I am a historian of late antique and early medieval history, interested in the role of hagiography and the cults of saints in the cultural and social history of their time. In my PhD dissertation, I have examined the hagiographical corpus of Gregory of Tours and showed that three of his hagiographical works (the Glory of the Martyrs, the Glory of the Confessors, and the Vita Paturm) were actually meant to be read together as an ecclesiastical history. This history, I argue, helped Gregory to construct a Gallo-Christian identity for the people living in sixth-century Merovingian Gaul. My current research examines Gregory of Tours’ autobiographical anecdotes in his historiographical and hagiographical works and aims at showing how Gregory tried to write his own hagiography and construct his future cult as a saint.
I am a medieval historian working preferably on the peripheries of medieval latin Europe (Scandinavia, Central Europe). I have written my PhD thesis on the cult and veneration of St Erik of Sweden following his way from a local saint around Uppsala in the late 12th century to the royal patron of the Swedish realm in the 15th. For my PostDoc project I turned to late medieval Bohemia and am currently working on the ruling praxis of Wenceslaus IV (“the Lazy”) during the last decade before his dethronement as king of the Holy Roman Empire.
I am a PhD candidate in History at the University of Illinois at Urbana-Champaign. I specialize in Late Antiquity with particular research interests in the religious uses of literacy in the early barbarian kingdoms. My dissertation, tentatively titled “Venantius Fortunatus and the Literary Promotion of Saints’ Cults inSixth-Century Gaul,” examines the prose hagiography of Fortunatus and the ways they engage contemporary discourses on salvation and pastoral care. I am also hoping to publish the first English translation of the heretofore untranslated Fortunatan prose lives. CV here.
I am a PhD candidate in Medieval Studies and a Bilinski Fellow in the English department at the University of New Mexico. My dissertation investigates the life of the legendary St. Swithun of Winchester who served as bishop in life and source for miracles in death. Synthesizing the disciplines of art history, history, architecture, and literature to illustrate the emergence of the cult that surfaced after Swithun’s death, my research details how the remains of the saint influenced the architecture of the cathedral into which his body was ultimately relocated, the religious writing that inspired pilgrims to visit his shrine, and the art objects that sought to represent his holiness in a way that would symbolize with gems and gold the power of his remains. I am also interested in paleography and codicology and how the digital humanities can aid in the enrichment of editing and cataloguing practices for the purpose of editions.
I teach Russian language, literature, and culture at Williams College, and my research focuses on performance–construed in the broadest possible sense–in Russian culture. I’ve published on topics ranging from early Soviet show trials to the cult of personality surrounding Vladimir Putin.
French, poetry, literature, film, cinema, culture, francophonie, Saint-John Perse, Baudelaire, Montaigne, painting, comparative literature, interdisciplinary studies, Rembrandt, Dardenne, Malick, Braque, art book, Heidegger, Dante, literary theory, aesthetics, philosophy, American literature, American poetry, Hollywood, graphic arts, foreign language pedagogy, World English,
I have a PhD in Music History and my MS in Library and Information Science and am passionate about improving the scholarly communications life cycle. Digital Humanities projects, open access publication, and metadata associated with the publications life cycle are my particular interests. As a metadata librarian, I study how scholars can improve the impact of their output through better bibliographic information, tagging, and description of their content. I am currently exploring how better discover open access publications and born-digital projects through better descriptive metadata. As a musicologist, I continue to study how medieval monastics learned to read and write music. I work toward bringing the sonic experience of monastic music to life through a born digital project.