I am a thoughtful, detail-oriented, and charismatic person dedicated to quality work founded on intellectual integrity and creative rigor. I value independent work as well as collaborative engagement, and my years as a graduate student and a university writing instructor taught me how to seek balance between the two. I am a Byronist, first and foremost, and am most influenced by the theoretical works of Georges Bataille, Paul de Man, Roland Barthes, Walter Benjamin, Maurice Blanchot, and Julia Kristeva. My scholarship focuses mainly on British Romantic poetry and Post-Structuralist Literary Theory and Criticism. As a Romanticist, I remain invested in aesthetics––both in visual and linguistic production––and my skills in close rhetorical analysis allow me to apply critical strategies to improve both my work as well as the work of my colleagues and students. I strive to rethink common assumptions about literature and language through analysis that interrogates the presentation of narrative and authorial identities and the stability of rhetorical expression. I trace Romantic aesthetics and affects from past to present iterations in popular culture, finding moments that resist and rupture hegemonic paradigms. I am also a painter . . . and I sell wine.
…. Eds. Debra Rae Cohen and Douglas Higbee. New York: Modern Language Association, 2017.
Review of Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War by Rob Hawkes. Modernism/modernity 20.3 (2013): 614-15.
Review of Clandestine Encounters: Philosophy in the Narratives of Maurice Blanchot, ed. Kevin Hart. Modern Philology 111.2 (2013): E278-E281.
Selected Fiction Publications:
“Nightmare Bird.” Coffin Bell 2.2 (2019). Web.
“Black Plastic” and “House Sparrow.” Wigleaf. March 9, 2019. Web.
“Strawberry Festival.” Occulum. Issue 2. Dec 1, 2017. Web.
“Teenage Boy …
I am Associate Professor of English at Suffolk University in Boston, Massachusetts, where I teach courses on Female Gothic, horror fiction, psychoanalysis and literature, graphic novels, and creative writing. I am the author of the monograph Shell Shock and the Modernist Imagination: The Death Drive in Post-World War I British Fiction (2013) and essays in Modern Fiction Studies, Gothic Studies, and Marvels & Tales. My current research focuses on women writers who draw on the Gothic and fairy-tale traditions, such as Leonora Carrington, Angela Carter, Barbara Comyns, Shirley Jackson, and Helen Oyeyemi. I am also a fiction writer with short story publications online and in print in journals such as Atticus Review, Denver Quarterly, Fairy Tale Review, Necessary Fiction, New World Writing, SmokeLong Quarterly, Wigleaf, and others.
“Modernism in the Classroom: Lionel Trilling and the Experience of Literature.” College Literature (forthcoming 2021): 12,300 words
“The Content of Culture: Matthew Arnold and Harold Bloom.” Symplokē 28.1-2 (2020): 459-476.
“The Intoxicated Conversation: Maurice Blanchot and the Poetics of Critical Masks” (with Daniel T. O’Hara). Philosophy and Poetry: A Continental Perspective. Ed. Ranjan Ghosh. New York: Columbia UP, 2019. 160-174.
“War on Earth: Edward Said and Romantic Literary History.” Symplokē 25.1-2 (2017): 451-468.
“The Madness of the Master: Henry James and Maurice Blanchot at the …
Daniel Rosenberg Nutters recently earned his Ph.D. in English from Temple University with a specialization in American and European literature from Romanticism through Modernism and critical theory. He is at work on two interrelated projects: The Humanist Critic: Lionel Trilling and Edward Said and The Man of Imagination: Henry James and Romantic-Modernism.
… Publicación de Ciencia Política de la Sociedad Argentina de Análisis Político, (en prensa, 2019). ISSN 1666-7883
Martin y Fritz Heidegger, “Correspondencia. 1930-1949″. Barcelona, Herder, 2018. En Éndoxa, N° 44, 2019. Facultad de Filosofía de la Universidad Nacional de Educación a Distancia, Madrid.
Maurice Blanchot “Berlín” [francés-español], Revista Discusiones Filosóficas, Universidad de Caldas, Colombia, N° 34, fasc. 1, enero-junio de 2019. ISSN 0124-6127.
“Latin America. Actors” [capítulo de libro] en Barbara Potthast, Katharina Schembs (eds.), Student Protests in the Global Sou…
Doctor en Filosofía (EH-UNSAM). Mg. en Ciencia Política (IDAES-UNSAM). Becario Doctoral CONICET. Investigador del Instituto de Filosofía “Ezequiel de Olaso” – Centro de Investigaciones Filosóficas / CONICET – Profesor de Ciencia Política en la Universidad del Salvador.
A PhD candidate in Editorial Studies at Boston University’s Editorial Institute, where my dissertation is a critical edition of a selection of Maurice Greene’s (1696–1755) orchestral anthems. Other interests include: music and cultural history of the Early Modern Era, especially of Britain and North America; sacred music and theology; Irish and Scottish music; textual criticism; and bibliography.
Colin Roust joined the University of Kansas musicology faculty in 2014, after prior experience at Roosevelt University and the Oberlin Conservatory. He holds a Ph.D. from the University of Michigan, with specializations in twentieth-century music and film music, and his areas of research interest include the French composer Georges Auric, music history pedagogy, music and politics, and the intersection of music and the other arts in multimedia genres (song, film, opera, ballet, etc.).
I am a historian of modern South Asia and the Indian Ocean. My research interests are related to citizenship, migration and disease.