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MemberDonald Greig

…‘Re-sounding Dreyer’ in The Oxford Handbook to Medievalism and Music ed. Stephen C. Meyer and Kirsten Yri (Oxford University Press, forthcoming)

‘Sightlines and Tramlines’ Early Music v.43 no. 1 (2015) pp.129-144

Time Will Tell (novel about C.15th music) Thames River Press, September, 2012

‘Performing for (and against) the microphone’ in The Cambridge Companion to Recording  ed. Nicholas Cook, John Rink and Daniel …

I am a performer and scholar, specialising mainly in early music. I am a founder-member of The Orlando Consort, with whom I still sing, and associated with many British early music groups, including the Tallis Scholars, with whom I sang for nearly thirty years.

MemberSamantha Elizabeth Bassler

…y through Harmony: The BBC and Popular Music in World War II. On the web site of the International Association for Popular Music — United States chapter, 2012.
‘Music, Madness and Disease: Disability Studies in Early Musicological Research’, postmedieval (2012).
‘ “But You Don’t Look Sick’: A Survey of Scholars with Chronic, Invisible Illnesses and their Advice on How to Live and Work in Academia’. In Music Theory…

I am a musicologist specializing in cultural studies of early modern English music, music and disability studies, and the historiography of early music. I am currently pursuing an alternative academic career as an adjunct professor in New York City, a freelance editor and professional indexer, and I own and operate and teach private and small group music lessons at Stellar Music Space in Brooklyn, NYC. I am also a certified yoga teacher specialising in modifications and routines for chronic pain and disabilities.

MemberPeter Mondelli

Peter Mondelli has served on the faculty at UNT’s College of Music since 2012.  His main research projects consider the impact of print culture and bourgeois capitalism on nineteenth-century Parisian opera.  Other areas of interest include oral song culture in the late eighteenth-century, early music and musicology in fin-de-siècle France, and the relationship between music studies and the posthumanities.

MemberLeighton Harold Geoffrey Triplow

Australian high tenor Dr Leighton Triplow specialises in the performance and study of early music, particularly that of the English Baroque. A confident, diligent, and enthusiastic young man, he works tirelessly with excellence in practical, theoretical, and administrative realms of the music craft. Leighton completed his PhD (Musicology and Vocal Performance) in his mid-20s at the Melbourne Conservatorium of Music, University of Melbourne. His graduate research explored constructs of gender, performance styles, and character realisation in the vocal music of Restoration composer Henry Purcell (1659–1695). 

MemberJacob Sagrans

…American Musicological Society

Early Music America

North American British Music Studies Association…

I am a musicologist who specializes in the early music revival, sacred choral traditions, medievalism in music, and music and gender. I hold a PhD from McGill University, where I wrote my dissertation on “Early Music and the Choir of King’s College, Cambridge, 1958 to 2015″ (link to the dissertation). I also have a BA in music from Grinnell College. I currently work as a research associate for Science Education Solutions, an organization focused on youth STEM education. A longtime choral singer, I am currently a singer and board member of Coro Allegro, Boston’s LGBTQ+ and allied classical chorus. To see my publications, visit my Academia.edu page.