I research and teach Mediterranean art and archaeology and I am listed in the Register of Professional Archaeologists. I have worked on excavations in the United States, Spain, Jordan, and Italy (particularly at the site of Morgantina, in east-central Sicily), since 1998. In 2014, I began a new collaborative project on the Iberian indigenous settlement of Cástulo, in Andalusia, with archaeologists from the University of Jaén and the Andalusian regional government. This work has been supported by grants from the Loeb Classical Library Foundation and the National Geographic Society. I have also worked to develop the emerging field of space archaeology. Together with my co-PI, Dr. Alice Gorman (Flinders University), I am leading the first large-scale archaeological investigation of a human habitation site in space: the International Space Station. This project received a 2019 Discovery Grant from the Australian Research Council (two years at AUD$244,400). Follow @ISSarchaeology on Twitter and our website, ISS Archaeology, for regular updates on this project. My publications have concerned imported pottery found at Morgantina, and the implications of that material for a new consumer-oriented perspective on the ancient economy. The final results of this research will be published in a volume of Morgantina Studies, to be co-authored with Carla Antonaccio (Duke University) and Jenifer Neils (Case Western Reserve University). A general monograph on the relationship between economic consumption and identity in the western Mediterranean and trans-Alpine Europe, titled Consumerism in the Ancient World: Imports and Identity Construction, was published by Routledge Press in late 2013. You can read reviews here, here, here, and here. My other work includes problems related to cultural heritage management and the use of digital technology in art history and archaeology. I have received several awards, including a Fulbright Grant to Greece in 2002-2003, a Rome Prize in 2003-2004, the inaugural Arthur Ross Advanced Research Fellowship from the Institute for Classical Architecture and Classical America in 2008, and a Tytus Summer Residency Fellowship from the Burnam Classics Library at the University of Cincinnati in 2010. In 2016, I was Benjamin Meaker Visiting Professor at the Institute for Advanced Studies of the University of Bristol. USERS INTERESTED IN MY DATA SETS SHOULD VISIT THE CHAPMAN UNIVERSITY DIGITAL COMMONS.
Additive manufacturing poses a number of challenges to conventional understandings of materiality, including the so-called archaeological record. In particular, concepts such as real, virtual, and authentic are becoming increasingly unstable, as archaeological artefacts and assemblages can be digitalised, reiterated, extended and distributed through time and space as 3D printable entities. This paper argues that additive manufacturing represents a ‘grand disciplinary challenge’ to archaeological practice by offering a radical new generative framework within which to recontextualise and reconsider the nature of archaeological entities specifically within the domain of digital archaeology.
This paper presents a way of looking at Roman space from a Roman perspective, and suggests ways in which this point of view might open up new approaches in Roman archaeology. It turns on one conception of Roman space in particular, preserved for us in the Antonine Itineraries. Working from a position that considers the context of the itineraries as movement-through-space, this paper presents an investigation using social network analysis and agent-based simulation to re-animate the itineraries. The itineraries for Iberia, Gaul, Italy, and Britain are considered. The results of the social network analysis suggest structural differences in the way that the itineraries presented space to the reader/traveler. The results of the simulation of information diffusion through these regions following the routes in the itineraries suggest ways that this conception of space affected the cultural and material development of these regions. Suggestions for extending the basic model for more complicated archaeological analyses are presented.
I am an archaeologist working on prehistoric wetland sites and the archaeology of alpine spaces, currently based at the University of Bern in Switzerland. I did my studies in Prehistoric and Roman Archaeology, Archaeological Science, Social Anthropology and the History of Eastern Europe. Accordingly, I have a deep interest in inter- and transdisciplinarity research. In my PhD thesis titling ‘Ceramics beyond Cultures: A praxeological approach to mobility, entanglements and transformation in the northern Alpine space (3950-3800 BC)’, I combined different thing, action, cultural and social theories with qualitative and quantitative methods of archaeology and archaeometry. While this project aimed at inquiring the role of spatial mobility for transformations in Neolithic pottery production and consumption practices, my latest research is focussed on the mutuality of human-environment-relations.
Women face significant challenges in the discipline of archaeology, from harassment on fieldwork to unbalanced treatment in the university setting. Assemblage is a shareable resource for female archaeologists and our allies: it aims to shift the burden of proof and explanation of such issues away from individual women and into a collective, collaborative space. Assemblage […]
This paper explores some ontological aspects of archaeological voids and enclosures together with their translations and substitutions, and considers the nature of spaces within material archaeological deposits and artefacts. The dematerialized and rematerialized bodies of the victims of Vesuvius in CE 79 are reappraised as a case study. By problematizing the voids we are able to think critically about the ontological status of the victims’ persistent traces and residues. Speciﬁcally, using Gavin Lucas’ grid of forces models, we explore how these traces and residues have been transformed into different kinds of objects, including, most recently, rematerializations in the digital, through their ongoing intra-actions within the domains of archaeology, museology, and additive manufacturing. Through this analysis the ambivalent nature of these traces and residues becomes more sensible
I am a specialist in the archaeology of Rome’s western provinces, and in provincial architecture in particular. I am interested on the impact of empire on the peoples of the provinces, and how it altered the routines of their daily lives. I have also pioneered approaches to the social archaeology of the western provinces, in particular gender and age. I am currently working on religious architecture in Roman Britain.
I completed my PhD from the University of Glasgow titled ‘Contextualising the Cropmark Record: The timber monuments of Neolithic Scotland’ in 2009. From 2009-10 I held a short-term lectureship at the University of of Aberdeen and I am currently a Designations Officer at Historic Environment Scotland and Affiliate Researcher (Archaeology) at the University of Glasgow. I am co-director of the Lochbrow Landscape Project, an archaeological survey project investigating the sites and landscapes at and around Lochbrow in Dumfries and Galloway. My research interests include the Neolithic and Early Bronze Age of Scotland, timber monumentality and the use of wood to build monuments, aerial archaeology and the interpretation of cropmarks, relationships between humans and the environment in prehistory, landscape archaeology and the integration of experiential and GIS approaches. My publications cover themes of Neolithic Scotland, cropmark archaeology, experiential and landscape archaeology.
In displaying archaeological information as points on a map, we lose elements of the social and economic geography of the region we are studying. This paper suggests a methodology for exploring the space between our ‘dots-on-the-map’, based on the rapidly developing ‘science of networks’. It takes as a case study the distribution of sites using stamped brick in the Tiber Valley. It suggests that contradictions between local and global understandings of spatial relationships were exploitable economic opportunities.
This chapter is presented from the perspective of a professional archaeologist who specializes in Greek archaeology, intercultural contact and exchange, and the ethics of cultural heritage. His chapter investigates the mandates for discard and “design for demise” of space objects in the wider context of cultural phenomena from all cultures. The chapter finds comparanda for purposeful ephemera in examples from the media of performance, architecture, and visual art.