…Institute For The Study Of The Ancient World, New York University…
…Institute for the Study of the Ancient World, New York University…
…PhD, in progress: Institute for the Study of the Ancient World, New York University
MPhil, 2019: Institute for the Study of the Ancient World, New York University
BA, 2014: College of the Holy Cross
Classics, minor in Physics
…PhD Institute for the Study of the Ancient World, New York University; 2018
MPhil Institute for the Study of the Ancient World, New York University; 2015
Ancient World (Assyriology and Ancient Near East)
MA University of Chicago; 2009
Middle Eastern Studies
BA University of Oxford; 2007
Oriental Studies (Jewish Studies)…
University Lecturer in Assyriology at Leiden University specializing in the social and economic history of the Ancient Near East and in the theory of collective identity.
Charles E. Jones is the Tombros Librarian for Classics and Humanities in the George and Sherry Middlemas Arts and Humanities Library at The Pennsylvania State University. He was the founding Head of the Library at the Institute for the Study of the Ancient World and a member of the Faculty of the Libraries of New York University from 2008-2013. Before ISAW, Jones spent three years in Greece as the Head of the Blegen Library, the American School of Classical Studies at Athens, preceded by twenty-two years as the Librarian of the Research Archives, Oriental Institute, The University of Chicago. Trained in the University of Chicago’s Department of Near Eastern Languages and Civilizations in Ancient Near Eastern History and Assyriology, he is a member of the Editorial Board of the Persepolis Fortification Archive Publication Project. In addition to building and running focused academic libraries, Jones works on a broad range of issues related to scholarly communication in digital environments. Jones is the Editor of AWOL: The Ancient World Online [ISSN 2156-2253]
…Institute for the Study of the Ancient World, New York University…
I am a Roman Historian and Digital Humanist, with research interests in geography, epigraphy, imperial administration, and scholarly communication. I have been employed by New York University’s Institute for the Study of the Ancient World since 2008 as Associate Director for Digital Programs and Senior Research Scholar.
I study the material and visual cultures of late ancient and early medieval Europe, with a special focus on iconographies and architectures of authority in the post-Roman successor states. My doctoral dissertation is a cultural history of palaces between the time of Tetrarchy and that of the Carolingians. Though a constant across this period, palaces underwent dramatic changes architecturally and institutionally. Drawing on theories of landscape and space, I use palaces as a lens for examining shifts in concepts of legitimate authority and the relationship of ruler and subject. In addition to my dissertation, I am also interested in the history of medieval art more generally (including its historiography); urban studies and architectural theory; and concepts of identity, ethnicity, and community in the Early Middle Ages.
My academic interests range from the topography, sculpture, and vase painting of Classical Greece – I wrote my dissertation on Athenian autochthony and identity during the Peloponnesian War – to research pertaining to the provenance of Greek and Roman antiquities and the history of travel, collecting, and display of works of ancient art. Having worked at the Getty Villa, the University of Toronto, and the Getty Research Institute, I am currently teaching an online course on Provenance Research for Johns Hopkins University’s Masters in Museum Studies program, in addition to serving as a Program Officer with the National Endowment for the Humanities.
