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MemberJayashree Kamble

…Books:

Making Meaning in Popular Romance Fiction: An Epistemology. Palgrave, 2014.

Articles:

“Romantic Fantasies: How the Media Constructs its Own Romance Novel” in the edited collection Research Companion to Popular Romance Fiction, forthcoming (Routledge August 2020).

 

“When Wuxia Met Romance: The Pleasures and Politics of Transculturalism in Sherry Thomas’s My Beautiful Enemy,” Special Issue for the Journal of Popular Romance Studies. Spring 2020.

“From Barbarized to Disneyfied: Vieiwing 1990s New York City Through Eve Dallas, J.D. Robb’s Futuri…

Specializes in mass market romance fiction and mainstream Indian cinema. Co-Vice President of the International Association for the Study of Popular Romance.

MemberJoseph Derosier

  My research focus is on the Francophone literary world at the turn of the 13th century, when French was used as a literary, mercantile, and colonial language from England to the Crusader kingdoms in the Levant. My current project insists upon romance being a political genre in late-twelfth and early-to-mid-thirteenth-century romances. This draws from queer theory and biopolitics, or the ways in which politics and government control, deploy, and understand bodies to analyze the very root of sovereignty and the fictions of the sovereign’s relation to governance in medieval literature and culture. I argue that medieval literature helps us understand that longer history of sovereignty’s relation to populations, bodies, and fictions of nation and nationhood, dismantling our current notions of biopolitical trajectories and francophone literary history. This trajectory of the Grail quest, as it is renewed with each new version of the Grail quest, allows us to trace how copies, adaptations, and continuations are acts of reading as much as they are acts of writing and composition. This project upsets trajectories of Grail romance as it has been understood, and rewrites the history of romance as a politically-engaged genre. This intervention aims to reposition romance as a genre that re-imagines political pasts and proposes alternate futures.

MemberAnna Faktorovich

Anna Faktorovich is the Director and Founder of the Anaphora Literary Press. She is currently teaching college English at the University of Texas Rio Grande Valley. Previously, she taught for three years at the Edinboro University of Pennsylvania and the Middle Georgia State College. She has a Ph.D. in English Literature and Criticism. She published two academic books with McFarland: Rebellion as Genre in the Novels of Scott, Dickens and Stevenson (2013) and The Formulas of Popular Fiction: Elements of Fantasy, Science Fiction, Romance, Religious and Mystery Novels (2014). She published two poetry collections Improvisational Arguments (Fomite Press, 2011) and Battle for Athens (Anaphora, 2012). She also released two historical novels: The Romances of George Sand (2014), and The Battle for Democracy (2016). She published two fantasy novellas with Grim’s Labyrinth Publishing: The Great Love of Queen Margaret, the Vampire (2014) and The Campaigns against the Olden: Kingdoms of Laruta (2014). She also wrote and illustrated a children’s book, The Sloths and I (Anaphora, 2013). She has been editing and writing for the independent, tri-annual Pennsylvania Literary Journal since 2009, and started the second Anaphora periodical, Cinematic Codes Review in 2016. She has presented her research at the MLA, SAMLA, EAPSU, SWWC, BWWC and many other conferences. She won the MLA Bibliography, Kentucky Historical Society and Brown University Military Collection fellowships.

MemberEnrique Rodrigues-Moura

Enrique Rodrigues-Moura is Full Professor at the Department of Romance Languages (“Institut für Romanistik”) at the University of Bamberg since 2012. He received 2007 his PhD in Romanic Philology at the Complutense University of Madrid (Extraordinary Doctorate Award) and 2009 a Post-Doc-Award from the Calouste Gulbenkian Foundation to research at the University of Lisbon. He has worked as Lecturer at the Universities of Bratislava, Graz and Wien and as Assistant Professor at the Universities of Innsbruck and Göttingen. He was Visiting Professor at the Department of Romance Languages of the University of Graz (2012-2017). He works also as a Research Fellow at the Center for Inter-American Studies (C.IAS) of the University of Graz since the summer semester 2017.   The main aspects of his research are the Literatures and Cultures in Spanish and Portuguese of the XVI and XVII centuries (e.g. Manoel Botelho de Oliveira, Miguel de Cervantes, A. Vieira, Saavedra Fajardo); the formation of cultural national identities in Latin America (e.g. Euclides da Cunha, Olavo Bilac); the relationship between fiction, historiography and politics and between fictional and factual narratives (e.g. Sarmiento, Eduardo Labarca, Roberto Bolaño), and the theory and practice of textual criticism (e.g. Fénix Renascida, Miguel de Cervantes, Camilo Castelo Branco).   He is a member of the advisory board of international journals in Spain, Brazil, Portugal, and the Czech Republic. Furthermore he is evaluator of the “Humboldt Stiftung”, the German Academic Exchange Service (DAAD) and the “Deutsche Forschungsgemeinschaft” (DFG; German Research Foundation) among other institutions.   Head of Department of Romance Languages (2012-2022) at the University of Bamberg. (March 2020)   Romance Literatures and Cultures; Iberian Studies; Hispanism; Luso-Brasilian Studies