and authority and this triangulation’s impact on intersectional feminist and postcolonial practice and theory. How to “bridge potentially incompatible cultures between “disciplined” and “undisciplined” (academic/non-academic) research” ? (Femke Snelting/Kate Rich, 2018) The writing of the thesis is taking place on a mediawiki. Current and recent projects include AND Publishing (with Rosalie Schweiker, London), The Piracy Project (with Andrea Francke, London), and Let’s Mobilize: What is Feminist Pedagogy (with Feminist Pedagogy Working Group, Valand Academy Gothenburg) and Help! David Cameron likes my art (with John Moseley and Titus Kroder). http://www.andpublishing.org http://www.akademinvaland.gu.se wiki.evaweinmayr.com
American Indian and Canada First Nations Studies Intersection of Colonial Oppression and Trauma Adverse Childhood Experiences (ACEs) Urban Indian Survival Indigenous and Post-Colonial Studies Indigenous Women and Generational Trauma Criminal Justice System Reform Dismantling the Prison Industrial Complex Political Economy and Justice History of Race, Class, and Gender in Colonial U.S. Women of Color and Feminist Theory Environmental Justice Wild Salmon Recovery Water as a Human Right
Joanna Gardner-Huggett is an Associate Professor and Associate Dean at DePaul University where she teaches courses on twentieth-century art and feminist theory. Gardner-Huggett’s research focuses on the intersection between feminism and arts activism and has been published in the journals British Art Journal, Frontiers: A Journal of Women’s Studies, Historical Geography, and Woman’s Art Journal. Her most recent scholarship explores the history of the painter Julia Thecla (1896-1973), the Guerrilla Girls, the Feminist Art Workers, and the origins of the women artists’ cooperatives Artemisia Gallery in Chicago (1973-2003) and ARC (1973-present).
My research focuses on Shakespearean stage performance, Shakespearean literary studies, and gender in Shakespeare analyzed through the lens of psychoanalytic (Jacques Lacan, Julia Kristeva), feminist (Judith Butler, Kaja Silverman, Sara Ahmed), and postcolonial (bell hooks) theories. I am developing research projects in the areas of trauma theory, YA dystopian fiction, virtual reality, and feminist pedagogies. Currently, I am involved in a research project intersecting all of these areas and I am writing an article deconstructing the Lacanian gaze through operatic performance.
madison hames is a trans researcher and poet working at the intersections of technoscience, feminist new materialism, ecological studies, and queerness. You can find their work in publications such as Soft Surface, Convergences, Dismantle Magazine, and Art Discourse.
Historian specializing in Byzantine culture. My research interests are interdisciplinary and extremely wide ranging. My dissertation project looked at militarizations of religious culture in the eastern Mediterranean. My politics are anarcho-pacifist and intersectional feminist. I am openly genderqueer.