Professor of History of Contemporary Art Department of Cultural Heritage and Environment, Università degli Studi di Milano, Italy
…Università degli Studi di Udine…
Alberto Campagnolo trained as a book conservator (in Spoleto, Italy) and has worked in that capacity in various institutions, e.g. London Metropolitan Archives, St. Catherine’s Monastery (Egypt), and the Vatican Library. He studied Conservation of Library Materials at Ca’ Foscari University Venice, and holds an MA in Digital Culture and Technology from King’s College London. He pursued a PhD on an automated visualization of historical bookbinding structures at the Ligatus Research Centre (University of the Arts, London). He was a CLIR Postdoctoral Fellow (2016-2018) in Data Curation for Medieval Studies at the Library of Congress (Washington, DC). Alberto, in collaboration with Dot Porter (SIMS, UPenn Libraries, Philadelphia, PA), has been involved from the onset in the development of VisColl, a model and tool for the recording and visualization of the gathering structure of books in codex format. Alberto has served on the Digital Medievalist board since 2014, first as Deputy Director, and as Director since 2015, and has been in the Editorial Board of the Journal of Paper Conservation since 2016.
Postdoctoral Fellow (Hebrew University of Jerusalem, The Center for the Study of Christianity, October 2017) Mellon Postdoctoral Fellow (University of Toronto, Pontifical Institute of Mediaeval Studies, September 2016) Postdoc in History of Medieval Art (Università di Urbino “Carlo Bo”, Urbino, March 2016) Visiting Professor (Università Cattolica del Sacro Cuore, Milan, 2015-2016) Teaching Fellow (Sapienza Università di Roma, Rome) Postdoc in History of Medieval Art (Sapienza Università di Roma, Rome, 2014-2015) Phd in History of Byzantine Art (Sapienza Università di Roma, Rome, June 2013) Webmaster for the official website of AISB – Associazione Italiana di Studi Bizantini http://www.studibizantini.it — RESEARCH INTERESTS — * Medieval art and architecture in Italy; * Early Christian, Byzantine and Medieval ivory carvings; * Byzantine book illumination; visual rhetoric and relation between text and image; * History of Medieval and Byzantine studies at the turn of the twentieth century; * Impact of the Grand Tour on the rediscovery of medieval and Byzantine art between the 18th and the 19th centuries; * Fakes, forgeries, copies; * Collections and collectors of early Christian, Byzantine and Medieval works of art.