Jared S. Richman is Associate Professor of English at Colorado College where his teaching centers on literatures of Britain’s long eighteenth century, radical culture, satire, critical disability studies, and comics and graphic narrative. He is currently finishing a manuscript entitled“Transatlantic Realms”: British Romanticism and the Idea of America, 1780-1832. He has published essays on various authors including William Blake, Charlotte Smith, Anna Seward, John Thelwall, and Mary Shelley. His most recent project traces the relationship between nascent elocutionary theories of the Enlightenment and disability in Anglo-American culture.
…Ph.D., Columbia University, expected October 2019
M.Phil., Columbia University, 2013
M.A., Columbia University, 2012
M.A., Tufts University, 2010
M.T.S., Harvard University, 2008
B.A., The Colorado College, 2006…
In the 2018-2019 academic year, Michael Anthony Fowler is Visiting Assistant Professor of Art History in the Department of Art and Design at East Tennessee State University. Fowler, presently completing his Ph.D. at Columbia University, specializes in the art and material culture of ancient Greece and the Near East. His dissertation, “Human Sacrifice in Greek Antiquity: Between Myth, Image, and Reality,” offers an archaeologically and art historically grounded inquiry into the historicity, forms, and meanings of human sacrifice. The project combines several of Fowler’s research interests, particularly the iconography and archaeology of ritual and violence in the artistic imagination. He has taught as Visiting Lecturer at the University of Tübingen’s Institute for Classical Archaeology and as an Art Humanities instructor at Columbia, where he earned the Preceptor Award for Excellence in Teaching for the Core Curriculum in 2014. Since 2015, Fowler has been an active member of the team excavating the sanctuary of Poseidon at Onchestos (Boeotia, Greece), and for the past three years has served on the excavation’s senior staff as Supervisor of Site B (the administrative center). In summer 2018 he joined the excavation and scientific team working at the sanctuary of Apollo on the Cycladic islet of Despotiko. Fowler is also co-author of the annual Chronique Archéologique de la Religion Grecque (Kernos), for which he is responsible for Central Greece. Fowler was educated at Columbia University (M.Phil., M.A.), Tufts University (M.A.), Harvard University (M.T.S.), and The Colorado College (B.A.). His research has been generously supported by the Alexander S. Onassis Foundation Foreigners’ Fellowship, the Teach@Tübingen program, an Alliance Doctoral Mobility grant, the Riggio Fellowships in Art History, and a C.V. Starr writing grant.
Dr. Kevin Sedeño-Guillén is a visiting assistant professor in the Spanish and Portuguese department at Colorado College. He is a Latin Americanist with an emphasis in colonial Latin America and a comparative focus in the Caribbean and Andean regions. His main area of expertise is the historiography of Eighteenth- and Nineteenth-Century Spanish-American literary criticism. He has experience teaching Spanish Language at all levels, but he has a special concentration on academic and creative writing coaching. He has widely published on Reinaldo Arenas, Antonio Benítez-Rojo, Pedro Blas Julio, Rómulo Bustos Aguirre, Alejo Carpentier, Gabriel García Márquez, José Lezama Lima, Dulce María Loynaz, Rafael María Merchán, Manuel del Socorro Rodríguez, and María Zambrano, among other authors. He co-edited the collection of essays La narrativa de Mayra Montero: hacia una literatura transnacional caribeña (2008). Sedeño-Guillén’s research has been generously supported by the Biblioteca Nacional de Colombia, Cuban Heritage Collection of University of Miami, University of Kentucky Graduate School and Ibero-American Society of Eighteenth-Century Studies. He is currently working to transform his dissertation, Modernidades contra-natura: crítica ilustrada, prensa periódica y cultura manuscrita en el siglo XVIII americano, into a book.
Kristin J. Jacobson is a professor of American Literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI. Her book Neodomestic American Fiction (2010, Ohio State University Press) examines contemporary domestic novels. Her next book-length project identifies a new genre of travel and environmental literature: the American adrenaline narrative. The project defines and then examine the genre’s significant tropes from an ecofeminist perspective.
Miriam Schaer is a Brooklyn-based interdisciplinary artist who uses artist books, garments, photography, installation and college to explore feminine, social and spiritual issues. She is represented in numerous collections, including the Alan Chasanoff Book Arts Collection at the Yale Museum, the Arts of the Book Collection at Yale’s Sterling Library, the Mata & Arthur Jaffe Collection: Book as Aesthetic Object at Florida Atlantic University, the Brooklyn Museum of Art, Harvard University, and the Sallie Bingham Center for Women’s History & Culture at Duke University. Miriam Schaer is an interdisciplinary artist who’s work includes artist books, photography, installation as well textiles, felt and embroidery, in relationship to artist books. Her projects, Crafting Women’s Stories: Lives in Georgian Felt and Craft Power: Enhancing Women’s Rights Through Traditional Practices in the Republic of Georgia, with colleagues Clifton Meador and Melissa Potter, earned Soros Foundation funding were realized in the Republic of Georgia in 2013. Her work has earned a NYFA Artists Fellowship, inclusion in the Elizabeth A. Sackler Center for the Feminist Art Base at the Brooklyn Museum, representation at the Cheongju International Craft Biennale in South Korea and was an artist in residence for the Imagining the Book Biennale at the Bibliotheca Alexandrina in Alexandria, Egypt. She was a Fulbright Fellow in the Republic of Georgia in March 2017. Her series, Baby (Not) On Board: The Last Prejudice?, about societal prejudice against women without children, was included in MAMA-Motherhood Around the Globe at the International Museum of Women, and featured on Babble.com and the Huffington Post. Schaer’s artist book,The Presence of Their Absence, incorporates her photographs, research and writing on the topic of childlessness. Her interactive project What’s Your Baby? re-frames the question of why some people don’t have children to honor and respect everyone’s choices. Miriam Schaer is a an independent artist and educator. Formerly a Senior Lecturer in the Art+Art History Department at Columbia College Chicago, she also taught Art of the Book at the Pratt Institute, and served as a visiting artist at numerous institutions, including Sarah Lawrence College, Marshall University, and Colorado College. She is represented by the Central Booking Art Space and Vamp and Tramp Booksellers