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MemberWeihsin Gui

I am Associate Professor of English at the University of California-Riverside, where I am a member of the Southeast Asian Studies program, SEATRiP (Southeast Asia Theater, Ritual, and Performance). I research and teach global anglophone literatures (South Asia and Southeast Asia) from a postcolonial perspective and also work on contemporary British literature. I am the current contributor for Southeast Asia in the “New Literatures” section of the Year’s Work in English Studies. If you would like a copy of any of my journal articles or book chapters, please do not hesitate to contact me by email (weihsing@ucr.edu).

MemberThomas Barker

I’m currently Associate Professor and Head of Film and Television at the University of Nottingham Malaysia Campus and Deputy Director of the Centre for the Study of Communication and Culture (CSCC). I am a sociologist by training with expertise in cultural and creative industries, especially cinema, with a focus on Malaysia and Indonesia. I have written on Islamic pop culture, new media, cinema, film, creative labour, Chinese transnationalism, and cinematic history of Southeast Asia. Previously I was a Visiting Research Fellow at National Cheng Chi University (2018), Visiting Scholar at the Department of Theater, Film and Television at UCLA (2016), a Visiting Researcher at PUSKAKOM Universitas Indonesia (2015), and a Visiting Scholar at the Department of Sociology National University of Singapore (2011).

MemberFlannery Wilson

Daughter of well-known philosopher of film, George M. Wilson (author of Narration in Light: Studies in Cinematic Point of View and Seeing Fictions in Film: The Epistemology of Movies), Flannery grew up in a suburb of Baltimore, MD. She graduated from Barnard College in 2003 with a degree in Italian. In 2005, she moved to Southern California to accept a competitive Chancellor’s Fellowship to attend a PhD program in Comparative Literature at the University of California, Riverside. She graduated in 2011 with a Dissertation Fellowship, a Barricelli Award for Research, and an Outstanding Teaching Award.She currently teaches film, visual and media studies, literary analysis, world literature, French and Italian and is working on her next book, on adaptation and the ethics of storytelling.Flannery’s published writing sheds light on cross-cultural interactions between French and Italian and East Asian cinema(s). Her articles have appeared in Modern Chinese Lit and Culture, Senses of Cinema, and The Journal of Japanese and Korean Cinema.Her dissertation, Echoing Across the Mediterranean and the Pacific: Cinematic Resonance and Cross-Cultural Adaptations in Contemporary European and East Asian Cinema, can be found here.Her book: New Taiwanese Cinema: Within and Beyond the Frame, for the “Traditions in World Cinema” series through Edinburgh University Press, was released in paperback in April of 2015.She is the current editor of: Humanities in Transition (an online journal).