…San Diego Museum Of Art…
I am senior acquiring editor in the fields of Native American and Indigenous Studies, Cultural Anthropology and Ethnography, History of Anthropology, Non-fiction of the American West, and Literary Memoir of the American West. I conceived the major, social science documentary project, The Franz Boas Papers: Documentary Edition (25 vols.) with my colleagues at University of Nebraska Press, Regna Darnell of University of Western Ontario, and Martin Levitt of American Philosophical Society, funded by $2.5 million CAD from the Social Science and Humanities Research Council of Canada. I am an American and European historian (PhD, Temple University, 1999) in intellectual, social, and cultural history of the 19th and 20th Century that writes about urban history, architecture and urban planning, historical memory, anthropological race theory, history of science, intellectuals and war, and California and US Southwest history. My work has been published in scholarly journals such as the Journal of the American Planning Association, Reviews in American History, AHA Perspectives, and the New Mexico Historical Review. I am author of The San Diego World’s Fairs and Southwestern Memory, 1880-1940 (University of New Mexico Press, 2005), a finalist for the San Diego Book Award. My reviews have been published in American Historical Review, Journal of American History, Journal of Religion, Journal of American Ethnic History, Pacific Historical Review, Western American Literature, Western Historical Quarterly, and New Mexico Historical Review. I am currently working on a new book, entitled “Manic-Depressive Illness: An Intellectual History of Bipolar Disorder from Hippocrates to Biological Psychiatry.” I play lead guitar in Red Cities (Lincoln, NE), a garage punk band on Modern Peasant Records. The Big Takeover Magazine said: “On breakneck blasters like ‘Worker Song’ and ‘Come Now Baby,’ Red Cities’ unashamedly summon slashing ‘Search and Destroy’ simulating riffs – tension-building, jet engine-explosive punk that exhilarates.” I am also a producer for Modern Peasant Records, having sponsored The Sinners’ Drunk on the Lord’s Day (MPR-013) and John Wayne’s Bitches’ Bitched Out (MPR-011). I blog about the history of punk rock, hardcore, and indy rock at the music podcast Doc Rockavoy’s Indy Music Garage.
Prisca’s artistic practice includes drawing, painting, video, photography, and sculpture. With her work she is interested in seeing beauty in a motif; out of the ordinary or disorderly. She organizes the motifs to reveal order and balance, which she understands to be beautiful. Her work has recently been shown at Schomburg gallery in Bergamot Station, Santa Monica and the Pomona Museum of Art. Her works are included in the private collection of the AHA Development Group Inc., in Newport Beach, CA. Prisca earned her bachelor’s degree in studio art from Trinity Western University and her master’s degree in Fine Arts with a specialization in drawing and painting from California State University, Fullerton. In 2013, she won the Alliance Art Tribute grant to study the art of the Renaissance under Professor Domenic Cretara in Florence, Italy. Cretara’s teachings has profoundly impacted her work. Prisca Langlais is a Canadian artist, based in Kuala Lumpur, Malaysia.
I am currently an assistant professor of art history in the Centro de Investigacion en Artes y Humanidades (CIAH) at the Universidad Mayor, Santiago, Chile. In addition to my interest in viceregal Chilean art and architecture and pre-columbian Maya art, I also research and write about the tensions posed between past and present forms of patrimony. Currently I research the collection of viceregal art that pertains the Museo Colonial de San Francisco, Santiago, Chile, particularly the painted series on the life of San Diego de Alcala.
I am a visual artist. I have worked as a designer, maker, carpenter, truck driver, and busboy. My first job was mowing lawns in a cemetery. My work has been shown at the 54th Venice Biennale, Art Basel Miami, MASS MoCA, Collaborative projects include Columbus on Trial,Whitney Museum of American Art Biennial, NY. Darkened Waters: Portrait of an Oil Spill, Oakland Museum and Smithsonian Museum. In the Beginning: Exploring Origins in Contemporary Art, UPenn Humanities Forum. Grants: The Puffin Foundation, San Francisco Arts Commission, Friends of Urban Art and Culture and The Marmite Prize, London UK. I also teach at the Academy of Art University in San Francisco, CA. My course: The Global Design Studio, Past, Present, Future is a graduate seminar that explores the history of design and its social, political and cultural impact on the world in which we live. Students analyze historical precedents and make projections regarding the responsibilities and challenges facing designers in the future.