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MemberDeborah C. Bowen

I spent the first half of my life in the U.K. and the second half in Canada. My undergraduate degree is from Oxford, and my doctoral degree from the University of Ottawa. Since 1996 I’ve taught at Redeemer University College, a small liberal arts college in S.W. Ontario. My two books consider interactions between postmodern literature and Christian faith, partly because these seem so unlikely. I regularly review Canadian poetry, and love walking and classical music, sometimes together.

MemberRemy Attig

…University Of Ottawa…
…2018 Ph.D. in Spanish (expected)
University of Ottawa
Working Title: “Translating la voz de la diáspora: Balancing Foreignization, Domestication, and Power in English Translations of the Diaspora Varieties of Judeo-Spanish and Spanglish”
Advisors: James Novoa & Clara Foz

 

2010      M.A. in Spanish
University of Ottawa
Advisor: José María Ruano de la Haza

 …

Remy Attig is a PhD candidate in Spanish at the University of Ottawa. His research focuses on the English translation of Spanish vernaculars published in the diaspora, more specifically the modern Judeo-Spanish texts of Matilda Koén-Sarano and the Spanglish chronicles of Susana Chávez-Silverman. In his thesis, Remy focuses on experimental translation that resists domestication of the texts through a variety of English-language literary and linguistic devices. This translation approach is informed by the intersections of language, sociolinguistics, power, resistance, and identity. He is currently preparing a book project to explore the emergence of transnational costumbrismo in the literature of several borderland populations. In addition, Remy is interested in the role of translation in empowering or disenfranchising immigrant populations in social movements.  

MemberCélian RINGWALD

Graduated of a master’s in data science and finishing a curriculum of Digital Humanities in the University Lyon 2, I am currently Assistant researcher attached to the Digital Humanities Lab of the Art University of Ottawa. I am working on LINCS project TEI entity linking and transformations to RDF. I am currently writing a master thesis on rules model method for extracting events of life in natural language biography.
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Diplômé d’un master en science de la donnée et achevant un master en Humanités Numériques à l’Université Lyon 2, je suis actuellement assistant de recherche au sein du laboratoire des données en sciences humaines de l’Université des Arts d’Ottawa. Je travaille sur des problématiques de mise en lien d’entités dans des corpus TEI, et de transformation de ceux-ci au format RDF. Je réalise en parallèle un mémoire de recherche sur la création de systèmes à bases de règles pour l’extraction d’événements de vies dans des biographies en langage naturel.

MemberMichèle Duguay

…The Graduate Center, CUNY (2016-present)
Ph.D. in Music Theory
Certificate Program in Women’s Studies

McGill University (2014-2016)
M.A. in Music Theory

University of Ottawa (2010-2014)
B.Mus. in Music…

Michèle Duguay (she/her) is a Ph.D. candidate in music theory at the Graduate Center, CUNY, where she also completed a Certificate Program in Women’s Studies. She currently teaches music theory at the City College of New York. Prior to her studies at the Graduate Center, she received an M.A. in music theory from McGill University and a B.Mus. from the University of Ottawa. Her current research interests include the intersection of popular music analysis and gender studies, the construction of virtual space in recorded popular music, voice studies, and gesture in contemporary piano music. In 2019, Michèle received the Patricia Carpenter Emerging Scholar Award from the Music Theory Society of New York State (MTSNYS), the Arthur J. Komar Award from Music Theory Midwest (MTMW), and a doctoral grant from the Social Sciences and Humanities Research Council (SSHRC) of Canada. She presented her research at various national and international conferences, including the annual (SMT) and regional (NECMT, MTSNYS, MTMW) meetings of the Society for Music Theory, the Society for American Music (SAM) annual meeting, and the International Association for the Study of Popular Music (IASPM-US). Michèle is a co-founder of the Engaged Music Theory working group.