For those interested in the history and theory of architecture in relation to the other arts.
Contemporary Catalan and Spanish Culture
Theories of Architecture
Post-Marxism and Deconstruction
Dr Stylianos (Stelios) Giamarelos is an architect, historian and theorist of postmodern culture. Before undertaking a PhD in Architectural History & Theory at the Bartlett School of Architecture UCL, he studied Architecture, Philosophy, and History of Science and Technology in Athens. He is currently a Teaching Fellow and module coordinator in Architectural History, Theory & Interdisciplinary Studies at the Bartlett School of Architecture UCL. A founding editor of the Bartlett’s LOBBY magazine (2013-2016), he is also a General Editor for the EAHN’s Architectural Histories since 2017. In 2008, he co-curated ATHENS by SOUND, the National Participation of Greece in the 11th Biennale of Architecture in Venice. Among others, he has published in the Journal of Architecture, Journal of Architectural Education, Architectural Design, Footprint, OASE, FRAME, San Rocco, and Metalocus. In 2018, he was a Judge for the international Undergraduate Awards and a finalist runner-up for the biannual EAHN Publication Award. Research Areas include: postmodern and digital architectural cultures; transcultural authorships of regional architectures; oral histories in architecture; philosophy, science, technology and narrative (from comics and literature to videogames) in architectural histories, theories and practices.
Assistant professor, School of Architecture and Urbanism, University of Brasilia. Graduate program assistant director for Architectural History, Theory, and Criticism. Architectural historian, architect, and historic preservationist. Theory and criticism of classical architecture and its influence on 19th- and early 20th-century modernity. Digital documentation and analysis of historic sites and buildings.
Pedagogy. American Literature. Poetry. Film. Architecture. Criticism and Theory.
Universal Design (UD) is a movement to produce built environments that are accessible to a broad range of human variation. Though UD is often taken for granted as synonymous with the best, most inclusive, forms of disability access, the values, methodologies, and epistemologies that underlie UD require closer scrutiny. This paper uses feminist and disability theories of architecture and geography in order to complicate the concepts of “universal” and “design” and to develop a feminist disability theory of UD wherein design is a material-discursive phenomenon that produces both physical environments and symbolic meaning. Furthermore, the paper examines ways in which to conceive UD as a project of collective access and social sustainability, rather than as a strategy targeted toward individual consumers and marketability. A conception of UD that is informed by a politics of interdependence and collective access would address the multiple intersectional forms of exclusion that inaccessible design produces.
Sixteenth-century French literature, visual culture, emblematics, architectural history, spatial theory, domesticity, French cinema.
Patricia A. Morton is Associate Professor of architectural history in the Art History Department. She has received grants and fellowships from the Getty Research Institute, the Fulbright Program, the University of California Humanities Research Institute, and the National Endowment for the Arts, among other institutions. Her book on the 1931 Colonial Exposition in Paris, Hybrid Modernities, was published in 2000 by MIT Press and in Japan by Brücke in 2002. Her current research focuses on postmodern architecture and popular culture, exemplified in the built work and writing of Charles W. Moore. She has published widely on architectural history and issues of race, gender and identity in modern and contemporary architecture. She is Editor of the Journal of the Society of Architectural Historians and an advisory board member of the European Architectural Historians Network journal, Architectural Histories.
I hold a PhD in Egyptology from University of Pisa. Currently, I am a part-time lecturer at the Arab Academy for Science, Technology and Maritime Tramsport (History and Theory of Architecture 1). From 2014 to 2016 I was a postdoctoral fellow at the Dahlem Research School, Freie Universität Berlin, working on an Historical GIS of Nubia. Enjoying a short term scholarship (British Academy 2011) granted by Accademia Nazionale dei Lincei I compiled the complete catalogue of William John Bankes’ Egyptian Portfolio in the Dorset History Centre (Dorchester) and made a photographic record of it. In 2009 I discovered Alessandro Ricci’s lost travel account and I am currently working on a scientific edition of the text to be published by AUC Press.