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MemberAntje Gamble

…attanooga, TN; 16-19 October 2019
(2019) “Marino Marini and the Market for European Sculpture in the USA after WWII,” to accompany the exhibition Marino Marini: Nudes at the Center for Italian Modern Art, New York, NY, 19 November 2019…
…Ph.D., 2015, University of Michigan: Doctor of Philosophy in History of Art

M.A., 2009,  School of the Art Institute of Chicago: Master of Arts in Modern Art History, Theory, and Criticism

B.A., 2005, University of Wisconsin-Madison: Bachelor of Arts in Art History with a Certificate in Religious Studies…
…Book Chapters:
(2019) “Exhibiting Italian Democracy in the 1949 “Twentieth Century Italian Art” at the Museum of Modern Art,” in The First Twenty Years at MoMA 1929-1949, Eds. Sandra Zalman and Austin Porter. London: Bloomsbury Press. (in press)
2018 “Buying Marino Marini: The American Market for Italian Art after WWII,” in Postwar Italian Art History Today: Untying ‘the Knot’, E…

My work examines the exhibition, sale, and critical reception of Italian art and how it shaped and was shaped by national and international socio-political shifts. My scholarship has been included in the recent volume Postwar Italian Art History Today: Untying ‘the Knot’ (Bloomsbury Press, 2018), where her chapter titled “Buying Marino Marini: The American Market for Italian Art after WWII” looks at politicized collection practices during the early Cold War. I also have two forthcoming essays: one on the 1949 exhibition “Twentieth Century Italian Art” at the Museum of Modern Art (MoMA) for a book due out late 2019 (The First Twenty Years at MoMA 1929-1949, Eds. Sandra Zalman and Austin Porter. London: Bloomsbury Press.), and another on the 1947-48 ceramic Crocifisso by Lucio Fontana for a 2020 Art Institute of Chicago (AIC) exhibition catalogue.

MemberValerie Connor

Valerie Connor is a freelance visual arts curator and educator. She has served as Chairperson of the National Campaign for the Arts and was Commissioner-Curator for Ireland at the 50th Venice and 26th São Paulo international art biennials. She has served on the board and acquisitions committee of the Irish Museum of Modern Art and was the Visual Arts Adviser to the Arts Council/An Chomhairle Ealaíon. She contributed a contextual essay to the Twentieth Century volume of Art and Architecture of Ireland, published by the Royal Irish Academy and Yale University Press, and co-edited Local Authority, with Dr Daniel Jewesbury, a book of critical essays on European public art commissioning strategies, published by Fingal County Council Arts Office. As part of the photography programme team within the School of Media at the Dublin Institute of Technology, she delivers modules in visual studies, curating photography, photographic practice and dissertation supervision. She is an external examiner for Limerick School of Art and Design at Limerick Institute of Technology and is currently undertaking an MSc in applied postgraduate study in online learning, having previously studied fine art at the National College of Art & Design and women’s studies at Trinity College Dublin. 

MemberHeather Jensen

Heather Belnap Jensen is associate professor of art history at Brigham Young University. Her research focuses on women in the art world of post-Revolutionary France and transatlantic culture and Mormonism, c. 1900, and she is currently working on book projects in these areas. Jensen is the co-editor, along with Temma Balducci and Pamela Warner, of Interior Portraiture and Masculine Identity in France, 1789-1914 (Ashgate, 2011) and its pendant volume, Women, Femininity, and Public Space in European Visual Culture, 1789-1914 (Ashgate, 2014). Undergraduate courses that Professor Jensen frequently teaches include methods of art history, nineteenth-century European art, modern art, contemporary art, and women in art and visual culture. Jensen is a member of the executive committee for the BYU Women’s Studies program, where she oversees WSTAR, its faculty research group; she is also on the BYU European Studies executive committee and chairs the BYU London Centre faculty oversight committee. Jensen currently serves on the College Art Association’s Committee for Women in the Arts and is a regional representative for The Feminist Art Project.