British and American modernism
the pedagogy of difficult literature
British and American modernism
My research focuses on the musical culture of sixteenth and seventeenth-century England and encompasses a wide range of themes including court music, civic pageantry, ballads and popular song, gender, death songs and elegies, music philosophy, mythology, manuscript studies, and early music printing.
I am a poet, translator, and digital humanist. My primary areas of specialization are poetics, digital literature, cultural and critical theory, translation, and genre studies. Recent books include Endless, Beautiful, Exact; Elegy for Dead Languages; War Rug; and Creaturing (as translator). My poetry films have been performed with various composers, including Philip Glass. I founded the Chicago School of Poetics, hold an MFA in Poetry, and am working on my PhD in English Studies.
Eleanor Mary Boudreau holds a B.A. in English from Harvard College and a M.S. in Broadcast Journalism from Columbia University’s Graduate School of Journalism. She spent four years working as a reporter for the NPR member-station in Memphis, WKNO-FM, before earning her M.F.A. in poetry at the University of Houston. She is currently a Ph.D. student at Florida State University and has worked extensively on elegy, Wilfred Owen, and Thom Gunn. She presented at a Symposium on Gunn’s work held at Berkeley in December of 2016.
Poetry and poetics; nineteenth- and twentieth-century American literature; modernism; poetry and new mediaMy research grows out of a fascination with the relationship between poetry and history. Although historicist methodologies have become increasingly integral to literary scholarship, studies of poetry have, by and large, remained resistant to the historicizing impulse. I seek to understand how twentieth-century theories of poetry have authorized and encouraged this resistance. I am particularly interested in questions of genre, form, and format. How has the collapse of sub-genres of poetry (such as elegies, odes, ballads, and jeremiads) into the super-genre of poetry contributed to the idea that poetry transcends context and politics? How can we historicize a form that imagines itself to be outside of history? Is it possible to restore a sense of the heterogeneity of poetic genres while still thinking comparatively across cultures and historical periods? These research questions are motivated by the observation that the historical record of poetic production and consumption in the nineteenth and twentieth centuries is much more complicated than theories of poetry as an abstract genre can account for. My research seeks to develop a theoretical vocabulary that can do justice to the wide range of poetic styles, practices, and poses that historical and contemporary poets and readers have employed, including the popular and the commercial as well as the self-consciously literary and poetic. My current research project focuses on free verse debates in the American academy and publishing industry from 1880-1920; future projects include a study of poetic communities in the Gilded Age and an investigation of remediated and digital poems in the twenty-first century.
‘A Greek source for Maximianus’ Greek Girl: late Latin love elegy and the Greek Anthology’, in Scott McGill and Joseph M. Pucci (eds.), Classics renewed: rece…