Digital Humanities, Medieval Studies, Italian Literature, Dante Studies,
Dante Society of America Liaison to the RSA Chair, MLA Executive Forum Committee, LLC Medieval-Renaissance Italian Research specializations: Medieval-Renaissance Italian literature, Petrarch, Petrarchism in Italy and France, neo-Latin humanism, Querelle des femmes, comparative literature (Latin, French, Italian), gender and women’s studies
I am a medievalist and consultant in addition to teaching. I work on medieval literature, manuscripts, incunabula, and marginalia in French, German, Italian, English, & Latin. My research takes a historical approach to literature and focuses on power relations, transgression, sex, violence, the body, the hegemonic and the marginal, kyriarchy, & medieval notions of antiquity. I am interested in ethical, accessible tech, digital humanities, & Hindi and Tamil languages and cultures.
Since 2014, I have served as director of the Office of Programs and director of the Association of Departments of Foreign Languages at MLA. For the Office of Programs I oversee projects relating to the profession, such as departmental reviews, the ongoing examination of faculty rights and responsibilities, monitoring educational and curricular changes, and the development of statements of best practices. As director of ADFL, I oversee the Language Consultancy Service, the MLA Language Map, the language enrollment database, survey, and report, and other projects focused on languages other than English. From 1986 to 2013, I taught Italian at the University of Pittsburgh, with secondary appointments in classics and philosophy. I was chair of the Department of French and Italian for eleven years and assistant dean of the humanities for three years at Pitt. Publications include Compromising the Classics: Romance Epic Narrative in the Italian Renaissance (1996), which received honorable mention in the 1996–97 joint Howard R. Marraro Prize and Scaglione Award in Italian Studies from the MLA, and Freedom Readers: The African American Reception of Dante Alighieri and the Divine Comedy (2011), which received the American Association of Italian Studies Book Prize (general category) in 2011. With D. Mark Possanza, I am co-editor and translator of Ludovico Ariosto’s Latin Poetry, I Tatti Renaissance Library, Harvard University Press (2018). Some key research interests: Renaissance Studies; comparative literature; reception of the classical tradition; vernacular classicism; history of the book; Italian; Latin; Greek; Medievalisms; Dante; Divine Comedy; Matteo Maria Boiardo; Ludovico Ariosto; Torquato Tasso; romance/epic; Neo-Latin poetry; Herodotus.
I am an associate professor of Italian language, literature and culture with twenty-four years of teaching & leadership experience at the university level. My areas of specialization are Medieval & Renaissance Italian literature and foreign (F/L2) language acquisition. Currently, my focus is on the applications of technology and digital media to language acquisition, in particular video game-based learning (VGBL). In fall 2016, as a recipient of the Saint Louis University (SLU) Reinert Center for Innovative Teaching, I developed Intensive Italian for Gamers. The course was successfully taught in the SLU state-of-the-art Learning Studio in spring 2017. I have presented my research and results in workshops and presentations, at conferences and in publications (in print and forthcoming). I have an extensive and eclectic background in Classics (Greek and Latin, Philology, Literature), Ancient and Medieval History, Theology, Philosophy; but also in Cinema Studies, International Studies, Communications and Journalism. I definitely enjoyed the variety of my studies. I am a firm believer in multidisciplinary approaches to both learning and teaching.
I am Senior Lecturer in French and Italian at Arizona State University, where I have taught for 10 years.
David Lummus is the assistant director of the Center for Italian Studies and the Devers Family Program in Dante Studies at the University of Notre Dame. He was previously on the faculty at Yale University and then at Stanford University, where he taught medieval and early modern Italian literature and culture. His publications on Boccaccio, Petrarch, and the Italian fourteenth century have appeared in journals such as Mediaevalia, Speculum, and Renaissance Quarterly as well as in books such as the Cambridge Companion to Boccaccio (2015) and Boccaccio: A Critical Guide to the Complete Works (2013). His monograph, The City of Poetry: Imagining the Civic Role of the Poet in Fourteenth-Century Italy, is under contract with Cambridge University Press and was awarded the 2019 Aldo and Jeanne Scaglione Publication Award for a Manuscript in Italian Literary Studies by the Modern Language Association (press release). He has co-edited a book with Martin Eisner entitled A Boccaccian Renaissance: Essays on the Early Modern Impact of Giovanni Boccaccio and His Works (University of Notre Dame Press, 2019) and he is the editor of The Decameron Sixth Day in Perspective: Lectura Boccaccii VI, under contract with the University of Toronto Press. He was recently appointed to the editorial board of Dante Studies, the journal of the Dante Society of America, for 2020-2022.
Dr. Jonathan Fruoco is a medievalist affiliated with the ILCEA4, Université Grenoble Alpes. His research focuses on the linguistic and cultural evolution of medieval England, with a particular interest in the work of Geoffrey Chaucer and its connection with French and Italian courtly poetry.
I am a principal investigator of the research project (Grant of the Ministry of Science and Higher Education, National Science Centre, PRELUDIUM 14 / research project entitled: Dissemination of the Latin Conceptual Metaphors in the Old Norse-Icelandic literature as a Cognitive Manifestation of Christianization and Europeanization of the Mediaeval Scandinavia) carried out in the Institute of History at the University of Silesia in Katowice.
Italian cinema, Italian media, migration studies, comparative analysis of racial representations in different national cinemas, Italian-American cinema and TV series, Italian literature.