Kiersten F. Latham is the Director of Arts, Cultural Management and Museum Studies, as well as Associate Professor in the Department of Art, Art History, and Design at Michigan State University. Prior to this, Dr. Latham spent 9 years at Kent State University where she developed and taught in the museum studies specialization within the Master’s in Library & Information Science and ran the experimental MuseLab. She has taught all aspects of museum studies, from administration to collections management to user experience. In addition to academic work, she has worked in, on, and about museums in various capacities for over 30 years, serving as a director, educator, researcher, collections manager, curator, volunteer, and consultant. Her research interests convene around the meaning of museum objects—especially with respect to emotion, perception, sensation, and spirituality—and the conceptual foundations of museums as document systems. She has done research on numinous experiences with museum objects, imaginative touch (of museum objects), user perceptions of ‘the real thing’ in museums, museums as ecological systems, contemplative practices in museums, positive museology, and conceptual ramifications of museum object as document.
Karen Schamberger is a curator and historian with a love of museums and public history. She is currently working at the National Museum of Australia as part of a team developing a new environmental history gallery. She has previously worked on the Identity: Yours, Mine, Ours exhibition (2011) at the Immigration Museum and Journeys exhibition (2009) at the National Museum of Australia. Her PhD dissertation: Identity, belonging and cultural diversity in Australian Museums examined the ways that objects mediate relations between people of culturally diverse backgrounds in Australian society and history. This included an examination of the ways that museums, through their collections and exhibitions, are implicated in processes of inclusion and exclusion. Her interests include museology, transnationalism, migration, histories of place, colonisation, whiteness, human relationships with other species and material culture.
As Curator of Academic Programs at the Samuel P. Harn Museum of Art, I collaborate with faculty across all units of the university to foster interdisciplinary programs and to develop creative ways to join the museum with curricular activities. As Director of Education, I lead a team in developing engaging learning opportunities for exhibitions and in creating “always-on” educational experiences for students and community members, whenever they come to the museum. Our focus extends from visitor experience in the museum to outreach and partnerships that serve community needs. In addition to research and lectures on museum education, my teaching and research in American art have focused on turn-of-the-(twentieth)-century American artists abroad, American illustration and issues of race and whiteness.
Associate Director, Senior Curator of Musical Instruments and Professor of Music, National Music Museum & Center for Study of the History of Musical Instruments, The University of South Dakota. 1978-present. Responsibilities include: overseeing care and academic interpretation of objects, materials, and specimens belonging to the Museum; cataloging of museum collections, including scholarly determination of classification, dating, and provenance; conducting research about the Museum’s collections and publishing the results of that research; conducting research that will lead to the discovery of new knowledge or new applications of existing knowledge; teaching graduate-level courses in the history and technology of musical instruments (for unique M.M. degree with specialization in the history of musical instruments) and Museum Studies; and creation, development, and maintenance of website. Specialist in 19th-20th-century American Musical Instrument Manufacturing, particularly the C. G. Conn company of Elkhart, Indiana, and other Midwestern musical instrument manufacturers.
I am the Curator of Greek and Roman Provincial Coins at the British Museum.
I am a digital archaeologist specialising in two- and three-dimensional imaging of small, reflective and translucent or transparent objects, particularly glass. I am currently working with the Digital Creativity in Regional Museums project to create a toolkit that facilitates the development of affordable digital immersive experiences in smaller museums.
…Association of Academic Museums and Galleries
College Art Association
Southeastern College Art Conference
Midwest Art History Society
Academic Programs at Colleges and University Museums
Association of Historians of American Art…
I work in Academic Engagement at the University of Miami, promoting the cultural resources at the Lowe Art Museum and University Libraries for object-based learning, teaching, research, and scholarship.
US literatures and cultures, 19th and 20th centuries; collecting; material cultures; museums; experimental film.
…Cultures of Display and the British Empire (Manchester: Manchester University Press, 2015)
(edited with Sarah Longair), Curating Empire: Museums and the British Imperial Experience (Manchester: Manchester University Press, 2012)
(edited with Sarah Longair), Museums, Collect…
I am a historian of the British Empire. My work focuses on the British encounter and engagement with the wider world in the eighteenth and nineteenth centuries, situating the history of empire in its global and maritime contexts. I am interested in the relationships, interactions and patterns of exchange created by the British Empire, and in assessing the impact of these experiences on both British and colonial societies. Before joining the University of Southampton, I was Curator of Imperial and Maritime History at the National Maritime Museum, Greenwich. During my time at the museum, I worked on the development and delivery of two gallery projects, focusing on Atlantic and Indian Ocean history respectively. I continue to be interested in the role of material culture and museums in representing the history of empire.
…Museum Computer Network (MCN); also MCN Strategy SIG, Digital Imaging SIG, IIIF SIG, and Intellectual Property SIG
American Alliance of Museums (AAM); also AAM Media & Technology Professional Network
Society for Ethnomusicology (SEM)
Audio Engineering Society (AES)
…oods. New York: Oxford University Press.
2007. “Museum Images Online: Meeting the Needs of Educators.” With David Green, et al., in Museums & the Web 2007 Proceedings online (Archives & Museum Informatics).
2003. “Performing Images, Embodying Race.” Exhibit…
Rob Lancefield is Head of IT at the Yale Center for British Art. Previously he led digital work at the Davison Art Center, Wesleyan University, where he led the development and launch of DAC Open Access Images in 2012. He chairs the American Alliance of Museums (AAM) Council of Affiliates, a council of leadership representatives from 28 national and international organizations in the museum field. Rob is a former president of the Museum Computer Network (MCN), the professional organization for people who do digital work in museums, and a co-founding member of the ImageMuse discussion group, which now connects more than 500 digital imaging professionals in museums and other cultural organizations.