Scholarly Communication, Libraries, Digital Publishing, Digital Humanities, Open Access
…People of the Book: Retellings of the Hebrew Bible in Medieval Iberia
Open Iberia/América: An online, open access collection of teaching units on primary texts from the Premodern Hispanic world
Participating member of Symbioses: General estoria…
Medieval Iberian Literature and Culture Sephardic Studies Open Access Publishing
Poetry and poetics
Nineteenth-century U.S. literature and culture
Academic publishing and Open Access
Dogs named Squirrel
data as representation, politics of scholarly editing, text encoding, open access journals, organic gardening, cheese-making, fiber arts
All things digital humanities, open access, and other evolutions in the way scholarly communication happens.
I am a librarian who is passionate about open knowledge and public humanities. Currently I’m a Librarian for Digital Academic Strategies at Worcester Polytechnic Institute. I previously worked as the Open Access Specialist at Boston University and received my M.S. in Library and Information Science from Simmons College. In my career as a librarian, I have advocated for open access to information, educated others about open access practices, and coordinated programming to promote the use of open educational resources. I am also active in a number of public humanities projects that promote community building, self-reflection, and social justice. I am a member of the SPARC Open Education Leadership Program 2018-19 cohort.
OPERAS : Open Access Publication in the European Research Area for Social Sciences and Humanities
HIRMEOS : High Integration of Research Monographs in the European Open Science
Pierre Mounier is deputy director of OpenEdition, a comprehensive infrastructure based in France for open access publication and communication in the humanities and social sciences. OpenEdition offers several platforms for journals, scientific announcements, academic blogs, and, finally, books, in different languages and from different countries. Pierre teaches digital humanities at the EHESS in Paris. He has published several books about the social and political impact of ICT (Les Maîtres du Réseau, les enjeux politiques d’Internet 2001), digital publishing (L’Edition électronique, with Marin Dacos, 2010) and digital humanities (Read/Write Book 2, Une introduction aux humanités numériques, 2012). As deputy director of OpenEdition, Pierre Mounier’s work mainly revolves around the development of an internationalisation strategy for the infrastructure, in particular by establishing partnerships with platforms and institutions in Europe and elsewhere . To further this objective, he regularly participates in international conferences and seminars to present OpenEdition’s programmes and discuss subjects relating to digital humanities and open access. Pierre Mounier co-pilots the “Open Access” group within the French infrastructure BSN and is the coordinator of OPËRAS, a project for the development of a distributed open access publication infrastructure at European level.
Martin Paul Eve is Professor of Literature, Technology and Publishing at Birkbeck, University of London. Previously he was a Lecturer in English at the University of Lincoln, UK and an Associate Tutor/Lecturer at the University of Sussex, where he completed his Ph.D. Martin specialises in contemporary American fiction (primarily the works of Thomas Pynchon, Don DeLillo and David Foster Wallace), histories and philosophies of technology, and technological mutations in scholarly publishing. He is the author of four books, Pynchon and Philosophy: Wittgenstein, Foucault and Adorno (Palgrave Macmillan, 2014: 9781137405494), Open Access and the Humanities: Contexts, Controversies and the Future (Cambridge University Press, 2014: 9781107484016), Password (Bloomsbury Academic, 2016: 9781501314872), and Literature Against Criticism: University English & Contemporary Fiction in Conflict (Open Book Publishers, 2016: 9781783742738). From 2015-2020, Martin is a member of the UK English Association’s Higher Education committee. In addition, Martin is well-known for his work on open access and HE policy, appearing before the UK House of Commons Select Committee BIS Inquiry into Open Access, writing for the British Academy Policy Series on the topic, being a steering-group member of the OAPEN-UK project, the Jisc National Monograph Strategy Group, the SCONUL Strategy Group on Academic Content and Communications, the Open Knowledge Foundation’s Open Access Steering Group, the Jisc Scholarly Communications Advisory Group, the Collaborative Knowledge Foundation advisory board, the California Digital Library/University of California Press’s Humanities Book Infrastructure advisory board, and the HEFCE Open Access Monographs Expert Reference Panel (2014) and founding the Open Library of Humanities.
I’m a digital humanist with a background in English, German, and theatre studies. My research interest is in the poetry of the long eighteenth century, especially early romanticism. My research is primarily digital in nature, openly licensed, and always open access.
Jeroen has over 10 years of experience working in scholarly publishing. After studying Media & Information Management at the Hogeschool van Amsterdam (HvA) and Media & Culture at the University of Amsterdam (UvA) he initially started as a book publisher. He has been a commissioning editor for Amsterdam University Press from 2007 until 2016. For over 8 years he has been working on open access journals and monographs, specifically in the fields of film and media studies. He is a member of the Knowledge Exchange Open Access Group, the Dutch library consortium OA working group, and editor of the national platform openaccess.nl. He founded the website http://www.oamediastudies.com in 2016.