Interests Hebrew Bible; wisdom literature; instruction transmission; biblical poetry and poetics; philology; the history of biblical scholarship. I founded the Philology in Hebrew Studies program unit, which I now co-chair with David Lambert, and chair the Hebrew Bible, History, and Archaeology program unit at the Society of Biblical Literature Annual Meeting. I am an editor of Studies in Cultural Contexts of the Bible, a new English, German, and French language monograph series with Brill. Together with David Lambert, Eva Mroczek, and Laura Quick, I run Renewed Philology, an international working group of scholars in biblical studies whose work reflects critically on the intellectual frameworks of the reader that are brought to bear in philological practice. Research My research focuses on the formation of the Hebrew Bible, its various genres and modes of discourse against the broader background of ancient Near Eastern literary production, and its reception in and impact on Western scholarship. Broadly, my work seeks to recover the values of ancient literary culture through the language of the texts and examines how these values were reshaped in their reception. On my first book: “Central to understanding the prophecy and prayer of the Hebrew Bible are the unspoken assumptions that shaped them–their genres. Modern scholars describe these works as ‘poetry,’ but there was no corresponding ancient Hebrew term or concept. Scholars also typically assume it began as “oral literature,” a concept based more in evolutionist assumptions than evidence. Is biblical poetry a purely modern fiction or is there a more fundamental reason why its definition escapes us? Beyond Orality: Biblical Poetry on its Own Terms changes the debate by showing how biblical poetry has worked as a mirror, reflecting each era’s own self-image of verbal art. Yet Vayntrub also shows that this problem is rooted in a crucial pattern within the Bible itself: the texts we recognize as “poetry” are framed as powerful and ancient verbal performances, dramatic speeches from the past. The Bible’s creators presented what we call poetry in terms of their own image of the ancient and the oral, and understanding their native theories of Hebrew verbal art gives us a new basis to rethink our own.” See the book on the Routledge page. A special offer of the book at the Yale Divinity School Bookstore can be found here. My next book is currently underway. Reframing Biblical Poetry (under contract with Yale University Press in the Anchor Bible Reference Library series), takes the central insight of my first book—that poetry’s narrative and non-narrative frames shape its meaning—to present fresh readings of well known texts. The book has three sections, where I will explore how poetry is framed by narrative, in character voices; how poetry is arranged in anthology, not in a character’s voice, but by the names and personages of legendary characters; and how some of these ideas manifest as literary features. Yet another project involves theorizing knowledge transmission and its gendered dimensions through the lens of human mortality. For what will eventually be a book, tentatively titled Seeking Eternity: Transmission and Mortal Anxiety in Biblical Literature, I have already produced a number of essays examining the depiction of lineage and succession as strategies for transcending individual death in wisdom and narrative texts. One article forthcoming in the Pardee Festschrift, entitled “Transmission and Mortal Anxiety in the Tale of Aqhat,” shows how the Ugaritic tale of Aqhat constructs a father-daughter alternative to succession. A second forthcoming essay in a collected volume, “Ecclesiastes and The Problem of Transmission in Biblical Literature,” examines Ecclesiastes against ancient Near Eastern instruction and Platonic dialogues, recovering an ancient question about the stability of transmission: Is speech reliable when it is detached from the living speaker’s voice? A third essay, forthcoming in a volume on Ben Sira, “Wisdom in Transmission: Rethinking Ben Sira and Proverbs,” re-examines the evolutionary framework in the study of biblical wisdom literature, and presents an alternative framework, in which instruction can be read as a discourse of trans-generational survival. A fourth essay, “Like Father, Like Son: Theorizing Transmission in Biblical Literature,” forthcoming in an issue of the journal Hebrew Bible Ancient Israel, considers how literary techniques such as “command and fulfillment” manifest broader social and intellectual values and can give us hints as to what biblical authors understood by “transmission” in their depiction of the passage of objects, responsibility, instruction, and text from one generation to the next. These inquiries also intellectually situate the text editions I am currently producing with Matthew Suriano for the SBL Writings of the Ancient World Series, Hebrew and Aramaic Writings about the Dead from Judah and Judea: Eighth cent. BCE through First cent. BCE.
Ioannis Georganas is Academic Director and Lecturer at Hellenic International Studies in the Arts. He holds an MA (1998) and a PhD (2003) in Archaeology from the University of Nottingham, and has worked for the British School at Athens, the Foundation of the Hellenic World, Lake Forest College, and the University of St Andrews. His research interests include the study of Early Iron Age burial customs and the construction of identities in Greece, as well as weapons and warfare in the Late Bronze and Early Iron Age Aegean. Ioannis has participated in excavations and field surveys in Greece (Kouphovouno, Lefkandi, Kastro-Kallithea, Praisos, Kenchreai) and Bulgaria (Halka Bunar). He served as President of the Athens-Greece Society of the Archaeological Institute of America (2005-2017) and he’s been Secretary of the Society of Ancient Military Historians (2013-present).
Senior Lecturer in Ancient Near Eastern Studies, SOAS, University of London